Concert Review: Darwin Deez, July 13th, Black Cat

Posted on by halley in Concerts | Leave a comment

Let me first make sure you know what the 2 things this post is NOT: it is NOT 2 things.

1) It is NOT a message to deter you from going to a Darwin Deez concert next time you have the chance.
2) It is NOT a blanket criticism of female rockers.

With that in mind:

I was not wowed by Darwin Deez’s last visit to the Black Cat in Washington, DC. My friends and I had gone to see him in February and were blown away by his gorgeous trash ‘stache, curly locks, vocal energy, and most of all, by the Deez and his (all-male) bandmates’ razor-sharp dance moves. All their songs sounded better live than recorded and the band’s obvious delight at performing just added to the excitement of the already-pumped crowd.

Given this experience, my concert-crew was quick to jump at the chance to see the Deez again this past Wednesday. With our high expectations, perhaps it was inevitable we would be disappointed. However, there were several specific… flaws (?) errors (?) faux pas (?) that made this show simply lacking.

• First, the band was about 15 minutes late to take the stage. Fifteen minutes. Not a big deal right? I mean, that’s the amount of time it takes me to type a text using T9 on my beloved dumb-phone. Except fifteen minutes takes on a whole new meaning when the set time is 10PM, you live in the nation’s capital, and the one and only WMATA (our ‘fond’ nickname for the Washington Metropolitan Area Transit Authority) only runs until 11:58 PM on weekdays with the closest station being a good 30 minute-walk from the venue. Why the delay? After discussing (albeit drunkenly and in shouted tones) the question with fellow concert-goers, we decided Deez was… nervous. Seriously. The concert was being taped and Deez took the stage looking more consternated than excited to perform. Buzz kill. Disappointment #1.

• Second, Deez came shorn! The moustache was definitely up to par (as were the “homage ‘staches” of several male concert-goers) but his ringlets were chopped. Not a serious flaw, but still, a little sad.

• Third (and I cringe to type this, but type this I will), there was something ‘off’ about the band’s dancing, which was the unquestioned highlight of the last show. And… I’m going to blame it on The Girl. She was just too self-conscious on stage. While the original (yes, again, all-male) band-members perfectly balanced maintaining an air of: [this is SO fun + I am ROCKING these dance moves + go ahead and laugh but this is SUPER serious bizness] on stage while dancing, The Girl’s aura was more a combination of:
[I’m going to try really hard to LOOK like I’m having fun + I don’t QUITE know these moves + DAMN ! I forget – am I supposed to look sexy? Or serious? Or both?]. Not ideal.

That being said, I couldn’t think of a better way to have spent $13 on a Wednesday. Deez’s entire repertoire is excellent. Up in the Clouds, Bad Day, Constellations, DNA, Radar Detector – all the classics rocked my socks. A couple unexpected treasures were The Bomb Song and The City. And don’t get me wrong, The Girl played her bass like it was no one’s business AND she drank a regular Coca-Cola on stage, so she scores double points for being a female who drinks non-diet soda and for defying the stereotypical beer-on-stage look.

All in all, a truly enjoyable concert event. It’s just difficult to keep topping expectations when you set the bar so high the first time. So next time Deez is in town – go see him. And make sure you remind Michelle (yes, The Girl has a name) to practice her dance moves.

Darwin Deez – Constellations by LuckyNumberMusic

Concert Reviews: Cibo Matto, July 15, Lee’s Palace

Posted on by Ricky in Concerts | 2 Comments

Toronto – A surprisingly small crowd took up shop at Lee’s Palace on Saturday night to see the Cibo Matto, a genre bending hip hop meets indie rock meets dream pop band from New York best known for their records Viva! La Woman and Stereotype A. It had been many years since the Japanese via New York duo last took the stage in Toronto and from what my friends can recall, that show (a bill shared with Lucious Jackson) was one for the ages. You would have thought that the memories of that show would propel all those attendees to visit Lee’s to relive those moments. Sadly, that was not the case.

Playing tracks off those two albums, Yuka Honda and Miho Hatori put on a stellar show that was energetic and surprisingly intimate. The duo started off the set as the only members on stage with Yuka on the keyboards and Miho behind the microphone (and some funky sunglasses). Sugar Water was played rather early much to the delight of the crowd. Just as I was about to complain about a lack of live instruments, two other members took the stage, assuming bass and drum duties. Now a full band, Cibo Matto’s show took on a more upbeat vibe. Miho’s rapping has to be seen to be believed. You would never think that a Japanese woman rapping in a heavy accent would work, but it does. The band seemed to appreciate the crowd that showed up, perhaps realizing their decade long sabbatical might seem exponentially longer given the break neck speed that the music industry moves at these days. A particularly funny story about 16 dollar pad thai was told (you can read it on their website) and the band introduced a few new songs, including a thrilling dance track that may or may not be called Ghost Girl on the Dance Floor. Apparently a new album is on the way

Cibo Matto finished the set with dance floor igniting Know Your Chicken. It might have taken them almost a decade to return to Toronto, but for those in the crowd, it was well worth the wait.

Awesome Song of the Day: M83 – Midnight City

Posted on by Ricky in Song of the Day | Leave a comment

Toronto – Freakin amazing track by an artist who rarely falls to meet expectations, Midnight City is the blazing new single from M83 and is the first track to be released off his double album Hurry Up, We’re Dreaming out October 18. This track is ridiculously good with a sax solo at the end that’ll make you want to put on a captain’s hat and some white jeans. Can’t wait until the new album comes out. Listen now. Download for free after.

Tour dates
Oct. 15 – Mexico City – Corona Capital Festival
Oct. 28 – Washington DC – Black Cat
Oct. 29 – Raleigh, NC – Kings Barcade
Oct. 30 – Asheville, NC – Moog Fest
Oct. 31 – Atlanta, GA – Masquerade
Nov. 1 – Tallahassee, FL – Engine Room
Nov. 2 – Orlando, FL – The Social
Nov. 4 – Houston, TX – Warehouse Live
Nov. 5 – Austin, TX – Fun Fun Fun Fest
Nov. 7 – Phoenix, AZ – The Crescent Ballroom
Nov. 9 – Los Angeles, CA – Music Box
Nov. 10 – San Francisco, CA – The Independent
Nov. 11 – Portland, OR – Wonder Ballroom
Nov. 12 – Vancouver, BC – Venue
Nov. 13 – Seattle, WA – Neumos
Nov. 16 – Minneapolis, MN – Varsity Theater
Nov. 17 – Chicago, IL – Lincoln Hall
Nov. 18 – Toronto, ON – Lees Palace
Nov. 19 – Montreal, QC – Le S.A.T.

Nov. 20 – Boston, MA – Paradise
Nov. 22 – New York, NY – Webster Hall

TO Fringe Review: Trotsky & Hutch

Posted on by guestwriter in Fringe | Leave a comment


Photo by Kevin Thorn

In this fully-improvised, one-hour romp, Impatient Theatre Company Founders Kevin Patrick Robbins, and Sean Tabares play two beat-cops deciphering life. Each improviser gets a suggestion off the top of the show and uses that one thing to fuel his perspective for the next hour. What’s wonderful about Tabares and Robbins is their chemistry. They have worked together tightly for over 10 years, and it’s obvious because either one of them will suddenly transition into another character in another place and time and the other will follow without hesitation. It’s simple premise, it’s good improv, and it’s worth your time.