SXSW

SxSW preview: Homeboy Sandman – “Rain”

Posted on by Gary in Everything, South By Southwest | Leave a comment

Baltimore – If you’ve listened to Radiolab, you may consider me “Straight Outta Johns Hopkins”. My point is, I seldom listen to hip-hop or rap. That’s pretty much established given my record with classical, instrumental, folk and other genres. Yes. All the soft stuff. So y’all have no reason to believe that I have any basis to recommend outside of those realms, much less my opinion when I say this song is good.

But there it is. My lack of historical appreciation for rap apparently doesn’t hinder the universality of music like the impermeable genre definitions and Pandora channels do. In “Rain,” you’re herded along by the rhythm to simmering build-ups toward each chorus, the cold/factual foreground grievances that change while the same theme plays out underneath (which I can guess but never confirm that it was meant to signify a social backdrop that hardly improved while manifold problems surface). The contents aside, the ’90s, video-game construction of the song is just, well, apropos. The album is from 2012, but as long as it’s new to you, it shouldn’t matter. Homeboy Sandman was also featured on Perspective, another song that I liked a lot.

Homeboy Sandman will be at the Empire Garage at 10:30PM on March 20.

SXSW Preview: The Family Crest – “Beneath the Brine”

Posted on by Gary in Everything, South By Southwest | Leave a comment

I’ll tell you what I was driven to do while listening to Beneath the Brine: acquire an Infernus and speed away doing drive-bys at 245 mph, swerving between semis as if on a suicide mission.

In all fairness, that’s what you do in GTA V regardless of the soundtrack. But this number is like the nitro-jetpack that transfigures your invincibility complex. I first heard The Family Crest on Tiny Desk (below). While the make-up and the instrumental variety make them more versatile compared to your typical 4 piece band, they convey far more on an orchestra, string-quartet quality with a tinge that I would describe as… well, vengeance. With a backup choir, this approaches what you normally hear in the “epic”-genre. If the Tiny Desk concert is anything to go by, this promises to be a fun set at SxSW.

The Family Crest plays St David’s Bethell Hall at 830PM on March 18.

SXSW Preview: Doug Seegers – “Going Down To The River”

Posted on by Gary in South By Southwest | 1 Comment

If you’re 62 years-old, homeless by choice in Nashville TN, and trying to find a place for your music, what would you expect the next moment to bring?

In Douglas Seegers‘ case, the next moment brought a street vendor friend and two Swedish TV hosts to his side of the street and the rest, as the cliche goes, is history. That history by-the-way now includes an exploded Facebook profile, a gold album, and tour contracts. It goes to show what a little serendipity can blossom into when you’re prepared for it.

Seegers’ breakthrough single is “Going Down To The River.” While the lyrics are not exactly full of novelty, the delivery is nothing short of breath-taking. Leaving aside the version recorded in (no-less-than Johnny Cash’s old) studio, see below the original “live set”, with the slightly stunned hosts (themselves artists if I’m not mistaken) crouched on the side of a nameless street. I am reminded of an Ian McKellen Magneto strumming the guitar, anguished and gushing about the guilt from mangling his best friend’s spinal cord. Maybe it doesn’t bring to your mind any imagery remotely like that – but Seegers’ voice and accent is definitely something that resonates for a long while after you’ve left that number. And given the unlikely, seemingly fairytale back-drop – I’d say anything is possible.

Doug Seegers plays St. David’s Historic Sanctuary on March 18 at 12:00 AM.

SXSW Preview: Spain

Posted on by Ricky in South By Southwest | Leave a comment

picture of band spain

I stumbled upon Spain in my formative years in the 90s and I was very glad I did. Featuring the smooth strength of Charles Hayden’s vocals and simple jazzy arrangements, Spain’s sound was a great contrast to the buffet of britpop I had on my regular rotation. The track Nobody Has To Know is still one of my favourite tracks to this day.

The past year saw Spain team up with Canada’s own Dine Alone Record to deliver the new album Sargent Place. I have only recently got my hands on the record (thanks, Dine Alone!) and am excited to see how it blends with the older material. Luckily, they are playing in Austin again. I was elated to see them at SXSW two years ago and this time around, I’m equally excited to see them once again showcase their music in Austin (and not at 1:30 am).

Check them out at Bungalow from 8:00 to 8:40 pm on Wednesday March 18.