RT Contest! Win a pair of tickets to see Dandy Warhols, June 3rd, Phoenix Theatre

Posted on by Ricky in Contests | Leave a comment

It seems only yesterday that I was in University rocking out to the albums Thirteen Tales from Urban Bohemia and Welcome the Monkey House. The Dandy Warhols were one of the biggest indie bands around in those days, fresh off a few massive hits, including the defining Bohemian Like You (still a dance floor staple at most indie clubs) and one of the better hand clap songs out there (We Used to be Friends). It seemed like the world was full of possibilities.

It’s now been a decade since that time, and the Dandy’s are still at it. They never quite reach the levels that most people would have projected for them in their hey days, but they are still here, plugging away at it. Their latest album, The Machine was released in April and appears to be a less electronic heavy album than their previous effort Earth to the Dandy Warhols.

Luckily, you can get a taste of all of the Dandy’s discography when they come to town on June 3rd. Courtesy of Live Nation, we have a pair of tickets to give away. To enter, do one of the following.

1) Like us on Facebook and comment on our post about it.
2) Follow us on Twitter(@panicmanual) and retweet this post.
3) Email panic@panicmanual.com with the subject “Not if you were the last contest on earth! / Dandy Warhols” and your full name in the body
4) Legally change your last name so that there’s a duplicate of it. So John Smith Smith, for example.

Other relevant tour dates

5/17 – The Wiltern – Los Angeles, CA
5/19 – Belly Up – Solana Beach, CA
5/20 – The Roxy Lounge – Scottsdale, AZ
5/22 – Emo’s East – Austin, TX
5/23 – House of Blues – Dallas, TX
5/25 – The Masquerade – Atlanta, GA
5/26 – The Fillmore Charlotte – Charlotte, NC
5/27 – The Orange Peel – Asheville, NC
5/29 – 9:30 Club – Washington, DC
5/30 – Trocadero – Philadelphia, PA
6/01 – Royale Nightclub – Boston, MA
6/02 – Corona Theatre – Montréal, QC
6/03 – Phoenix Concert Theatre – Toronto, ON
6/05 – Irving Plaza – New York, NY
6/06 – Bell House – Brooklyn, NY
6/08 – Royal Oak Music Theatre – Royal Oak, MI
6/09 – Grog Shop – Cleveland, OH
6/10 – Metro – Chicago, IL
6/12 – Gothic Theater – Englewood, CO
6/13 – Belly Up – Aspen, CO
6/15 – Commodore Ballroom – Vancouver, BC
6/16 – Doug Fir – Portland, OR
6/17 – Showbox Market – Seattle, WA

Album Review: Amanda Mair – Self Titled [2012, Labrador]

Posted on by halley in Albums | Leave a comment

So remember the Lilith Fair? A monumental, epic, crunchy-granola, feel-good testament to all that is feminine? Good news if you do remember: You have great taste in female artists. Good news if you don’t remember: Amanda Mair can provide a cheat-sheet to all the Lilith Fair awesomeness you have been deprived of.

Amanda Mair, first of all, is a baby (aka born 1994 – don’t think about it – it’ll only hurt your soul). The Swedish singer has a beautiful, clear, natural voice that neither grates nor wears on listeners. I could literally listen to her all day. More good news: her debut, self-titled album will be available June 5, 2012.

Most of her music on the album is laid-back – easy listening but distinctive enough not to become boring. There are some poppy undertones (try “Doubt”) – as well as some richer (almost soulful?) sounds on tracks like “Sense.” My personal favorite is “Skinnarviksberget” which makes me think of every prince-and-princess-falling-in-love moment from all our favorite Disney movie classics.

So: Feminists, Scandinavian-philes, Disney-lovers, children of the 90s, unite (if you don’t fall into one of those categories, you need to seriously reassess your interests)! Spread the word of Amanda Mair. She’s definitely worth a listen.

RT Contest: Win Tickets To Cheap Girls, May 17th, Sneaky Dee’s

Posted on by halley in Contests | Leave a comment

Making every feminist cringe with its band name since 2007, Cheap Girls has also been making its fans smile for the past 5 years. The all-male trio (including two brothers – shout out to siblings!) hails from Michigan and produces a sound evocative of 90s garage punk – and we mean that only in the best of ways. The band’s latest record, Giant Orange, has several gems, including “Ruby” “On-Off” and “Cored to the Empty.” Although the band names a glow-in-the-dark arcade/mini golf course serving a vegan pot luck the ‘weirdest’ venue they’ve ever frequented, we’re sure this upcoming tour will produce comparable superlatives of awesomeness. To win tickets and experience it yourself, do one of the following three things:

1) Like us on Facebook and comment on our contest post
2) Follow us on twitter (@panicmanual) and retweet this post.
3) Email panic@panicmanual.com with the subject “Women Should Actually be Valued by their Male Counterparts for Real Though.”
4) Vote for your favorite sibling duo amongst the Panic Manual writers (hint: there’s only one pair).

Concert Review: Tristen, Justin Townes Earle, May 12, Opera House

Posted on by Paul in Everything | Leave a comment

Tristen puts on a pretty good show.  Not being overly familiar with the Nashville based musician’s work, I went into the show pretty much blind and walked away impressed.  She’s got a good voice that really shines through in her catchy, upbeat folk pop tunes.  She’s touring behind her latest, Charlatans At The Garden Gate, which has received accolades from publications such as Spin, Paste, and American Songwriter, and which her press release describes as “hooky guitar pop that blends country, rockabilly, rock’n'roll, girl group sounds and introspective balladry.”  Yup, that sounds about right to me.  She’s got a likeable presence on stage and seemed to make a good impression on the crowd.  The crowd apparently made a good impression on her too, as she later remarked on Twitter, “ Toronto! We love you and your funny money – thanks for the love.”

I was considerably more familiar with the work of headliner Justin Townes Earle, though I’m still working on digesting 2012′s Harlem River Blues and haven’t yet given Nothing’s Gonna Change the Way You Feel About Me Now a listen.  From what I could tell, nothing off the new album seems like a radical departure for Earle, though one change was apparent: this was my first time seeing Earle backed up by a full band.  Truthfully, I feel like I kind of prefer seeing him as more of a solo act, though it did sound good with a fuller sound and Earle, as usual, put on a good show.  And I suppose if you’re making the move from The Horseshoe (where he played last time he was in town) to The Opera House, you’ve got to step up your game a bit. Well done, Justin Townes Earle.  Now I guess I’d better go listen to that new album.

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