Concert Review: Thievery Corporation, Kool Haus, Feb 22 2009

Posted on by Mark in Concerts | 6 Comments

Toronto – The Washington-based duo Thievery Corporation came to Toronto last Saturday to share their unique fusion of solid beats decorated with musical styles from the world over. The heart of Thievery consists of duo Rob Garza and Eric Hilton. They filled out the stage by bringing a veritable posse of over 10 other musicians, including a Brazilian songstress, a sitar-player, horns, and assorted percussionists. This is the 2nd date of a new tour helping to promote their latest album, Radio Retaliation. You can check out an excellent review of this album by my fellow Panic-Manualer Brian here.

Sure the bass drums may sound “great” if they’re literally shaking your chest, but if it’s doing so at the expense of the vocals, the horns, and the sitars, then all you’re left with is some muddy-ass drum and bass

I will say that I was looking forward to this show for months. Thievery is one of my go-to groove bands when I just want to get in the zone and stay there. It’s good music to listen to when doing stuff; like polishing shoes, or ironing, or working/studying. Radio Retaliation is by far their most political offering to date, but it still contains the main elements of Thievery that I love; killer beats and an atmospheric sound. While the show was great, I think my expectations were probably a little unrealistic given the venue that is Kool Haus.

I don’t want to be a one-trick pony where all my live reviews consist of an intense critique of the venue, but the more concerts I attend, the more I realize how important the venue is. It is a critical element that will colour the entire concert-going experience, for better or worse. I have to say, I do try to avoid the Kool Haus (and the affiliated guvernment) at many costs, and will only be persuaded by my favourite bands. To Thievery’s credit, they are one of those bands. That being said, after this experience at Kool Haus, the bar for “what bands I will go see at Kool Haus even though I hate Kool Haus” has just been raised a couple notches.

I think if we spent more time making sure that a band is properly heard, then the crowd will concentrate on making sure that it’s being properly felt.

Now, I know that getting a live band to sound good is no easy feat. Any sound engineer worth their salt will tell you that working a big cavernous concrete box like Kool Haus is no simple task. But I do feel that sound engineer’s today could learn a great deal by discovering that special button known as the “master volume knob”. Sure the bass drums may sound “great” if they’re literally shaking your chest, but if it’s doing so at the expense of the vocals, the horns, and the sitars, then all you’re left with is some muddy-ass drum and bass. I think if we spent more time making sure that a band is properly heard, then the crowd will concentrate on making sure that it’s being properly felt.

So, despite the sound and feedback issues, I would say that Thievery made the best of the situation. They started at 10, but things really got going about 20 minutes into the set when they started to dust off some well-known material from their 2002 album, The Richest Man in Babylon. The beats were solid and got the crowd shaking for most of the 2 hour set. Despite the sound issues, it was still impressive that an electronica-duo would tour with so many musicians. How cool is it to have an electronic band playing live with horns, a real sitar player, and two beautiful songstresses? One highlight was hearing the song “exilio” set to female vocals.

So overall, I’m glad I went to see Thievery Corporation. I would have preferred to see them in a less crappy venue. Although Thievery is a fairly popular band, the $50 price-tag combined with a place as thoroughly underwhelming as Kool Haus makes for a questionable transaction. A band like Thievery can only command a price like that at a place that actually sounds good, like the Mod Club or the Phoenix. Sadly, after this experience, the list of bands that I’m willing to go see at the Kool Haus for this kind of dough just got a whole lot smaller.

Thievery Corporation: 4/5
Kool Haus: 2.7/5

Concert Review: Laura Barrett & Valery Gore, Horseshoe, January 28, 2009

Posted on by Wade in Concerts, Everything | Leave a comment


(Toronto) Last Wednesday my girlfriend Karen and I went down to see Laura Barrett and Valery Gore at the Horseshoe. I have been hearing Valery Gore’s song Worried Head for a couple of months now and really enjoying it. Also, since my secret crush Laura Barrett was opening up, AND because Karen was OK accompanying me to see my secret crush, I had high hopes for this show.

I was first introduced to Laura Barrett back in 2003 when we were both volunteering for the NXNE music festival here in Toronto. I noticed her carrying her bicycle helmet and wearing her plaid pants into our festival volunteer meeting. When I say ‘introduced’ to her, I really mean observed from a far because I couldn’t think of anything witty to say to her at the time. I probably still couldn’t today.

Now I must admit, my initial review of last Wednesday night had a few comments about how hot Valery Gore and Laura Barrett are mixed in with how great the show was. I mean sure, Valery Gore and Laura Barrett are both very attractive women. I then began to wonder how often they get reviewed where there isn’t any mention of their physical appearance in the review. Probably not very often. Does this take away from their musical talent? Do guys only go to their show to gawk at them?

