Concert Review: Memphis, July 20, Lee’s Palace

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Toronto – For the record, I have never been the biggest fan of Memphis frontman Torquil Campbell.  While I’ve enjoyed his work with Stars, he’s generally been my least favourite part of that band and I will admit that I have thought him to seem a bit pretentious at times. Unfair?  Perhaps.  So in an effort to put aside any preconceived notions and prejudices, I took it upon myself to check out his other band and see what they were all about.  And I must admit, they put on a pretty damn good show.

Campbell somehow comes across a bit differently when fronting this band than he does in his main gig.  Perhaps it was the more straightforward rock band arrangements, but something was definitely different.  I detected more than a hint of Morrissey in his delivery.  In fact, at times it was almost like watching a Morrisey impersonator.  Campbell came across as a pretty engaging and yes, often likeable performer.  At one point, he dedicated a song to “all the evil f*ckers who run this province and this city” and a later dedication went out to all the people in the back who couldn’t be bothered to turn around and watch the group of “tired, old men” performing onstage.  This guy’s not really afraid to call it like he sees it.  Nor is he afraid to ask for a drink.

At one point during their set, Campbell asked for a gin and tonic.  Within a few minutes, I witnessed three or four seperate people bringing a gin and tonic to the stage.  Man, I wish I was in a successful Canadian indie rock band and didn’t have to pay for my drinks.  I should really get on that.

Memphis – Way Past Caring by Arts & Crafts

Song of the Day: Colin MacIntyre/Mull Historical Society – The Final Arrears

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Toronto – Colin MacIntyre aka Mull Historical Society has been making lush sounding pop tracks for about a decade now and on this particularly warm day, I am reminded of this particular song for some reason. “The Final Arrears” is the lead track off Mull Historical Society’s second album, titled Us. It’s a great introductory song for those looking to explore the band/artist, as it highlight’s some of the bands best qualities – beautifully arranged music layered with strings and brass, playing along a dreamy pop landscape. Check it out.

Concert Review: Marissa Nadler, July 19, Supermarket

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Toronto – With performers of a more intimate nature, making a strong connection with the audience often makes the difference between a good show and a great show.  A good example of this is Sharon Van Etten.  Not only is she an incredible performer with great songs, but her onstage demeanor is such that she ends up totally charming those in attendance.  This is not quite the case with Marissa Nadler.

Now don’t get me wrong, Nadler did put in a solid, enjoyable performance.  She has an excellent voice and displayed that voice as she played songs from throughout her career, but by her own admission, she needs to work on her stage banter.  Very little was said to the crowd other than a few kind of awkward statements here and there and that’s fine, I suppose.  A lot of performers prefer to let their music speak for them to good effect and Nadler certainly had the crowd’s attention.  I heard nary a peep from the crowd throughout her set. 

Sonically, her set was quite interesting.  Performing solo for the first part of her set before being joined by a cellist and opener Mike Fiore, aka Faces On Film, Nadler offered up some moody, dreamy folk-based music that definitely impressed.   Also impressive was Fiore’s opening set.  Not having heard of Faces On Film before this show, I enjoyed his rootsy songs and strong voice.  He did have a bit of a snag in his set though when he attempted to play what i believe was an omnichord.  Apparently, he’d been expecting the thing to die on him any day now and tonight was the night.  He checked it intermittently for the remainder of his set, but to no avail.  I guess he’ll have to adjust his set accordingly for the rest of the tour. 

Marissa Nadler – Baby I Will Leave You by Folk Radio UK

Song of the Day: The Drums – Money

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Toronto – Borrowing elements from every imaginable mopey eighties English band, The Drums have unleashed their Smiths/Cure influenced new single Money, the first single released off their new album Portamento which comes out on September 12th. This song is definitely catchy and plays to the bands strengths (light hearted pop tracks high on hooks and melodies) much like previous singles such as Me and The Moon and Best Friend. Still can’t make out how much I like them, because they do seem to just rehash music from the 80s. I like the 80s and most bands rip off other bands so why do I not love them? Either way, that’s a problem for me to figure out. Listen to this song in the meantime.