SXSW

SXSW Primers – Bands A to Z

Posted on by Ricky in Everything, South By Southwest | 1 Comment

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Toronto – Here is an A to Z list of bands playing at SXSW. I’ve even been kind enough to link each band to their respective myspace/website so you can check them out*. Apologies if I missed any letters, English isn’t my first language.

Antlers – I might see these guys again, although it’d be weird to see their depressing music in the clear afternoon light

Broken Bells – Danger Mouse + The guy from the Shins? Yes please. Will this album only kind of change Natalie Portman’s life?

Chew Lips – English dance-pop act has Josh blowing his load with each single they release. Might check them out.

Dr. Dog – Lo-fi folk band keeps on churning out consistently good albums. New album Shame drops sometime in April

Everybody Was In The French Resistance…Now! – I had no idea Eddie Argos (of Art Brut) had a new band. It has to be great. In Argos I trust.

Fanfarlo -They cancelled their show in Toronto in December. I now get to see this London band at a warmer venue. Awesome. Luna is an amazing track.

Gay Witch Abortion – I have never heard of this band, but look at that band name.

Holy Fuck – This time, when I see them, I won’t confuse this Toronto electronic act with Polaris winning Toronto hardcore band Fucked Up

Imaad Wasif – 24 Terrorist character or Canadian born Indian singer songwriter? Check out his show and decide.

Jj – Where did these Swedes come from? From Africa to Malaga was such a good chill tune, but their new album sounds more or less the same.

Kyle Lee – Is this a Chinese Texan hip hop artist? I don’t know, but he has an Asian last name so here’s hoping.

Local Natives – They impressed many people last year, a breakout album later, these guys are ready to rule Earth.

Marina and the Diamonds – I wrote about them already, but she’ll be very good live.

Neon Indian – Hipster ratio will be off the charts for this HRO fan favorite.

Orquestra Contemporânea De Olinda – Brazillian worldly music. Gotta check out some worldly stuff for Mark

Pains of Being Pure at Heart – Shoegazey throwback band played about a billion shows last year, I didn’t catch them then. I won’t make the same mistake again. Maybe.

Quest for Fire – No idea who they are but they are the first band with the letter Q in it I see. Clever marketing yo.

Russian Futurists – Had a blast seeing them at Wavelengths despite short set. Should have equal blast at SXSW despite short set.

Spoon – Austin’s favourite band open SXSW at Stubbs with what undoubtedly will be a great performance.

Toro Y Moi – One of the first big discoveries of 2010, this dude will bring some chilled tunes to Austin.

Ume – Frank from Chromewaves really enjoys this bands live set. Who am I to argue.

VV Brown – Wonderfully talented retro pop sounding VV Brown will bring what is surely a great set to SXSW.

Walkmen – 7 or 8 years later, I still love the song The Rat

Xx – They continually seem to have bad luck, hope these guys make it to SXSW

You Say Party! We Say Die! – BC band looks to build on the success of XXXX here in Austin. Laura Palmer’s Prom..what a song

Zeus – Arts and Craft band is about to hit the stratusphere with their debut (?) album.

*(it’s also really good for search engines)

SXSW Review: Razorlight [Cedar courtyard, March 20 2009]

Posted on by Gary in Concerts, Everything, South By Southwest | Leave a comment

Razorlight, SXSW, Cedar Courtyard, March 20

Toronto – Discovering a band isn’t very hard for me to do – I’m horrible at remembering band names, I don’t know that many bands to start with, and even worse I’m vicious at rejecting things that doesn’t produce good vibrations within 10 seconds of incus hitting malleus. For some reason Razorlight kept my attention despite the fact that we were really waiting for White Lies during the afternoon (if you recall this was also the same party where LOTP happily played one song too many and had their brawl with Cedar courtyard security, see below).

What began as a casual head-bobbing turned into seriously listening and by the end of the set, I didn’t care that I was made fun of for liking their sound. Razorlight started in 2002. Either the fans or their marketing contributed to the wiki, because it’s actually quite sizable given their indie status (it’s longer than that of White Lies, for example…) Listening to most of their songs across albums after the set, I’m convinced that they actually sound more American than their British/Swedish composition. Songs like Golden Touch, America, and Vice are all very typical. But it does switch and produce some funny associations… In the City actually sounds more like a Sheryl Crow song when it begins; and at some point during To the sea I’m reminded of Sister Act… weird. There is something to be enjoyed if you have never heard them prior. Although the lead vocal’s slightly off tune style cannot be said to be impassive, it translates just that much better in real life performance. Happily sandwiched between the brawl and the main gig, they played a mix of new and old. Apart from the ones I’ve mentioned already, Wire to wire, Hostage of love, and North London Trash from their new album were there, too. Like I mentioned, sound was not only true to recording but actually better, and good showmanship in general. With that, I’m now happy to have some solid rock in the ipod aside from the sugar-high songs that I normally have.

SXSW Review: Chairlift, Red Eyes Fly, March 21 2009

Posted on by Gary in Concerts, Everything, South By Southwest | Leave a comment

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Austin TX – Brooklyn’s Chairlift gained instant celebrity through ipod’s nanochromatic campaign, indeed that’s how I heard them first. The super flighty and infectious “Bruises” has had 3.7 million hits on myspace alone and I have to say, it’s very different from what’s on the rest of the album, which are placidly mood-setting. Because of this difference, for the longest time I had them mixed up with another 3 person boy-boy-girl band called Headlights from Illinois and actually thought I was going to see the latter instead… My bad.

This set was extremely short. But my guess is when the vocal came on stage with her blue workshirt and lace stocking half of everyone else became longer to compensate. There weren’t that big of a crowd, though. They played only 4 songs (Planet Health, Bruises and 2 others…) I think all from the first album. The singing was dead-on, but always a bit flat and not as flighty as the recordings. A few people were dancing, the general crowd reaction was respectable but a bit withdrawn, which could be why they didn’t play much… or maybe they have to wrap and head to the next show at Dallas.

I can’t really write a fair review on a short show like this… guess there’s always next time. I just found out they’re playing with PBJ in April at Phenix Theater (Toronto). Would that I didn’t wait 1.5 hr for PBJ to warrant an almost permanent No-No…