Everything

Concert Review: The Big Pink, Lee’s Palace, November 29

Posted on by Ricky in Concerts, Everything | 1 Comment

bp

Toronto – There are so many Asians in the golden horseshoe area of Toronto, it boggles my mind that there is no pho or chinese (or even thai) places along the 401 from Toronto to Montreal/Ottawa. Are you telling me if you are driving along the 401 and there is a service station with some pho there, you won’t instantly get it? We have really limited options when doing that commute. I think the only time I ever eat at Wendy’s is when I’m in a car from one place to another. Did u know their chicken salad now features breaded chicken? How healthy is that? (I had a bacon cheeseburger…mark had the chicken salad)

I got back from an exhausting party trip from Ottawa at about 8:00 pm on Sunday night. I wasn’t too sure about whether or not I had it in me to go see The Big Pink at Lee’s Palace. However, I decided that I only live once and it was too close to not go. Lee’s Palace had conveniently said that the band was going to go on at 10. Great! I thought, I could be home by 11.

Arriving at around 9:45, I saw a moderately packed crowd at Lees. Not too many ‘lads’, which is a pleasant surprise considering its a British band. You know who you are. Stop screaming out whatever small English village you are from whenever you see a Brit band show. No one cares. Anyways, I chatted with a few friends for a bit and then 10:00 rolled around. Then 10:15 ..then finally at around 10:25, the four piece band (guitar, drum, synth, bass) came on to a cloud of smoke and strobe lights. Great! Seriously, I don’t know about you, but if I was going to make a presentation at work and I was 25 minutes late, I might as well start packing my bags. I wonder why this is acceptable for the music industry. All in the name of rock n roll, I guess. I sound like an old man.

I was fairly impressed with their live set. Robbie Furze plays the guitar like a machine gun. If there was a game called “Rock Star Concert Poses Hero”, I think him and his bassist would definitely be able to get a pretty good score on “hard” and maybe a decent score on “expert” levels. The constant strobe lights and smoke machines nicely complimented the wall of sound shoe gaze j&mc feel to their show. I would dare say, the show would only be half as good if there wasn’t smoke and lights. Maybe that says something about the band. I don’t know. They were a bit heavy on the shoegazing and never interacted with the crowd at all, but that is of no surprise given their influences and the fact that they were British.

The live renditions of upbeat songs like Crystal Visions were quite good and just different enough from the album to make you think that they aren’t a studio/production band. I think the slower numbers dragged, but I might be a bit bias because I had been on the road all day. The show was about 45 minute long and closed with the extreme crowd pleaser single “Dominos”. There was no encore, but I think the band had no songs left anyway.

Overall, a decent show. Would have been better if they started at 10 as promised.

Chromewaves was also at the show.

Concert Review: Imogen Heap, Queen Elizabeth Theatre, November 26th

Posted on by Wade in Concerts, Everything | 5 Comments

I’m not a big Imogen Heap fan and not familiar with most of her work, but when the opportunity arose to check her out last week, I said what the hell.

I had never seen a show at the Queen Elizabeth Theatre either. Is this a new venue in Toronto? Hanging out in the bar before the show, I saw the guys who book/run the Mod Club hanging out in the office. Outside of the downtown core, it is easily accessible by the Dufferin bus and very close to Medieval Times for those of you who know the area. I would guess that this is a mostly Live Nation venue by looking at the acts playing there; it is similar to Massey Hall in that respect. The seats are very comfortable and well spaced, unlike Massey Hall. The only draw back to this venue is it that it has no character. Is reminded me of my high school auditorium. There is a big stage, baron walls and lots of seats. And once the show is over, you are stuck waiting for the bus, but if you are a bit ambitious, the good bars Parkdale are walk-able.

Imogen Heap has a solid following. Those who like her, love her. She was nominated for two Grammy Awards in 2006 and has had lots of commercial success from having her music featured on The O.C. (when that guy got shot) and as the Heroes theme song.

For the show, the stage was littered with musical instruments. She had two tiny microphones attached to the inside of her wrists, which allowed her to literally run around the stage, sampling and looping different instruments at will. This is how most of her songs started. It was neat.

Imogen also has a couple of songs that require a cello. In tune with all things social-networky, she is really in touch with her fans. Do you follow the Imogen Heap vBlog? For every town that she has gone to on this tour, she has held on-line cello auditions. If you are good enough, you get invited to play with her in your hometown. Really neat.

