hot docs

Hot Docs: Notorious Mr. Bout [2014, Tony Gerber, Maxim Pozdorovkin]

Posted on by Ricky in Hot Docs | Leave a comment

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A documentary in which you end up with more questions then when you started. The Notorious Mr. Bout is an entertaining documentary about Victor Bout, who most will know as “the merchant of death”. A savvy businessman and an aspiring documentation, we get incredible access to Mr. Bout’s private video collection which chronicles his journey from a small town businessman to supposed international arms dealer. In a weird sense, the documentary takes a fairly neutral stance on whether or not Bout was guilty of the crimes he was accused of. The filmmakers did not have any videos of Bout trading arms, which obviously begs the question of how much of the video collection was actually available (or destroyed before the film). The film also sparks the question of what actually is international arms dealing and how does one actually get into it. Since Bout and his wife (who acts as a narrator somewhat) maintain their innocence, I guess it’s only fair that none of these issues where discussed. An entertaining 90 minutes nonetheless

TIFF Bell Lightbox 1Sat, Apr 26 7:00 PM
TIFF Bell Lightbox 1Sun, Apr 27 1:45 PM
TIFF Bell Lightbox 1Sun, May 4 7:00 PM

Hot Docs: The Songs Of Rice, Doc Of The Dead, Shield And Spear

Posted on by Gary in Hot Docs | Leave a comment

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Songs of Rice [2014, Uruphong Raksasad]

If you can sit through the first 7 minutes of this dialogue-free film, then you will be able to enjoy the agrarian charms of the Thai countryside. It is chock full of old-world (read: Song dynasty China) customs mingling with new-world (read: Japanese engineering) know-hows. Plus cross-dressers. Watch out for Ultraman-ish harvesters, ridiculously fireworks, and of course, rice.

ROM Theatre, Fri, Apr 25 6:30 PM
TIFF Bell Lightbox 2, Fri, Apr 25 6:30 PM
Tiff Bell Lightbox 4, Fri, May 2 4:30 PM

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Doc of the Dead [2014, Alexandre Philippe]

George Romero, Simon Pegg, Bruce Campbell, Max Brooks, and creators of infamous series like The Walking Dead were all once zombies. Fine, they all once thought like zombies (… zombies don’t think). Some of them gave birth to the modern zombies (… and zombies don’t fuck). Others can’t stomach another’s take on zombies (… but zombies eat brains). Watch, and find out just how these zomb-pioneers turned millions into zombies on a city corner near you. Hint: BRAINZZZ.

Bloor Hot Docs Cinema, Sat, Apr 26 11:59 PM
Hart House Theatre, Sun, Apr 27 9:30 PM
Royal Cinema, Sat, May 3 9:45 PM

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Shield and Spear [2014, Petter Ringbom]

Artists, musicians, designers, journalists, activists, and community workers do not operate the same way in South Africa as they do here. Just like the Civil Rights movement didn’t resolve the race issue, the end of Apartheid in 1994 didn’t elevate everyone to an equal footing. Art is already vulnerable due to its intangible nature. Throw politics into the mixture, then even a single oil painting can become explosive and divisive for 50 million people. Shield and Spear documents the confessions and the trials of those who are trying to rebuild South Africa, against rampant corruption and political manipulation, in the image of their ideals. It’s a surprisingly uplifting piece that deserves serious thoughts, while you sip imported espresso sarcastically on College St.

TIFF Bell Lightbox 3, Sun, Apr 27 7:00 PM
Scotiabank Theatre 4, Tue, Apr 29 1:30 PM
ROM Theatre, Fri, May 2 9:30 PM

Hot Docs Review: Buying Sex [2013, Kent Nason & Teresa MacInnes]

Posted on by Ricky in Hot Docs | Leave a comment

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Read this first bit with the Salt-n-pepa song in mind

lets talk about buying sex baby
it’s the subject of this document-tary
it talks about all the good things
and the bad things
about buying sex
lets talk about sex….

Anyways as you might imagine, Buying Sex is about the hot stove topic of legalizing prostitution. Kent Nason & Teresa MacInnes foray into the world of politics behind legalizing prostitution takes therm to a variety of places including New Zealand and Sweden, all of whom have taken different approaches to prostitution with varying results.

