Concert review: Fanfarlo with Robert Francis and Lawrence Arabia, April 2 2010, Lee’s Palace

Posted on by Gary in Concerts, Everything | 1 Comment

Toronto – I’ll preface this by saying that I’ve probably seen Fanfarlo once too many in the past five weeks (twice at Galaxy room, once outside of Hilton hotel in Austin, one other time that I don’t recall where, and now at Lee’s). I can’t help it. What I also can’t help, is noticing how much of an on-stage ego Robert Francis had. He can shout and Junebug is an OK song, I’ll admit to that. But I’ll skip the details and just say that even though the set was not terrible (other than uninspired love songs), his re-enacting a rock-star dream made the show a complete hoot. From having a bouquet of flowers around his mic, to sitting at the front of the stage pining, to fully head-bang through chorus, his persona was as inconsistent as it was annoying superficial. As Mitch Hedberg told us: man, you need to, like, just be yourself. So. Thumbs down.

Robert Francis:

I did listen to Lawrence Arabia, just before going to the show. I was half expecting turban’ed men. But the New Zealanders looked more like Bishop Allen than Beatles – which is what they sounded like on myspace. They had a very energetic show, a frontman with a slightly British/dry humor. (“We’re glad to be in Canada… and there’s really nothing else to say about that.”) Their songs were also hilarious to decipher. One said: “they love each other, they hate each other, they’re afraid of each other, because they want to screw each other.” I was chuckling aloud when I heard that – it’s as if Flight of the Concorde was playing. They sounded much more like a regular rock band live than on the recordings, with equal portion of catchy harmony and drifting ambiance. But there’s also a sheepboy country song mixed in for good balance. Good tunes: Apple Pie Bed, the Undesirables, Final Friend.

Lawrence Arabia:

Below the wiggling spotlights at Lee’s Palace, this was the usual suspect setlist for Fanfarlo: Drowning men, Pilot, Finish line, Harold, Swedish nostalgia song with vocal chirp, Walls are coming down, another song that’s not on album but I’ve heard at SXSW (with the lights from down on the stage that I thought it was Ghost), Fire escape, a new minor tune song, Comets, Luna, encore with a song for “Record store day” (with Timbre Timber type bird chirp, it’s like Fanfarlo covering Headlights), and finishing with Ghosts. For fun and perhaps for nuts like me, they threw in quite a few alterations: xylophone highlights were occasionally different, speed/beat of the songs would change for different effects, vocal and drum beat were used as connecting devices. I really wish more bands do this instead of record-sync’ing. Compare to Galaxy room in Austin, however, the vocal wasn’t as crisp. And for one reason or another, the crowd was not as rabidly responsive as those in SXSW. I guess shouldn’t be expecting a complete remix of, say, Ghosts, half way through the song. They remain probably the most idiosyncratically (read: worst) dressed band ever. But they have also put on some of the most fluid shows I’ve seen.

Fanfarlo:

Review: Love At the Twilight Motel [2009, Alison Rose]

Posted on by Ricky in Hot Docs | Leave a comment

Toronto – Formally known as Love at the Starlite Motel, Love at the Twilight Motel is Alison Rose’s journey in the seemingly dark world of the people who frequent hourly motels. The setting of the documentary takes place in Miami, and the Twilight Motel is one of the city’s busiest (especially the hours of 12:00 – 2:00). Here, many people arrive shrouded in secrecy to do whatever they have to do. The documentary follows the lives of an escort, a (dirty) massage therapist, a hooker, a junkie and a cheating housewife among others.

The Miami setting lends itself to a host of colorful characters that speak both English and Spanish. The subjects give out very intimate details about what they do at these motels and why they do/justify it. I found it extremely interesting, if not a bit depressing, as most of the characters seem to be stuck in a vicious cycle that seems to be having a negative impact on their lives. However, as messed up as you might think these people are, you are also surprised at how normal they are in the interviews and sometimes the justifications for their actions seem to make sense. You can kinda see it from their perspective, which is always a sign of a good documentary.

The documentary is nicely shot, and careful angles are used to ensure the subjects anonymity although anyone with lets say..okay voice recognition would probably be able to pick out who these people are right away if they knew them.

A compelling look into at the inhabitants of what most people would assume is a seedy underbelly of any city.

Love at the Twilight Motel plays at

The Royal April 10 & 11, 2010 at 7pm
The Revue on April 14 & 15, 2010 at 7pm

Concert Review: The Balconies, April 3rd, Haven Club

Posted on by guestwriter in Concerts, Music | 1 Comment

Edmonton – Ottawa’s The Balconies have been rising through the Toronto scene, as the last couple of Panic Manual plaudits attest. Now they’re poised to take over the rest of Canada and joining up with a trio of local bands, stopped by Edmonton this past weekend for the first of their two shows here this month.

