Hot Docs

Hot Docs Review: Push (Fredrik Gertten, 2019)

Posted on by Ricky in Hot Docs | Leave a comment


An insightful film about the global housing crisis in urban centers, Push follows UN Rapporteur Lailani Farza across the globe as she investigates the continued demise of affordable city housing. For some reason I thought this film was going to be just about Toronto, but I was glad to see the scope of this film expanded.

Through conversations with experts, politicians and just plain regular people, we come to learn that the issue is far more complex than we realize and that this crisis will be far more difficult to untangle.

An eye opener of a film. Check it out.

Wed, May 1, 1:00 PM @ TIFF Bell Lightbox 1
Sat, May 4, 9:15 PM @ Hart House Theatre

Hot Docs Review: Kifaru (David Hambridge, 2019)

Posted on by Gary in Everything, Hot Docs, Reviews | Leave a comment


By 1971, the giant tortoise population on the Galapagos island of Pinta had been so decimated by a combination of poaching and invasive rodents (also brought on by humans), that only a single male tortoise was known to us. 40 years later when he finally died unceremoniously at the age of 101 inside a pen, Lonesome George was still the last known Pinta Island tortoise. And so, one of many millions of evolutionary experiments on our planet, though likely several million years in the making, came to an end.

In almost all ways, the story in Kifaru parallels that of Lonesome George in an eerily familiar trajectory. The northern white rhino population has been devastated by poachers looking to turn some outgrowth on the two-tonnes pachyderms into keratinaceous gold, by selling them to superstitious East Asian cretins who confuse toe-nails with miracle cures. While their wild brethren was dying, the handful of captive rhinos in zoos across the planet could not be coerced to reproduce successfully. Long-bloody-story-short, the last one known, named Sudan, died in March 2018, and this is the story of its last days. Told from the point of the view of Sudan’s three keepers, this film is more about the journey than the end. It could hardly be about anything else, when you knew the ending before it began.

One technical complaint that I have with the film is how unusual the camera work is for being constantly out of focus, consistently mis-placing the subject off the center of the frame, which was often very low to the ground. It’s as if the filmmakers wanted to convey the point-of-view of Sudan, with rhino’s notoriously bad eyesight and and stocky build.

No one would be surprised at my confirmation that Kifaru is a plaintive film. But it is also a strangely dignified watch. You feel a righteous anger rising when tourists gleefully pay respect to the last of a species that, but for human disruption, would have continued to be successful. But it would simmer and leave behind shame when you realize that, despite your anger, we are failing to prevent the pulses of many other species from slipping away. As one of the keepers said ruefully: “black rhinos, there are still 5000 of them left…”, implying that we aren’t giving them the same protection as we are Sudan. I don’t argue against the logic that the last of its kind is precious – but how we got to the present hides a truly confounding mystery: what do we love to do when presented with a miracle cure? We study the living-daylights out of it and crucially, we make damn sure we have more. It’s what happened with chickens. Why then are there no Purdue rhino farms or Tyson pangolin hatcheries to keep the miracle well flowing?

The truth is painfully clear: deep-down, EVERYONE, both Sudan’s keepers and Chinese consumers, understands that toenail shavings in traditional medicine is nothing more than placebo. So, so many of us just don’t care, taking a note from a nihilist epitaph: “Nothing saved me. Nothing matters”. We will keep chugging along until the next sad passing, human or otherwise. The dignity and the testament of Sudan, is that Nature doesn’t care, either. Like any evolutionary experiment before or since, one day soon, it will be the last human on Earth struggling to stand on his/her two feet. And it may not mean anything more than that of the last northern white rhino. If we continue to be enslaved by this destructive logic, then we shall go to our deathbeds alone, never understanding how even a rhino could manage to die surrounded by those who know and appreciate his worth.

Kifaru will screen again at the times below. Witness. Or spend the time to do better.
Sunday, 4/28 10:00 AM
Friday, 5/3 4:00 PM

Hot Docs Preview: Gordon Lightfoot: If You Could Read My Mind (Joan Tosoni, Martha Kehoe, 2018)

Posted on by Paul in Hot Docs | Leave a comment


From his beginnings in the 1960s Yorkville scene through his rise to success and up to the present day, there’s no denying that Gordon Lightfoot is an absolute legend of Canadian music. Gordon Lightfoot: If You Could read My Mind takes a look at that legend, examining the life and career of Lightfoot through all of its ups and downs.

Through a mix of archival footage and extensive interviews with Lightfoot himself as well as many other contemporaries and admirers (including Ian and Sylvia,The Good Brothers, Murray McLachlan, Randy Bachman, Ronnie Hawkins, Sarah McLachlan, Steve Earle and um, Alec Baldwin … yeah, I don’t get that last one either), directors Joan Tosoni and Martha Kehoe delve into Lightfoot’s history and influence.

However, the filmmakers don’t shy away from looking at some of Lightfoot’s darker moments as well, presenting an interesting portrait of the man that will appeal to fans as well as those looking to learn a bit more about an icon of Canadian music.

Sat, Apr 27, 6:45 PM at TIFF Bell Lightbox 1
Tue, Apr 30, 6:30 PM Hot Docs Ted Rogers Cinema

Hot Docs Preview: The Wandering Chef [Hye-Ryeong Park, 2018]

Posted on by Ricky in Hot Docs | Leave a comment


The Wandering Chef is a slow moving yet moving documentary that explores a famous chef and a friend he happens to have met while wandering the countryside.

Yim Gi-Ho is a famous Korean chef who focuses on making something out of nothing. Throughout the film, you will find him picking ragged weeds and plants from a practically barren countryside and making seemingly Michelin star quality food out of it. However, this film is more than that, as it explores a relationship that Yim develops with an elderly lady that was built on the foundation of a communal meal.

The film looks at what food means to people and the bonds that can be derived from it. Foodies will love watching the chef forage and ultimately make tasty meals out of seemingly nothing but the core of the film explores the relationships of people through food.

Wed, May 1 | 6:30 PM Hart House Theatre
Thu, May 2 | 3:00 PM Scotiabank Theatre 3
Fri, May 3 | 9:30 PM Isabel Bader Theatre

Find out more about the film here