Even with the exotic locales, the bulk of the film takes place in Canada, focusing on the infamous Bedford vs Canada case of 2010. We get to see opinions on prostitution from both sides of the spectrum – on one side, there is a group of sex workers who are for the decriminalization of prostitution, and along with their lawyer, are clearly in the camp that wants to profit from the sex trade. The other side focuses on two former sex trade workers who are completely for abolishing prostitution entirely. It is pretty clear from the onset that one group entered the sex trade willingly while the other went as a last resort. Following a similar pattern, New Zealand and Sweden are used as counterpoints to the whole issue, with one country decriminalizing prostitution entirely awhile the other does the opposite. The results are mixed for both countries.

The directors did a good job of setting up the issue and balancing the documentary between the two sides. The talking heads in the movies goes beyond former sex-trade workers, and extends out to johns, professors and policy makers which gives the film a nice variety of opinions. A film that challenges you to make your own opinion on a rather controversial issue, which is a nice change from some other documentaries where opinions are already enforced on you by the directors.

Hot Docs Review: 12 O’clock Boys [Lotfy Nathan, 2013]

Posted on by Gary in Everything, Hot Docs, Reviews | Leave a comment

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Baltimore – Every sunny Sunday since I moved down, the rumbling sound of engines invariably invades Orlean Street some time in the afternoon. At first it would be a few lone engine bursts, sounding like the cries of old men being ferried across pothole-filled roads at breakneck speed. But soon it crescendos into a background so loud, that you feel like your landlord just took the rent from the whole National Zoo. And when it all trails off with that unmistakably tragic Dopler shift, I’m left confused about what it was all about. In this documentary, I got a glimpse to that answer, if nothing at least a name for this bunch.

12 O’clock Boys follows Pug, a dimunitive but spirited teenager in West (later East) Baltimore, determined to become one of the boyz. The name is a visual reference to a person’s skills with wheelie on a dirt bike – if you’re pointing at 12 O’clock (straight-up), you’re a made man. Well, not in the mafia sense. The boyz is a loosely associated group with no agenda except to ride across town, displaying their skills. It’s a hobby that is, deep down, as harmless as, say, a local Shelby/Porsche/Bentley motor club or hot rod or chopper riders, cruising down the main drag of town. The distinctively Baltimorean group was started by two dirt bike riders, and have grown since to a legion of perhaps 100 riders. As with any large group of people in a public space, then, they inevitably come into contact with the police. And you can easily imagine the public opinion regarding teenagers on bikes trying to motorcross on the road as well as sidewalks at 30 mph. Amidst all this, Pug is nevertheless willing to take time and money (just like a motor club, you need to buy entry fee), over the span of 3 years and through many hardships, to get to 12 O’clock.

Nathans did a great job with the subject matter, in my opinion. Through a character portrait of Pug, the entire debate seems so much more innocent than a simple collection of all those involved. Through slow-motion, the bike-riding is romanticized at a level comparable to a hallowed outdoors activity, like snowboarders/surfers carving their way by the camera with their fingertips. Such is the magic of the narrative that even theft will become (and trust me, you will agree) worth celebrating. And through Pug, the audience is offered a background refresher on the living conditions of Baltimorean urban youth – which inevitably leads one to sympathize with the 12 O’clock Boyz. Unlike documentaries such as the Interrupters, which deals with counseling and intervention for gangsters already too far into the game, Nathans take the audience from the beginning and not the aftermath of a troubled childhood. You understand very quickly why many become angry and disconnected with our society, especially when the public and law enforcement cracks down on one of the few activities available to them. Well, at least I understand in an emotional sense. Be prepared for the surprisingly fluent yet mangled English that is projected from the streets of East Baltimore. I am still at a loss about what came out of that woman while she was in a rage in the street with a baseball bat. Nathans did not tint this film with any colors – and he doesn’t need to. As you watch the confrontations between police and the bikers occurring in broad-daylight, in the middle of the streets, you feel that you’re revisiting some class materials for civil disobedience. It really makes you rethink if the crackdown should be replaced with more positive measures. Perhaps law enforcement and the bikers should come to a truce and set aside time/place for these activities? But maybe that WAS the point, the thrill, that these youths seek. I highly recommend seeing this film, if nothing, as an introduction to how much life can suck but you can still enjoy living it. Do you remember when you rode your bike/magic-carpet down the pavement/snow so fast that you went into the traffic? I do. On several occasions, too. Who am I to judge then, if dirt-biking remains as innocent as it was portrayed in this film – just a past-time until you grow up?

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