Arrived at the Haven club around 8:00 while there was still a sound check going on. Was a bit unsure what to expect, since the club’s in a part of town that’s probably in one of the top five stretches here where you wouldn’t want to walk alone after dark. Turns out it’s a pretty cozy, relaxed place with the same kind of audience. I’d guess there’s room for about 25-50 people on the dance floor in front of the stage, depending on how many tables are set up and how many people are actually dancing. Further back are some larger tables, where most people seemed content to stay for the evening. Soon enough, The Translators took the stage. For a band who seems to be only a few concert dates past their “battle of the bands” days, they did fine. Solid mid-tempo folk-rock, with a couple of songs even reminding me of one of my favourite 90’s guilty pleasures, Toad the Wet Sprocket.

Yes Nice played next and were the pleasant surprise of the night. Formed in Edmonton, they relocated to Vancouver and are now .. back to Edmonton, or at least partly? I dunno, I lost track. In any event, they played about 7-8 tracks from their already prolific discography from the last two years (one EP and two albums since 2008.) What made Yes Nice stand out though, was the charisma of the band’s performance, especially from co-frontman Nathaniel Wong who seems to relish the role of raconteur. In between songs he would talk and joke with a straight face about mythical upbringings in rural Alberta and re-appropriated choruses from BTO tunes. The rest of the band seemed to be having a grand time too.

The last of the local bands was Whisker Kiss, who have been playing local shows at indie clubs for about 3 years now. By the time they hit the stage the audience at the front had really picked up, a group of their friends formed an energetic dance circle in front of the stage. It was pretty clear by then that a large part of the audience was here to see Whisker Kiss, as this was their last show together. Oddly enough it was a CD release party for their new EP as well, but perhaps they’re releasing it as more of a thank you relic to their friends and fans.

The Balconies capped the night off, taking the stage around midnight. By this time most of the patrons near the front cleared the dance floor, but if that discouraged them they never let it show. The trio launched into a blistering version of Ghost Fever, and covered a significant portion of their self-titled album mixed with gracious chatter thanking the other participants this night. Singer and guitarist Jacquie Neville took their performance to the next level as she danced across the stage without missing a note. I don’t think it was just the several drinks I already had that night either, but the band sounded even more cohesive live than they did on the record. After this particular performance, I expect that anyone remaining at the club was both thrilled at what they just saw and still wanting even more.

Concert review: Temper Trap, March 30, Mod Club

Posted on by Gary in Concerts, Everything | 4 Comments


Toronto – “TO-RON-TO. How’s it going?” These are the trite-sounding words that came out of the lead vocal when he walked on stage on a Tuesday night. But it was actually quite helpful for me. Over the opening, Dougy’s proclamation slowly sank in and I realized that I am now clearly not in Austin. If you read my first review, Temper Trap, hailing from Melbourne Australia, was the hidden surprise for 3/4 of us at Cedar street courtyard – and I’m sure if Alli was there she would have agreed with us anyways. Trying to play catch-up to the rest of the world (who has probably heard them since last September’s 500 days of summer), I read up a little on their bio-sketch, and I must apologize for labeling Dougy a Philippino last time – he’s from Indonesia (man my childhood Indonesian neighbors would be mad if I tell them… ) He moved along the Indonesian islands, eventually to the biggest one downunder. Starting out by busking and drawing portraits, he rolled up some good friends like a katamari, and they eventually turned into band-mates Toby (drums), Jonny (bass), and Lorenzo (guitar).

There’s no time lost in setup – they got up and started to play on the dot, following a fast-fast-slow tempo for the setlist. I think the more pop-ish Fader was first, then mood-building Rest, and the slower and lighter-drummed Fools. Resurrection was followed by  Down River, which picked the speed right up, and then when I said Solider On was a good song precisely because it’s a slow one that showcases Dougy’s falsetto, some guy immediately contradicted me.  While I fumed the crowd stomped/clapped through Love Lost into their most-played song, Sweet Disposition, from which there was a natural tempo into the crazy Drum Song. This nice album showcase was interrupted by 60 sec of clapping and 60 more sec of “one more song/tem per trap”. They started the encore with a bluesy acoustic vocal verse, and then transition into their typical chorus that I didn’t recognize, and returned to the album, playing Science of Fear as the swan song. The lighting at Mod club, as usual, was spectacular – it can probably make yours truly look good enough in a photo-shoot. The only gripe – I didn’t have my camera, and was kicking myself the whole time. For a band that’s four years old, Temper trap carried themselves very well indoors or outdoors – they simply do a little less jumping/climbing around if there’s no space. Their sounds is genuinely fitting for their demeanor. Dougy plays the heartthrob serenadeer, Lorenzo smiles while playing the guitar evenhandedly, Jonny invariably loses his hair-braid/pin towards the end of the show from violent head-shakes, and I can never see Toby unless I have my zoom lens. I could swear there’s a keyboard person at Filter party… although I didn’t see him this time. They also retained the sufficient-bass-is-good-bass principles – always a plus in my books. That setlist really is built to showcase their album, so there’s very little down-time in terms of crowd reaction. Having seen them twice in recent memory, however, makes some of their stage antics a little predictable (see here and add awesome photoshop backlight silhouette filter for the water drum). They don’t over-do it, though, so it’s all still very cool to watch – and hey, who’s counting, I bet they may be more tired of it than me. I’ve already covered which songs are the immediately good ones. If you go see them in NYC, bring a rain coat. I predict that they’ll just turn on the sprinklers during Drum Song.