Concerts

Concert Review: Minor Characters, Lonely Forest and Portugal. The Man, April 17, The Vic Theater

Posted on by Celeste in Concerts | Leave a comment

Chicago – Here’s how, in my mind, Chicago-based foursome Minor Characters came up with their onstage look for tonight’s Portugal. The Man concert:
Band-member #1: “So what’s our hook going to be for this show gentlemen? We need something to make us pop.”

Band-member #2: “How about we wear three piece suits, slick our hair back and out-dress everyone within a ten mile radius of us?”

Band-member #1: “Done.”

Minor Characters not only sounded great, but they were sporting the kind of outfits that make a girl’s heart flutter. I believe the adjective that was thrown around was ‘dapper’. Well done gentlemen. They even got a shout-out from the second opener for just flat out lookin’ good. I’m happy to say that Minor Character’s music doesn’t disappoint – it’s as snappy as their dress, as self-deprecating and modest as their name and as catchy as all get-out. Come break my heart is a great single and If I Were You is definitely worth a listen. I’m hoping that these guys are making the rounds come festival season in Chicago (don’t forget your suits gentlemen) – they definitely warrant further viewings.

Up next was Lonely Forest, a foursome from Anacortes Washington, with a strong indie-rock vibe. It’s rare that a smaller, less well-known band is able to inhabit the space of a large venue like the Vic Theater, but the one word I would use to describe Lonely Forest’s set is powerful. This band has definite stage presence and they were showing it off tonight. I might also have had a soft spot for them from the beginning because their drummer has the kind of flowing locks that only a percussionist can pull off. Little known fact – used appropriately, a drummer’s hair counts as a musical entity all its own. Lonely Forest plays the kind of music that allows their drummer to get the most out of his head of hair – it’s got a strong beat that grips you immediately and emotional and clever lyrics to top it off.

Finally Portugal. The Man took the stage. There was some talk of having trouble with the lights, so I’m not sure if this was the look that they were going for, but the stage looked like the equivalent of a lightning storm at night. Honestly it wasn’t a bad look – it merged well with PTM’s stoic rock onstage presence (the two tall men in front of me were obviously taking their cue from the band – I don’t think either of them moved a muscle throughout the entire set. Guys, if you’re going to take the good spot on the railing at least show some enthusiasm. If I have to stare at your backs I need them to at the very least be swaying.) PTM was definitely a powerhouse in its own right, playing for a solid hour and a half and at one point seamlessly moving into the Beatles Hey Jude, which the crowd obviously loved.

PTM had the undivided attention of the audience members (and even inspired some to test the crowd surfing waters – causing one poor soul to take a face first dive) and they played a great set – but in my mind the night belonged to the openers.

Upcoming tour dates:
4/21/12 – Sayreville, NJ @ Starland Ballroom
4/22/12 – Boston, MA @ House of Blues
4/24/12 – Buffalo, NY @ Town Ballroom
4/25/12 – Columbus, OH @ Newport Music Hall
4/26/12 – Nashville, TN @ Cannery Ballroom
4/29/12 – St. Louis, MO @ The Pageant
4/30/12 – Kansas City, MO @ Beaumont Club
5/02/12 – Denver, CO @ Ogden Theatre
5/03/12 – Flagstaff, AZ @ The Orpheum Theater
5/04/12 – Pomona, CA @ Fox Theater
5/05/12 – San Diego, CA @ 4th and B
5/06/12 – San Francisco, CA @ The Independent

Concert Review: Rodrigo Y Gabriela, April 16, Massey Hall

Posted on by Mark in Concerts | Leave a comment

The last time Rodrigo Y Gabriela played in Toronto, they played the Phoenix. It was a pretty exciting show with a raucous energy. They returned last Monday, and this time the venue was Massey Hall. Their jump to MH is a pretty good indicator of how popular their energetic brand of flamenco-rock has become. This time, they were backed by a capable and talented Cuban band; a bigger sound to accompany a bigger venue.

The Cuban band, subtly named C.U.B.A. added a new dimension to Rod & Gab’s music. Their latest effort is Area 52, which rearranges some older material to fit within a Cuban orchestra. The album is fun, it’s very listenable, and adds an energetic Latin feel. The live show by contrast was a much rockier affair. That being said, it also provided an opportunity for the individual members of C.U.B.A. to show off their chops, and chops they had. The bassist and keys were particularly exceptional, but the whole band just oozed talent.

As much as I love Massey Hall, I’m not entirely sure this was the right venue for the band. Rodrigo Y Gabriela is very much a band that wants its audience on its feet, jumping around, and participating. That energy is something that they feed on and re-direct at the crowd, and it’s difficult to conjure up at a sit down venue. It wasn’t until about two thirds through the set that people got to their feet and and stormed to the front of the stage. That was then the show truly kicked into high gear and they played right up until the last possible minute of the MH curfew. The sustained energy at the end was just amazing.

Concert Review: Trampled By Turtles, These United States, April 15, Lee’s Palace

Posted on by Paul in Concerts | 2 Comments

Photo By Kevin Fulford

Roots music, as the name implies, is based in large part on tradition, yet at the same time, some of the best roots based music is also predicated on challenging that tradition and expanding upon it.  This past Sunday, Lee’s Palace played host to two bands who both seem to fit nicely in this progressive tradition.

