Concerts

Concert Review: Sharon Van Etten, Angel Olsen, August 12, Massey Hall

Posted on by Ricky in Concerts | Leave a comment

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When it was announced that Sharon Van Etten, Angel Olsen and Julien Baker would be touring together as the Wild Hearts tour, my friend casually dubbed it “The Sad Olympics,” which made me chuckle. After all, the three artists are known for their honest, heartfelt, and sometimes therapeutic songwriting. It would seem that touring together would only amplify some of those elements for the crowd. Sad Olympics or not, the Wild Hearts tour was a great idea as the group played two packed nights at the gorgeously renovated Massey Hall.

Due to logistical issues, the night started for me with Angel Olsen. My only real knowledge of her music going in was the song “Shut Up Kiss Me” and so I was actually expecting an almost poppy act. What I got was a much wider spectrum of music, ranging from pop to rock to even bit of a country flavor, all of which complemented her vocals. It appeared that she had faced some equipment and/or band issues on the way in, with the rest of the touring group filling in, but it didn’t seem to bother Angel, who peppered her set with a lot of light hearted banter. A major theme of the night was how much of a collaborative effort the tour was and if there’s one way to show it, it’s to have other bands play your music.

All in all, a good set.

When Sharon Van Etten first appeared on stage after a brief break, my first thought was “holy shit.” Appearing in the middle of the stage with a sparkly top and amazing lighting, I was blown away by the presentation.

It was a shock to my system because it’s been a while since I saw SVE and my lasting memories are always of her more intimate shows at Lee’s Palace. The opening track “Headspace,” off the new album We’ve Been Going About This All Wrong, just sounded epic and grand with it’s dramatic chorus line (I really liked the hint of synth in the song). What’s more, Sharon’s presence and delivery of the song gave it a ‘big song’ vibe. I was like, dang, this is a star.

After a couple more songs, I was like, “Is this the new SVE experience?” However, at that exact moment the show pivoted to a more familiar feeling with the song “Come Back.” Even in the more ballady songs, the production sounded big. I was surprised that her set focused primarily on the later material but I guess given the limited set time available, decisions had to be made.

Highlights for me were what I would call reworked versions of “Every Time the Sun Comes Up” and of course, “Seventeen” which might be her most recognizable song despite only being released a few years ago

An encore brought back Angel Olsen for their hit pandemic collab “Like I Used To” and everyone left happy. Sad Olympics this was not, and post-pandemic I’m not here for that anyway.

Concert Review: Alicia Keys, August 14, Budweiser Stage

Posted on by guestwriter in Concerts | Leave a comment

Arriving at Budweiser Stage for Alicia KeysALICIA+ World tour, energy and anticipation for the show pulsed through the crowd. As the show started, the level of detail in choreography, sound, and lighting created a grand entrance for Ms. Keys, who played a mix of her classic hits and songs from her new album Keys with seamless transitions.

At one point in her show, Keys seemed to have disappeared from the stage and reappeared among the fans in a DJ booth located in the 400 level of the venue. For those on the lawns, it was a welcome surprise to see Keys so close to her fans.

Playing pieces from her newest album from the DJ booth, Keys engaged with the fans, asking them to vote for their favourite style of her songs. Keys played songs using her “original” style, jazzy and on the piano, and then with her new style, “unlocked,” where she integrated a synthesizer to express her songs with a bigger sound. I personally enjoyed her original tracks as they felt heartfelt and true to her roots. She then surprised her fans by playing her newest song “Stay,” which was soulful and beautiful.

Alicia returned to the main stage to finish the set and ended the show with her son Egypt’s favourite song, “If I Ain’t Got You”, leaving the crowd filled with emotions and eager for her next show.

– Genny

Concert Review: The Beths, Rosie Tucker, August 14, Lee’s Palace

Posted on by Paul in Concerts | Leave a comment

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New Zealand’s The Beths played a stellar set at Lee’s Palace this past Sunday night touring in advance of their upcoming third album Expert In A Dying Field.

Over the course of roughly an hour, the band put on an impressive performance as they ran through an incredibly tight set that focused on tracks from their first two albums alongside a handful of tracks from the upcoming album.

Since releasing their debut Future Me Hates Me back in 2018, The Beths have consistently put out solid albums full of top notch songwriting, solid musicianship and beautiful harmonies and the new album promises to be just as good. Live, the band more than does justice to the songs, with tracks such as “Happy Unhappy”, “Jump Rope Gazers” and “You Are a Beam of Light” standing out as just a few highlights.