The day after the show, I was directed to a Globe And Mail article on Laura Barrett with the title This Thumb Plucker Is One Sexy Nerd. A quick glance through the comments and you will see a brief discussion regarding the use of the word ‘sexy’ in the articles title and how it relates to the music of Laura Barrett.

So what is my point here? I’m not exactly sure except that I felt like a dirty old man mentioning the physical properties of Laura and Valery in this post. It happens a lot and maybe it isn’t a big deal, but maybe it is? I guess I am just aware of it now.

Today I woke up and read this review on BlogTO of the all male, Halifax based band, The Darcys, Saturday night show at the Horseshoe.

“…it doesn’t hurt that these guys are so easy on the eyes, and snappy dressers too.”

Pftt…guys being objectified. Fuck me I guess.

Laura Barrett – Robot Ponies. Man, this song rocks. Lyrically, it is kind of out there but if you really listen to it, it makes total sense. Yes, they would have nylon fur and eat plastic bags. The swimming ponies would have to be airtight. If you can justify using the word fuck in a song about robot ponies, you have my vote.

Coachella Lineup Announced

Posted on by Ricky in Concerts | 4 Comments

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Toronto – Summer is coming. I know it sounds like a long way a ways when there is three feet of snow outside and the sun sets at 4:00 pm, but summer is coming. It is inevitable. With summer, comes music festivals. Everyone loves a good music festival. Today marks the beginning of summer festival scouting season as one of the big North American festivals – Coachella – announced their lineup. As per usual with Coachella, it is a blend of everything old and new. Headling Friday will be Paul McCartney, Saturday will be The Killers and headlining Sunday (again) will the the Cure. Head over to Coachella.com for the full lineup.. here are some key acts:

Friday
Paul McCartney
Morrissey
Franz Ferdinand
Leonard Cohen
Beirut

Saturday
The Killers
Amy Winehouse
Thievery Corporation
TV on the Radio
Fleet Foxes
Booker T & the DBTs (can you diiiiiiiiiiiig it)

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Sunday
The Cure
My Bloody Valentine
Yeah Yeah Yeahs
Groove Armada
Paul Weller

Definitely a decent lineup. I went to Coachella a few years ago when Radiohead and The Cure headlined and it was a great time. I definitely enjoyed the Mexican food I had. One word of advice if you go – it’s f’n hot there, bring shorts or something.

Concert Review: The Dinosaur Bones [Horseshoe Tavern]

Posted on by Gary in Concerts | 1 Comment

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Toronto – I think most people had given up hope about clear skies this season. It’s been snowing every other night for weeks. The discussion is no longer about the weather – it’s about what we are doing despite it. About time, I need positive thinking. We walked in to the later half of The Paint Movement’s set. It was a mix of easy-listening jazz and normal 3 piece rock, and a bongo drum, whose business there was not entirely clear other than he is a good friend who jams. I could seriously NOT hear the bongo. But the melodies are very light on the ears, and so it was very pleasant.

Me, Ricky and Pierre were really taken by surprise when we heard Black Hat Brigade, though. I liked their winding tunes, which was mainly from the synthesizer. It could get over-the-top on some stretch, and jarring some other, but overall I have not heard it used this well for some time. For some reason, I had this misconception that they were from Scotland and not Brampton, ON. Probably had something to do with the synth making a squeal similar to a bagpipe during a song that had the beats to a march (I think that was Swords). They did not play long though – running out of materials from their EP (5 songs for $5) might be the cause. After which we nodded amongst one another, content with ourselves that it was pretty decent music.

As it was getting late but towards the title show, at this point the floor is quite full. It was dark but I never failed to notice that I have a sign on my face and it read: Here is an invisible door through which you must pass to reach the concert! I was leaning on the post (since Horseshoe isn’t huge), yet everyone kept walking by me and I constantly have to give way. The Junction sounded like the product of Matt Costa joining the Beatle’s. A little too happy after the last band – there’s nothing particularly wrong about that, it’s just that I was feeling my age a little and I never got into their songs. One of the guys from Dinosaur Bones came on-stage to steal the show. That’s when I said to myself… it’s been a bit of a long day and your ears need rest. So regrettably none of us stayed for the title show. To be fair, I am easy to guilt-trip, and I listened to them afterwards.  To my surprise I hear a bit of jazz in the way some of the singing is carried… that or I am on a loose-tempo deafness and shouldn’t review concerts anymore. :)

So verdict: Paint Mvmt – not enough to judge. Black Hat Brigade – good but not long enough. Junction – nice, but was not my cup of tea at the time. Dinosaur Bones – require further listening but some advice: may not want to put the show at the very last of 4…