CD Review: Retribution Gospel Choir 2 [2010, Subpop]

Posted on by Paul in Albums, Everything | Leave a comment

Toronto – I’ve seen Low a couple of times now and while I definitely enjoyed them, I will admit that I got a little bored during their sets.  In fact, Low was a band I didn’t pay that much attention to until I happened to catch the brilliant documentary Low-You May Need A Murderer, more a portrait of singer Alan Sparhawk and his own set of beliefs and opinions than a straight band documentary.  After that I became a full on fan and was excited to see what they would do next.  I also discovered Sparhawk’s more rockin’ side project, The Retribution Gospel Choir.  Sparhawk’s desire to rock out more suggested to me that perhaps even he was getting a tad bored with the “slowcore” dynamics of his dayjob.

So you can imagine I was excited to catch Retribution Gospel Choir when they played a show at The Drake on Jan. 25 … but I got really sick and was unable to go, so I thought why not a CD review instead? 

Retribution Gospel Choir is definitely a more riff oriented affair than anything from Low’s back catalogue.  In fact, a couple of these tracks could probably be slipped into the Q107 playlist without anyone making too much of a fuss.  “Workin’ Hard” kicks out the jams like Boston or some other geographically named 70s rock band who enjoys endin’ words with apostrophes while “Poor Man’s Daughter” busts out some Crazy Horse-isms and “White Wolf” rides a riff that’s slightly reminiscent of a combo of ACDC’s “Dirty Deeds” and Danzig’s “Mother” while still sounding like an Alan Sparhawk song.  They even have a song called “Electric Guitar.”  How rock is that?

In a way, this is like a beefed up version of Low (bassist Steve Garrington also plays in both bands) and that is definitely a good thing.  Perhaps other performers on the softer side of the musical spectrum should consider changing things up for an album or a side project.  Imagine it – Bon Iver cranks it up to 11, John Darnielle recruits his favourite black metal musicians to play in The Mountain Goats … the possibilities are endless.

Concert Review: Wilderness of Manitoba, Ghost Bees, Casey Mecija

Posted on by Ricky in Concerts | 5 Comments

Toronto – My first show of the year was a No Shame showcase at the Garrison featuring Casey Mecija (of Obijou), Ghost Bees and the Wilderness of Manitoba. Aside from Wilderness of Manitoba, I don’t really know much about the other two acts. I think I saw Obijou perform in a tent at that Book in the Park thing before, but I think I only went because it was a nice day outside and I wanted to see what this whole ‘reading’ craze was all about.

Anyways, if you want cliff notes for this review, it can be summarized with this picture. It is regarding the crowd at the Garrison every single time I’ve been there:

Srsly. People at the Garrison, there are two rooms in the bar. One is a bar, people go there to drink and talk. The second is a concert room, people go there to LISTEN TO MUSIC. Have some respect, there’s a poor little girl out there with an acoustic guitar and a soft voice. It was incredibly frustrating to try to listen to Casey’s set since people just refused to stop talking. Even after moving up, I could still not get silence. Her in between song banter was lost on everyone except the people in the first row. What I did hear was some nice acoustic singer songwriter stuff.

Next up was Ghost Bees. Ghost Bees are an indie pop band featuring twin sisters named Romy and Sari from Halifax. Probably not this Romy:

I wonder if they were twins in that movie too. The Ghost Bee act was quite theatrical. Dressed up in somewhat gothy gear, the twins certainly had their following as there was more then a few people in the crowd dressed up in similar attire. Either that, or there was an Interview with the Vampire fan club party going on at the Garrison at the same time. I’m not sure. Playing a variety of instruments (steel drums, banjo, mandolin?, some weird stuff) the twins for a fleeting moment had the crowd mesmerized enough so that most of the people in the front were at least quiet. Later on in the set, they were joined by John O’Reagan and Katie Stelmanis, who both appear to come from the same Eyes Wide Shut party. Speaking of Eyes Wide Shut parties, does anyone remember that subplot from Gossip Girl last year, when Chuck found that secret sex club his dad was part of, found some girl, and then saw her get kidnapped by Carter and then the storyline just got forgotten? What happened to that girl? Anyways, the Ghost Bees set was very interesting, the twins kept on giving everyone else in the band (including each other) these long, furtive stares and then would nod their heads. It was quite distracting since they both had really big eyes (accentuated by their makeup). I would say, I would definitely see them again, since I kind of forgot what their music sounded like.