But enough about the show. What I’m really here to talk about is bassist Benjamin Sinclair’s personal blog, www.breakfastandtravelupdates.com, which the band mentioned onstage during their set.

It’s a given nowadays that most musicians have to spend a certain amount of time promoting themselves online, yet only a select few will take the time to regularly provide such a dutiful accounting of life on tour. Probably fewer still will take the time to specifically detail all of the stuff they have for breakfast while out on the road. This is the service which Sinclair provides, and I thank him for his service.

After assuring us during their set that he wasn’t being sarcastic and that breakfastandtravelupdates.com was indeed a real website, guitarist Jonathan Pearce then added (perhaps a bit sarcastically?) that his bandmate’s blog was not only the best blog on the internet, but the best site, period. After checking out the blog, I can safely say that he was being just a tad hyperbolic, but there is a certain appeal to finding out exactly how the bassist breaks his fast each morning, especially during those European dates, where cheese and coldcuts are the stars of the breakfast plates. Sure, some of the breakfasts aren’t quite as exciting as others, but none of it looks unappetizing. So, good call on choosing decent breakfasts, Benjamin!

I am also somewhat impressed at his attention to detail when describing their travel routes and destinations, such as when he noted that Lee’s Palace is in the Bloor Annex neighbourhood and made reference to “the 400-series highway Queen Elizabeth Way” in his Toronto post. Also notable is his inclusion of bits of trivia gleaned along the way, such as this tidbit on turnpikes from his Cleveland update:

The name comes from Middle English ‘turnpyke’ and means ‘spiked barrier across a road’ – originally used to block a road until a toll was paid. Of course, it now just means toll road, and hefty tolls we did pay to travel this premium piece of highway.

Now you know, folks. And knowing, as they say, is half the battle.

Breakfast blogs aside, let’s take it back to the music and talk a bit about opener Rosie Tucker, who, FYI, does not have a breakfast blog. And though we may not get an insight into what delicacies Tucker may be having for breakfast each morning, we were at least treated to two songs named after food during their set – “Ambrosia” and “Habenero.” When combined together on a plate, those two items would probably not make for that great of a breakfast, but luckily, they sounded pretty good in musical form during Tucker’s setlist.

While I already knew and loved The Beths, Rosie Tucker was an unknown quantity to me before this, but they put on an enjoyable show full of catchy tunes that certainly made a fan out of me.

And now, if you’ll excuse me, I’m off to have a bit of breakfast.

Concert Review: Goo Goo Dolls, August 8, Budweiser Stage

Posted on by Paul in Concerts | Leave a comment

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After a few years away, Goo Goo Dolls were happy to be back in Toronto again.

Sure, it’s a line we’ve heard a fair bit over the last little while as musicians have been making their return to touring, but with the band having roots in Buffalo, it may be that Goo Goo Dolls feel the Toronto connection a little bit more than others might. The band made reference to the fact that they’d been away for a bit a few times during the night, with John Rzeznik joking that he felt hurt that the border to Canada was closed for all that time during the pandemic, adding that he thought about renting a rubber dinghy and rowing it across the Niagara river to get “one of those good Canadian vaccines.”

Robby Takac also made mention during their set of how good it was to be back in Toronto and even reminisced about playing Lee’s Palace before launching into “Lucky Star” off of 1993’s Superstar Carwash, one of a few tunes throughout the night where he would take the lead. It’s kind of weird to think back to that period in the band’s career, a time before they became the masters of the alt rock power ballad and were a Replacements-esque punk band who were also signed to Metal Blade records for a bit. Yes, for a brief moment in time, Goo Goo Dolls were labelmates with the likes of Cryptic Slaughter and Cannibal Corpse. There’s your fun fact of the day.

Touring in advance of their upcoming fourteenth studio album Chaos in Bloom, the band previewed a few songs off of it, including set opener “Yeah I Like You,” a decent bit of power pop that hearkened back a bit to the sound of those earlier albums. Of course, the biggest crowd reaction of the night came for the hits, and Goo Goo Dolls certainly have their fair share of those, with tunes like “Slide”, “Black Baloon”, “Name” and “Iris” inspiring big singalongs throughout the evening.

Surprisingly though, the band didn’t save “Iris” for last, opting to close out their set with two more songs after that one, including a cover of Tom Petty’s “Runnin’ Down A Dream.” An unexpected move perhaps, but maybe they’re just being courteous to fans who want to make their exit a little early to beat the traffic. If so, that’s fair. After all, the band may sing “I’d give up forever to touch you,” but some may not want to give up that few minutes head start on their commute.