Concerts

Concert Review: The Chats, The Bronx, October 20, Phoenix Concert Theatre

Posted on by Paul in Concerts | Leave a comment
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Punk is all about energy and attitude, both of which The Chats seem to have in excess.

The Australian band first made a name for themselves on the back of their viral hit “Smoko” and are currently on tour behind their second album, the excellently titled Get Fucked, released back in August of this year. That tour brought them to The Phoenix this past Thursday where the band played to a sold out crowd alongside The Bronx, Drug Church and Scowl.

As i said, the band has a lot of energy and attitude, and that’s a good thing. Unfortunately, there is sometimes such a thing as too much of a good thing. I’m not knocking the band at all, but with what seemed like nearly 30 songs squeezed into a set that lasted maybe 50ish minutes, The Chats’ set did seem a touch too long for my taste. Unless you’re Guided By Voices, I don’t really need to see that volume of songs from any band. But I do get that they were basically playing a co-headlining set alongside The Bronx, so fans might have felt a little cheated if they got too short of a set. And while I might have been satisfied with trimming a song or two (or ten) off their setlist, the hardcore Chats fans next to me who were shouting along with most of the songs probably would have been cool if they even squeezed in a few more.

While their set was just a bit too long for my taste, this is not to say that The Chats in any way put on a bad show. It was a lot of fun and there’s definitely a lot to like about this band. Songs like “6LGTR”, “I’ve Been Drunk in Every Pub in Brisbane” and “Temperature” were a lot of fun live and “Smoko” was of course a highlight. Another highlight came in the form of their cover of KISS’s “Rock and Roll All Nite,” which in their hands sounded like a standard Chats song. This is also a good thing.

And while we’re on the topic of cover songs, the band ended off their set with “Pub Feed” which, oddly enough, was covered by The Wiggles earlier this year after The Chats covered a song by The Wiggles. I’m not sure who it was who proposed such a thing, but it’s a pretty cool musical crossover. Weird, but pretty cool. I assume that for Australians, having The Wiggles cover your song is like their equivalent of getting knighted or something.

The Chats may combine youthful energy with an old school punk vibe, but their tourmates The Bronx are pretty much just old school by this point in their career. After 20 years in the game, the L.A.-based band have absolutely honed their chops over the years and know how to put on a show. Singer Matt Caughthran’s got an impressive set of lungs while drummer Joey Castillo hits hard, propelling the band though a solid set of hard hitting punk with a dirty rock n’ roll edge.

Caughthran proved to be not only an engaging frontman, but also one who’s quick with a witty quip, as evidenced by the moment late in the show when he ventured into the crowd, commenting, “The night is dark and full of terrors. And the floor is slippery and full of beer.”

I guess a beer soaked floor is one sign that you’re at a show where the crowd is having a good time. At least let’s hope it was beer …

Concert Review: The Comet is Coming, October 14, Axis Club

Posted on by Ricky in Concerts | Leave a comment
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It’s hard to believe it’s been three years since The Comet is Coming wowed the audience, and specifically, the Panic Manual crew, at SXSW.

Their creative take of combining elements of electronic and jazz gave their sound a freshness that was truly unique.

In the three years since, The Comet is Coming has seen their second record nominated for the Mercury Prize and much like a lot of acts, the band spent the pandemic crafting a new record – Hyper-Dimensional Expansion Beam.

This October see the trio finally back on tour in North America and make no mistake, the live environment is where the group shines. Powered by the King Shabaka’s lungs, the Comet is Coming live experience is something else. The saxophone jumps off the stage, Betamax’s drum work drives and paces the show and filling in all the gaps and acting as an orchestrator is Danalogue

Together they put on a live show that rarely stops, seamlessly moving from one track to another. New material melding with the old and creating just a really cool vibe. I don’t think there was anyone in the crowd didn’t feel like they were at the coolest event in town that night. I’m still digesting the new material but the older material still stood out as the highlights of the evening. The Frenetic, chaotic energy of “Total Eclipse”, the hip hop vibes of “Blood of the Past” and the dance energy of “Summon the Fire” all were highlights of the show.