Imogen has a great voice and likes to experiment with music. That was obvious at the show. She also has that superstar quality about her. She is tall, good looking, confident, and pretty funny in-between songs.

Here is the song she opened the concert with, Home. The video is a bit over produced, but the song is good. I have been told that she played some songs from Speak For Yourself, which was evident by incisive clapping once the first chord had been struck, but most of the songs were from her new album, Ellipse. Encore included Hide And Seek, and Just For Now.

BRMC Album and Tour Update

Posted on by Vik in Concerts, Everything, Theatre | 3 Comments

brmc black rebel motorcycle club Beat The Devil's Tattoo

It’s been over a year since we’ve heard any news on a new Black Rebel Motorcycle Club album. Something we have been anticipating especially after the heated debate on whether their last release ‘The Effects of 333’ was considered a proper follow up to Baby 81 (or even a proper album for that matter).

According to a recent update the is set to release ‘Beat The Devil’s Tattoo’, on March 9th and is embarking on an extensive tour through North America and Europe beginning February 26th, 2010.

I for one am looking forward to hearing some new stuff. Here are the dates:

February 26 Sacramento, CA Harlow’s
February 27 Reno, NV Knitting Factory
February 28 Las Vegas, NV Wasted Space @ Hard Rock Hotel
March 2 Denver, CO Ogden Theatre
March 4 Boise, ID Knitting Factory
March 5 Seattle, WA Showbox Market
March 6 Vancouver, B.C. Commodore
March 7 Portland, OR Wonder Ballroom
March 9 San Francisco, CA Slim’s
March 13 San Diego, CA House of Blues
March 14 Los Angeles, CA Echoplex
March 18 Dallas, TX House of Blues
March 20 Houston, TX House of Blues
March 21 Tulsa, OK Cain’s Ballroom
March 23 St. Louis, MO Pageant
March 24 Madison, WA High Noon
March 25 Chicago, IL Metro
March 26 Milwaukee, WI Turner Hall Ballroom
March 27 Minneapolis, MN First Ave.
March 30 Columbus, OH Newport Music Hall
March 31 Cleveland, OH House Of Blues
April 1 Toronto, ONT Phoenix
April 2 Montreal, QC La Tulipe
April 3 Boston, MA House of Blues
April 5 Washington, DC 9:30 Club
April 7 Philadelphia, PA Theatre of Living Arts
April 8 New York, NY Webster Hall

Check out their website for the rest of ’em.

Concert Review: Final Fantasy with The Mountain Goats, Antone’s, November 18

Posted on by Alli in Concerts, Everything | Leave a comment

Final Fantasy

Austin – I’m not sure how, but my review of this show completely vanished into thin air sometime in the last week. It’s annoying, too, because I thoroughly enjoyed it and put a decent amount of time into my writing. Anyway.

I had seen Final Fantasy once several years ago and remembered being pleasantly surprised by Owen Pallet’s music. It’s just him and a guitarist and several instruments on stage when he plays. He records the beat, which could be tapping against his violin or a few simple notes, and then layers other components of a song over it, along with vocals. It’s kind of hard to explain and I’m not sure how to do it justice. He also spent some time chatting with the audience, telling stories of other times he’d been to Austin. I tried to get some video but I spent a good portion of his set trying to shoot photographs around people’s heads, and ignoring a couple that was fighting next to the spot I finally settled on. At any rate, he has an album coming out on Domino records in January, and it’s definitely worth checking out.

the mountain goats

Next up were the Mountain Goats. John Darnielle brought his full band, just like last year, back to Antone’s. He mentioned he had so much fun playing at this venue in 2008, he made sure to come back and play there. This only encouraged the crowd even more to shout out requests for favorites such as “No Children” and “This Year”, the former which closed the set with a singalong. A little more than half the set included the full band, the rest of the songs were just him on the piano. Owen also joined him on a few songs, one of which he had never played with the Mountain Goats before, which was humorous. Going to see the Mountain Goats can be a very personal and intimate experience, no matter how many people are in the audience, as the content of every song is written that way. Each one tells a story about a specific part of Darnielle’s life and it’s easy to relate to every single one. You can tell he genuinely loves to share his stories with fans; even though he wasn’t feeling well (which forced him to cancel a couple of shows this week), he gave his all. The set included songs from as far back as 1996 to several off the new album, “The Life of the World to Come”, which is out now on 4AD.

Final Fantasy plays Toronto’s Mod Club January 12th