Everything

Concert Review: Girls, El Mocambo, November 10

Posted on by Ricky in Concerts, Everything | 2 Comments

girls

Toronto – Since September 25, the San Francisco band Girls has seen their popularity skyrocket. Their Tuesday night show at the El Mocambo was completely sold out. I was lucky enough to snag myself a pair of tickets and so off I went on Tuesday to check out the latest pitchfork media buzz band.

We arrived earlier then expected for the show and thus, decided to go to the Red Room instead of hanging out at the El Mocambo. How clutch has the Red Room been over the years? Always the same cheap drinks, the same indifferent waitering, the same tasting tofu puffs, same vinegar drenched salad accompanying the same ketchup filled pad thai… no one ever said it’s good, but there’s something to be said about it’s consistency. If you think of cheap pre-concert drinking spots, Red Room is one of the top ones for the venues. Think about it.. there is nothing close to the Mod Club, the Blue Iguana (besides the Opera House) is pricey, you don’t want to be anywhere near the Phoenix and the Horseshoe is pricey cos of its Queen street placement. Lee’s Palace and the Wrongbar have decent pre drinking venues, I guess. But yeah, I definitely appreciate the Red Room for what it is.

The band came on around 10:20. Perfect for a mid week show. Accompanied by a drummer, a bassist and another guitarist, group leader Christopher Owens took the stage looking like he was transported from 1994 grunge era, long hair and all. As with most shows, I don’t really pay attention to what the setlist was, I just know most, if not all the songs from their debut album (called Album) was played. The whole show was very low key, Christopher Owens barely said a word between songs and mostly stuck to his singing/guitar duties. Considering this bands meteoric rise, I would chalk this non-audience-interaction to just not really being ready to play sold out shows.

The music itself was quite good, the sounds of the surrounding band members were rather muted, to the point where you were wondering if he was just playing a solo show. However, given the type of low-fi surferesque rock that the band plays, this was perfect. The songs that were played was a fairly similar representative of the album version, which in itself is kind of raw anyways, so I guess it’s expected.

All in all, I think it was a good show. Talent always shows and in the case of Christopher Owens, it doesn’t take a genius to figure out that the guy can write some solid songs, even if he wears his influences heavily. It will be interesting to see how they progress as they play more and more shows to larger and larger crowds. I’d definitely be up for checking them out again.

Concert Review: Simian Mobile Disco, November 8, Mod Club

Posted on by Ricky in Concerts, Everything | 2 Comments

Simian Mobile Disco, Mod Club, Toronto, 2009

Toronto – Man, Simian Mobile Disco was awesome live. It’s amazing to see what two men, a bunch of knobs, some wires and some thing-a-mi-jigs can produce. On Friday night, Simian Mobile Disco were in town to promote their second album Temporary Pleasure. James Ford and Jas Shaw didn’t even take the stage til around 12:30. Luckily for them, the Phenomenal Handclap band had nicely warmed up the crowd and by the time the light dimmed, everyone was really ready to dance.

Lets talk about the stage setup first, after witnessing the Presets blistering light show in April, I was expecting something along the same lines. There were basically five columns of lights surround the two men and yeah, they pretty much just blitzed your senses into submission throughout the show. I think I’m adding ‘good electronic act with crazy light show’ to my must see concert lists. It’s that awesome. Barney would approve.

As for the music…well, the thing is..for these shows, how good the concert is depends on how much you dance to the songs they play. I danced a lot, and so did everyone around me. I would venture to say not one soul in the crowd was standing still. All the popular songs were played including Hustler, It’s the Beat, Audacity of Huge, Cruel Intentions and of course, their standout track I Believe for an encore. I absolutely love that song. It was a great way to round out their 90 minute set.

I highly recommend you check them out, unless you are prone to seizures. Then maybe put on some sort of vision blocking contraption and go anyways.

Concert Review: Wilderness of Manitoba, The Garrison, October 29

Posted on by Ricky in Concerts, Everything | 1 Comment

Toronto – When I think of the Wilderness of Manitoba, I think of cold winters, barren wasteland of leafless trees and polar bears everywhere. Think Fargo. So when I’m listening to the band The Wilderness of Manitoba, that is exactly the thing that pops up in my mind. Am I making any sense? Is this too meta? I don’t even know. Anyways, the band the Wilderness of Manitoba is a five piece band out of Toronto. They are so new, no obsessive fan has bothered to make a Wikipedia page for them yet. Their sound is folkish harmonics, I guess similar to Fleet Foxes. It’s for the most part, mellow stuff that is quite suitable for winter time hot chocolate sipping situations.

