Concerts

Concert Review: Nikki Lane, December 6, Horseshoe Tavern

Posted on by Paul in Concerts | Leave a comment

Though she’s collaborated with a wide variety of artists across different genres, running the gamut from Lana Del Rey to Spiritualized to QOTSA frontman Josh Homme (who produced her most recent album, Denim & Diamonds), at her core, Nikki Lane is pure country.

With a sound inspired by old school honky-tonk and outlaw country sounds with a bit of a rock ‘n roll edge, Lane definitely grabbed the attention of the packed crowd at the Horseshoe on Tuesday, including in particular a group of “rowdy girls” up front that Lane singled out for praise at one point early on in her set.

And while the crowd was definitely into it, it was clear that the feeling was mutual, with Lane not only praising the crowd in general, but the venue specifically for being her kind of room, adding that while she may someday get big enough that she won’t be playing rooms like this anymore, playing to tightly packed crowds like the one at the ‘Shoe were the reason she wanted to play music in the first place. That and maybe the opportunity to receive beautifully rolled joints that also look like candy canes, as she did from some kind patrons at the show on this occasion.

Lane put on a stellar show that featured several highlights including newer songs like “First High”, ‘Good Enough” and “Denim & Diamonds” alongside older favourites like “Highway Queen” and Right Time” and a few well-chosen covers like Jessi Colter’s “Why You Been Gone So Long” and Lucinda Williams’ “Drunken Angel.”

As she closed out the show with “Jackpot”, Lane again showed her appreciation for the Toronto crowd, thanking us all for coming out and adding, “You don’t know how good it feels to see this many people out on a Tuesday night.”

Concert Review: Suede, Manic Street Preachers, November 24, Massey Hall

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I’m not sure if there was an official name given to the Manic Street Preachers/Suede co-headlining tour which just wrapped up with its final date last night at Massey Hall, but based on the night’s performance from Suede, might I suggest the Brett Anderson Tries His Best To Catch COVID tour?

I kid, of course, but it certainly seemed like the Suede frontman has moved well past the need for social distancing. He made that fairly clear as he ventured out into the crowd multiple times throughout the evening to get up close and personal, encouraging the audience to get out of their seats and move up to the front, hugging various audience members, and encouraging mass singalongs. I’m not sure if he went extra hard tonight because it was the last night of the tour (and possibly, he hinted, their last North American show for a good while, or maybe ever?) or if every night has been like this, but either way, Anderson is one of the most engaging rock frontmen around.

With the energy Suede brought to the table, some bands might have been daunted to follow that, but luckily, Manic Street Preachers are not just “some band.” While James Dean Bradfield may not be quite as animated as Anderson is on stage, he’s certainly no slouch himself and he and the rest of the band proved as much as they ran through a set full of classic songs from throughout their career alongside some well placed covers in the form of “Suicide Is Painless” and The Cult’s “She Sells Sanctuary.” Like Suede, The Manics also seemed inspired to make the last night of their tour a memorable one.

Bassist Nicky Wire noted that though they’ve played several Toronto venues over the years, including the Phoenix, the Danforth and “the Opera House of Toronto”, playing Massey Hall this time around was “the pinnacle.” Bradfield also noted earlier in the set that they were glad to be gracing the same stage that Neil Young, Rush and, yes, Suede, had played before them and later paid homage to Rush by playing a little snippet from the intro to “Closer To The Heart” at one point.

Closing things out with “A Design For Life”, Manic Street Preachers ended off a great night of music from two bands who’ve been at it for a while and have garnered dedicated fanbases over the years (I did notice a lot of grey hair in that crowd). And though the Manics noted that, unlike Anderson, they wouldn’t be giving out any group hugs, both they and Suede put on amazing performances that definitely had people going home happy. And hopefully didn’t have a certain Suede frontman going home sick.

Concert Review: John Petrucci, November 17, Danforth Music Hall

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So. Much. Shredding.

That was my initial thought just minutes into John Petrucci‘s show this past Thursday night at the Danforth Music Hall and I’d imagine I wasn’t the only one. Petrucci is a ridiculously talented guitarist and he wasted no time in proving that to the audience as he came through town on a tour in support of his latest album, 2020’s Terminal Velocity. And though Petrucci is an impressive player to watch in action, equally impressive is the man’s beard.

With his long, jet black facial hair, Petrucci gives off a bit of a Rasputin vibe, if instead of being hard to kill, he simply went hard with some killer guitar. Or maybe it’s more like Samson, and if Petrucci were to ever cut his beard, he’d lose some of that guitar prowess. Whatever the case may be, it is indeed quite the beard. But of course, people didn’t come to the show to admire Petrucci’s facial foliage. No, they came to see him shred. And shred he did.

Of course it wasn’t just about the guitar solos – another key selling point for this show was the fact that Petrucci is joined on this tour by his former Dream Theater bandmate Mike Portnoy, marking the first time they’d been on stage together in 12 years. For his part, Portnoy also displayed his skills on the kit, at one point even playing catch with a crew member offstage using a drumstick … while he was still playing.

And I’d be remiss if I didn’t mention bassist Dave LaRue, who showed off his virtuosity with a few nicely placed bass solos that brought to mind the work of Jaco Pastorius at times. Also worth noting – Petrucci mentioned onstage that this evening would mark the first time LaRue tried a butter tart. If nothing else, that makes this a noteworthy stop on their tour.

As someone whose musical ability is several steps below rudimentary (and that’s being rather generous), I’m not entirely sure where my obsession with all things proggy comes from, but I do love the stuff. As I watched Petrucci and his bandmates play, I took the time to think about exactly what the appeal is. In a way I suppose it’s kind of akin to watching a top notch gourmet chef prepare a rich and ridiculously over the top meal on some cooking show – sure, I likely won’t ever be doing that myself but it certainly is impressive to watch someone else do it.

Concert Review: Judah and the Lion, October 21, The Riviera Theater, Chicago

Posted on by halley in Concerts | Leave a comment


Talk about a show for the ages every time – Judah and the Lion always blows me away.

The band has undergone some major changes since the pandemic, but I would say the disruption has resulted in a healthy evolution that has culminated in their amazing new album Revival.

Revival’s musical journey explores, love, lost dreams, loss, and loneliness (among other non-L topics) and makes me tear up and smile every time I listen. It is truly an emotional rollercoaster that will speak to you, no matter who you are or what you’re going through.

Live, the charisma of the band just takes the listening experience to a whole new level of awesomeness. The group’s positive but real-talk chatter, jokes, choreographed dancing and just plain energy make the trip, tickets and time one of the top 4 best investments I’ve made all year.

My message to Judah: thank you. My message to you: listen (please – it’ll be the highlights of your day)!