These United States are currently on tour in support of their latest, self-titled album, a concept album of sorts covering numerous styles of American music from the past century or so, and featuring collaborations with such luminaries as  Deer Tick, Cotton Jones, and Phosphorescent.  Their brand of rootsy rock sounds great live and could perhaps best be described as rollicking.  “Rollicking” is not really a word I use often (or at all, really) but it does seem to fit well in this case.  Yeah, we’ll go with rollicking.  They ended out their set by bringing out members of headliners Trampled By Turtles to collaborate on a cover of Steve Earle’s “Steve’s Last Ramble,” noting that it was only the second time they had played it and that really, it was more like a rehearsal by a new band of sorts.  For a second rehearsal, it sounded pretty damn good.

As impressive as These United States were, Trampled By Turtles seemed to take it to the next level.  The crowd was going pretty crazy for these guys, so much so that it almost felt like I was at a punk show at times.  People were crowdsurfing to these guys several times during their set.  Girls were riding on their boyfriend’s shoulders like they were at an REO Speedwagon show or something.  Dudes were even riding on other dudes shoulders.  And all of this for a rather unassuming group of regular guys playing bluegrass tunes. It was actually kind of impressive and heartwarming to see a crowd react that enthusiastically to a band, and a bluegrass band at that. A bluegrass band that incorporates a wide range of influences, sometimes plays at near-speed metal levels of intensity and will throw a cover of The Pixies’ “Where Is My Mind” in near the end of their set, but a bluegrass band nonetheless.  A surpising show of affection from the crowd, but also one that’s well deserved.

Concert Review: Bruce Springsteen, April 13, First Niagara Centre

Posted on by Ricky in Concerts | 1 Comment

Bruuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuce

The calls for the famed New Jersey singer could be heard echoing throughout the arena well before he hit the stage at First Niagara Centre on Friday night.

The man is a legend, after all. His tireless work ethic, marathon shows and the seemingly unbelievable ability to remain connected to the people while having more money than most Pacific island countries has garnered Bruce Springsteen some of the most loyal and intense fan followings out there.

I wasn’t one of those people.

Friday night was my first Springsteen experience. Up until last week, I had barely scratched the surface of the Boss’s extensive discography.

My primary reasons for going to see this Bruce Springsteen show were

a) seemed like something a music fan should do at least once
b) would be cool to see a working class hero in a working class town
c) friends were going, wanted wings

As a complete newbie to the live Springsteen phenomenon, here are some thoughts on the show.

I thoroughly enjoyed the show. Most bands take their time to build up the show to the climax. With this show, it seemed like Bruce just took it from 0 to 100 right away. The man gives it up to the crowd and there is no wasted moment, every song was given full and proper attention and it was all pretty good. Three hours passed by pretty quickly, if this was say, The Dears, I might have maimed myself already by the two hour mark.

The energy of the crowd was absurd, most of the audience were up and dancing for the entire duration of the show. They sang along to the songs and gave great appreciation to all the members of the E Street band, especially newcomer Jake Clemons who as we all know, is replacing the late Clarence Clemons. It’s not easy to replace a legend, but the crowd was quick to make the man feel at home. The crowd was all ages and there were fans from little kids to senior citizens. Bruce did the classic performer trick of bringing up a little child to stage. The first time, it was to sing the chorus to Waiting on a Sunny Day, the next time, to dance to Dancing in the Dark. I’m sure he pulls this out every set, but it’s still super cool to see live.

Panic Manual graphic designer Vik has a question.

Vik: Did he start off every song with ‘hun two three fo!’ and spin around?
Ricky: Yes
Vik: another one, was silvio from the sopranos playing drums?
Ricky: max weinberg?
Vik: steve van zandt
Ricky: he doesn’t play drums
Vik: oh yeah, guitar
Vik: was he there?
Ricky: he plays guitar
Ricky: and ya he was there

Okay, back to thoughts about the show. Here are some other highlights

– Bruce crowd surfing about half the rink floor. It’s pretty impressive to see the man get surfed about 200 feet
– American Skin (41 Shots) was pretty good, I have never heard it before.
– The silent tribute to the late Clarence Clemons was touching
– Born to Run is pretty epic, probably always will be.
– Nice/professional touch from Bruce to play and engage crowds on all sides of the stage, good stage coverage

All in all, it was a great experience.

Springsteen plays Toronto in August, I’ll probably be there.

Setlist:
We Take Care of Our Own
Wrecking Ball
The Ties That Bind
Death to My Hometown
My City of Ruins
Rendezvous
Mountain of Love
Jack of All Trades
Prove It All Night
Darkness on the Edge of Town
Shackled & Drawn
Waitin’ on a Sunny Day
The Promised Land
Apollo Medley
Point Blank
American Skin (41 Shots)
The Rising
Lonesome Day
We Are Alive
Thunder Road

Rocky Ground (with Michelle Moore)
Ramrod
Born to Run
Dancing in the Dark
Tenth Avenue Freeze-out