The show at the Garrison was part of the No Shame series and in promotion of their recently released debut EP – Hymns of Love and Spirits. I actually think I was at their cd release party a few months ago, at the lead singer dude’s house. Strangely, he’s almost my neighbor now if I think about it. Anyways, the show is at the Garrison, the new hotspot of the town and the new home for the Toronto music series Wavelengths. So basically, if you want to meet (or stab) your favorite Stillepost poster, there’s a good chance that the person is at the Garrison on any given night.

The Garrison is right in the middle of the hipster hot spot known as Dundas and Ossington. This area needs a name, how about Soconoquwoba (South of College North of Queen West of Bathurst). Isn’t that how the New Yorkers do it? Fellow PMer Paul noted that this used to be a sports bar and definitely, the interior of the Garrison while repainted (into blood red) and decorated, still looks a bit like a sports bar. I can imagine a bunch of old Portuguese men in the back room doing some offtrack betting, eating Sardinha chicken and swearing or something. The music area is quite large, and the dimensions of it is definitely more inviting then the bottle necking feel of the Sneaky Dees area. The stage is slightly elevated, which is nice as well. There was a pool table on the side of the room that everyone put their jackets on. It’s a nice feeling to know that I can throw down my jacket there and no one will steal it. Very community feeling.

The interior music area had some cheap beers and I picked up a bottle of PBR for 3.75 or something. After taking a sip of this beer, I pondered to myself – “why the hell am I drinking PBR? has my move to the ossington area rendered me a hipster? am i buying into the marketing? whats going on?” After this brief, yet important self analysis, I concluded that it was because my rent is a lot higher now, and thus, I am cheaper. It’s not a horrible beer, but definitely not something I should regularly consumed. I think hipsters drink PBR because they are poor baristas/used book store cashiers/green peace volunteers/working in a struggling vinyl store types who don’t really have the necessarily the means to buy beers that are like six bucks a pop on a regular basis. American Apparels is pretty expensive these days, gotta save up for that.

The band came out around 10:45. There were five people on stage, one of which was a female vocalist. Three of them were wearing plaid, which I guess, goes well with the band name. They looked like they could have just stepped out of the Wilderness of Manitoba. I was impressed with all the instruments the band used through out the set – guitar, bass, cello, banjo, a midget guitar, drums..and a FREAKIN BOWL. That’s right, for at least two songs, either one of the guys or the girl (named Melissa) used the bowl as an instrument. Either that or they were making breakfast for later on in the night. The band started off, appropriately with track #1 off their album – Bluebirds. It’s a quiet song that nicely blends a cello with the harmonies of the three singers. It’s a good song for a band to start off with, since it’s an instant ‘shut the crowd up’ song due to its quietness. The annoying thing about the show was the crowd kept getting louder and louder as the show progressed to the point where you wanted to turn around and tell everyone to shut the f up. The 40 minute set consisted of songs off of Hymns of Love and Spirits and might have a track that wasn’t on it. I’m not sure, the last track was a bit of a rocker that was a departure from the bands usual quiet, slow pace song and I quite enjoyed it.

The Wilderness of Manitoba is a bit of a departure from what I usually listen to (electro/indie pop/brit rock) but I did enjoy the show. Now if only the people behind me would stop talking.

Concert Review: the Selmanaires, Atlas Sound, Broadcast, October 24, Lee’s Palace

Posted on by Allison in Albums, Concerts, Everything | 21 Comments

Every once in awhile, a show comes along and completely blows your mind by the sheer randomness of it. When I saw bauhaus back in 1998 at what was once known as the Warehouse, a muscle-bound freak started random fistfights with everyone around him (women included), a future boyfriend’s watch was smashed in, and management confiscated the camera I had smuggled in. Last night’s Atlas Sound show had a few medical emergencies, a beyond sold-out crowd, and most memorably, my encounter with Bradford Cox.

The evening started off innocently enough. The Selmanaires, another Atlantan outfit invited out to support and back Cox in his Broadcast leg, opened up the show right at 10:00. Having known nothing about them prior to their set and contemplating skipping it altogether, they impressed me with their Primal-Scream-esque dancey psychedelia beats. The only thing they have to work on now: vocals and choosing other Georgian bands to cover (hey, the B52’s were great but everyone was sort of puzzled as no one could recognize the tune they chose). Also, this is another up and coming band that has an Asian…and Ricky, I believe he’s of Chinese descent. Tommy Chung sings and provides bass guitar, so there’s another one to add to our list. The real draw for me however (and there is absolutely no surprise here), was their Colombian ultra-babe percussionist Mario Schambon.  This guy ripped up those bongos and you could just tell he exuded a genuine joy in being able to percuss onstage, toothily grinning to his bandmates the entire time.

http://www.atlantamusicblog.com/.a/6a00e55007daf08834010536fe8d11970c-320wi

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