Much like a lot of amazing instrumental acts, it’s really hard to fully encapsulate the experience – a Comet is Coming show is just a really cool and unique experience. Don’t miss it

Concert Review: Psychedelic Porn Crumpets, October 15, Axis Club

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I’m not sure what it is about Australia that leads the country to produce so many great psych bands. Is it something in the water? Is it somehow related to the surfer culture? The steady diet of vegemite? Or could it have some connection to all the deadly spiders at every turn?

OK, probably not the spiders, but whatever it is, Psychedelic Porn Crumpets definitely have that certain something that puts them in the good company of like-minded bands such as Tame Impala, The Lazy Eyes, and King Gizzard and the Lizard Wizard. And on Saturday night, the psych rock faithful packed into the Axis Club for a sold out show from the Perth-based band.

After a solid opening set from New York’s Acid Dad, the Crumpets took to the stage and proceeded to blow the crowd’s minds (and inspire a crowdsurfer or two) with a set of tunes that brought together heavy riffage and trippy harmonies, quite often within the same song. There were plenty of psychedelic projections on the screen behind them to add a bit of visual spectacle, but the real attraction during the show was watching the five band mates just jamming out on tunes like “Tally-Ho”, “Mr. Prism” and “Acid Dent.”

All in all, Psychedelic Porn Crumpets put on a great show, though it ultimately didn’t bring me any closer to understanding just why Australians are so good at psych rock. But when it sounds this good, better not to worry about the why of it all and just enjoy the ride.

Concert Review: New Order and Pet Shop Boys, Sept 17, Budweiser Stage

Posted on by Ricky in Concerts | Leave a comment

I mean, what a show right?

To say people were excited for the double bill of New Order and Pet Shop Boys would be an understatement. I arrived at Budweiser Stage area around 5:00 so that my friends and I could do some public drinking before entering the venue, which charges a nice 18 bucks for a big tall boy of beer. Even then, there was a gigantic lineup already waiting to enter the venue. This was by all means, a super show – two heavyweights that ushered in electronic music in the UK in the ’80s uniting for one giant show. Either of them probably could have played Budweiser Stage on their own (New Order played there before the Pandemic) but together, it was going to be a NIGHT.

At 7:25, the nostalgic sounds of “Surburbia” started up and Pet Shop Boys took the stage. Playing under two “streetlights”, the duo quickly got the people moving and kept the momentum going throughout. This was a greatest hits party – making full use of the gigantic stage, PSB played behind a very large screen, projecting different images and designs to each of their songs. Around halfway through, the screens lifted to reveal a very energetic live band. Neil Tennant sounded great and his voice seems to not have aged since the ’80s.

The highlights of PSB’s set, for me anyway, were “Always On My Mind”, “Domino Dancing” and “It’s a Sin” but really, it just depends on what your personal fave is. Kinda sad they didn’t play “Go West” but considering they had a nice 1:40 to play, they were quite economical.

After a short Paul Oakenfold-revisiting-the-early-90s DJ set break of 20 minutes, the night’s headliner (I believe they alternate each night) took the stage

Starting with “Regret,” New Order’s set was just banger after banger. The crowd was joyous and singing along to every song. New Order’s light show game has really gone up in quality from the first time I saw them and it definitely added to the show. Having blue lights pulsating during the “Blue Monday” intro added to the experience and made you feel like you were in a really large night club for 40+ adults.

New Order ended the set with the following

Bizarre Love Triangle
True Faith
Blue Monday
Temptation
Love Will Tear Us Apart.

I mean, how can you not be elated after that? There are no complaints about the show; whatever musical weaknesses that the bands may have had, nostalgia filled in. It was a fantastic 3.5 hours and if you have a chance to see this tour, pony up the cash and grab some tickets.