7ebra is a Malmö-based duo made up of Inez and Ella, twin sisters who together craft some catchy, keyboard-heavy indie rock tunes. Their upcoming debut album was produced by Tore Johansson, best known for all his work with The Cardigans and Franz Ferdinand, and based on the strength of single “I Have A Lot To Say”, I’m looking forward to hearing the whole album once it’s out.
I’m also looking forward to seeing the band live at SXSW, in part so I can find out how they pronounce their name. Is it Zebra? Debra? Sevenebra? Only time will tell.
I like both kinds of music – country and space rock.
I know that’s not the way the saying usually goes, but in the case of Garrett T. Capps & NASA Country, it seems a bit more of an appropriate statement.
On “People Are Beautiful”, the San Antonio-based Capps infuses his alt-country sounds with a solid dose of Hawkwind-esque groove and it works perfectly, thus proving that Austin isn’t the only city in Texas with an interest in keeping things weird.
SXSW 2023 will soon be upon us. Which means that come March, people from all over will once again be descending upon Austin for a week or so, with showcasing acts coming from as far afield as Lahore, Syndey, Seoul and, well, yes, Toronto.
However, while Southby is a great opportunity to check out international acts who might not otherwise make their way to North America, when in Austin, it’s also a good idea to check out some locals. And so today, we shine the spotlight on an Austin act – Letting Up Despite Great Faults. Check out “She Spins”, an upbeat, jangly, shoegazey number off of the band’s latest album, IV.
This was the year that the Panic Manual made our semi-triumphant return to Austin for yet another SXSW. This one, would of course be a bit different than other editions – worries about Covid hanging over our heads, work responsibilities clashing with SouthBy funtime, and, oh yeah, the fact that we’re all three years older than the last time we set foot in Austin would obviously all have an effect on our time here. But it was a joy to be back nonetheless and as usual, here is our annual recap post wherein we try to make sense of everything we experienced this year.
Ricky: Self Esteem – the show was fun but after listening to the band some more, I’ve determined that I really like them.
Paul: It’s hard to pick just one as there were many great new discoveries – Blackstarkids, Hotel Lux and Crows were all great and Ryder The Eagle was definitely the most memorable and unusual of all the new acts I saw. But maybe the best discovery of the week for me was the latest project of a veteran musician. Catching Mike Watt’s new project MSSV at an unofficial Sunday evening set as part of Chili Dog Fest was definitely a nice surprise. And an incredible performance too.
Best Act
Ricky: No act blew me away this year like The Comet is Coming did in 2019, but there were several notable fun acts. I mean, it’s really just hard to top Dolly Parton but that’s a given. Best new act for me was probably Working Men’s Club, if only because I really dig their New Order vibes.
Paul: I’ll have to second what Ricky said, both in terms of Dolly being hard to beat live and on Working Men’s Club being fantastic. I will also give a shout out to Los Bitchos for putting on a great show – they’re a lot of fun live!
Ricky: My biggest disappointment stemmed from my own inability to separate work and play as I had to work during the festival, but let’s unpack that another time. I was also disappointed that not enough people attended Enjoyable Listens’ afternoon showcase as that was super fun.
Gary: I didn’t have much expectation going in… I also gave up on seeing people wearing masks. That helped, too.
Paul: After three years away from SXSW, even the worst band I saw was still a pleasure to see live – listening to live music in the Austin sun with a beer (or White Claw) in hand makes it hard to be too disappointed in anything. I will admit though that I’m a bit disappointed in myself for missing out on shows from Beck and The Lemonheads during the week, but then again I caught some great new acts (or just caught up on some much needed sleep) in place of them, so again, no real complaints.
Favourite Moment
Paul: Seeing my comedy heroes from Kids In The Hall on a panel discussing the documentary Kids In The Hall: Comedy Punks was pretty great. Also, seeing Geezer Butler and Sebastian Bach talking about the “enduring power of metal” was cool and almost makes up for the near total lack of metal on this year’s (and the past few years’) Music lineup.
Ricky: My Favorite moment was during MEMES’ showcase at Swan Dive, when during the outro part of “Cheer Up”, the lead singer went into the small crowd, got everyone jumping up and down and handed the mic off to either a friend or some fan who then proceeded to go on stage and sing the rest of the song. It made me realized how much I missed that live show energy and was a bit cathartic.
Gary: When Saturday rolled around and 6th Street shed the tumbleweed feeling, I was elated. And a split second after reveling in the moment, realized I best get out of there.
How did it feel to be back at sxsw again after 3 years (and during a pandemic)?
Gary: A surreal pride that it came together after all, despite the disastrous hypotheticals. Except for Film, which benefits from avoiding timetable clashes with Music once the films are online, SxSW does not work virtually. Plus, it just feels wrong if I’m not a walking billboard for some music production company!
Ricky: It was weird to have some semblance of normal, and quite great. Also, a realization that we are all three years older and so can’t go as hard as possible anymore. Live music is amazing and i’m happy to have seen so many acts.
Paul: It definitely felt strange. But good. But, yes, definitely strange. Starting off slow, the first few days felt a lot lighter than past years, but by the end of the week, the crowds were more or less back in full force … which also felt weird. Still, it was nice to get back into “the thick of it” as KT Tunstall said during her Wednesday night set and I look forward to hopefully going back again for 2023, when things will presumably be a little more back to normal.