The Wilderness of Manitoba was the final act. They were also on really late. I’ll be honest and say I didn’t stay for the whole set. Now you might be like ‘dawg, you weak’, but I think I was still a little jet lagged at the time.From what I did hear, they have definitely been improving as a live band. Bluebirds sounded sharper then in previous times. The bowl made it’s reappearance, and once again, I got a complete kick out of it. I’m going to suggest that next time, they cook us pancakes while performing. I think that would be pretty much the coolest thing ever. I think the Wilderness of Manitoba played a few songs, one named after St. Petersburg, which as one of the members mentioned ‘used to be known as Leningrad’. I wonder if he’s a commy.

Overall, I enjoyed my night there. Despite the super annoying never ending chatter of the crowd, I still get a kick out of going to the Garrison because of the whole communal vibe from these local shows. I like that I can throw my jacket on the pool table and no one will steal it. Even if they did, I could just steal someone else’s, so I feel kinda safe.

Ps. I had excellent Mexican food before the show.

CD Review: Melt Banana – initial t. (2009, Init Records)

Posted on by Paul in Albums, Everything | Leave a comment

Toronto – OK, so first things first, this 3 song EP is only slightly over 5 minutes long, which means it took me less time to listen to it than to write this review.  But it’s awesome.  For those who don’t know, Melt Banana is a Japanese noise rock band that has been described (on Wikipedia anyways) as “new wave grindcore.”  Their songs are short and fun blasts of high pitched vocals, blasting drums and crazy guitar noises, sounding a bit like what might happen if you teamed up a bunch of hyperactive kids on a sugar rush with a technical metal band and got them to create a soundtrack for the most amazing yet freaky kids cartoon ever.   Sadly, that cartoon will only ever exist in my head.

Concert Review: One Hundred Dollars, Lonesome Ace String Band, Horseshoe Tavern, Jan. 22, 2010

Posted on by Paul in Concerts, Everything | Leave a comment

Toronto – Even though I was pretty stoked about catching the last ever Tonight Show with Conan O’Brien, I opted to go out and catch this show instead.  It turned out to be a pretty good call.  Besides, I’m sure all the best parts of Conan will make it onto Youtube or something anyways.

The Lonesome Ace Stringband is made up of guys who I’ve seen playing the regular Wednesday bluegrass nights at the Silver Dollar and they offered up what you would expect: old timey bluegrass tunes full of tons of picking and some high lonesome harmonies.  Their stage banter consisted of asking the audience question like “Any fans of old time gospel?” (to which the crowd responded surpisingly with loud cheering) or “Any fans of old time banjo tunes?” (to which I wanted to respond, “No, I only enjoy modern banjo tunes” but I didn’t)  One of them also threw out a sales pitch for their CD with a tongue in cheek attempt to convince us that CDs were better than mp3s and cooler than vinyl.  Hopefully they sold a few.

 One Hundred Dollars took to the stage as some intro music played and a smoke machine filled the room … kind of like the Chicago Bulls if they were a country band.  The Toronto band were playing a release show for their new 7” entitled My Father’s House,  so of course they played the title track midway through their set as well as a whole load of other songs, the highlights for me being “14 Hour Day, ” “Careless Love” and a cover of Little Feat’s “Willin.”   Singer Simone Schmidt has one hell of a powerful voice and the rest of the band (featuring several former members of Jon Rae and the River) were equally impressive, especially organist Jonathan Adjemian.

If you enjoy country-ish stuff that absolutely doesn’t suck, then One Hundred Dollars is the band for you.