Concerts

Concert Review: Kasabian, March 29, Kool Haus

Posted on by Ricky in Concerts | 1 Comment

Growing up on the rugged plains of Northern Alberta would have been an almost impossible task if it hadn’t been for my mother, who imparted much wisdom on me. Among the many life lessons I learned on the caribou farm was this precious tidbit that Mamma delivered to me at a tender age of ten “Warrior-of-Earth-and-Sky (my Indian name), this lesson has been passed by the wise for generations and generations, and it is a lesson you must learn in order to fulfill your destiny. The lesson is this: whenever a festival sized band from England plays a much smaller venue here in North America, you must attend the show”. I took this lesson to heart, so when English band Kasabian announced they were playing the tiny Phoenix, I instantly purchased tickets. I wasn’t alone. Many others descended upon ticketmaster outlets like Mexicans descended on the Alamo. They were no match. The show was sold out and Kasabian was moved into the much larger Kool Haus.

To no one’s surprise (except for Paul, maybe), Kasabian put on an amazing show last night. Kasabian’s music is all about swagger. They were probably dicks in high school that you think would accumulate to nothing, but somehow ended up being rock stars. Their music, a combination of electro and rock is frenetic, aggressive, energetic and on top of all that, extremely catchy. The gig was ace from top to bottom with lead singer Tom Meighan doing his best to rile the crowd up. During the course of the show, you would have seen him get the crowd to throw up their middle fingers (yea I know), toss a tambourine into the crowd, toss maracas into the crowd and demand applause. His swagger is so absurdly over the top and so completely British. If Kevin Drew had done what he did last night, people would be writing about how much of a douche he was, but within the Brit rock spectrum, it was perfectly acceptable and completely loved by all at the show.

All the attitude Kasabian displayed (half of them adorned rock star hair cuts and wore sunglasses for a majority of the gig) would all for naught if it wasn’t for the fact that the band sounded and looked fantastic live. Kool Haus usually doesn’t have good mixing but the mix was incredible for this show, everything was balanced and both Tom and Serge (the other vocalist)’s vocals sounded superb. Complimenting the sound was a laser and lights show that accompanies any Kasabian act. I still remember their first show here at Lee’s Palace when they brought an all out light ensemble to that venue. Who brings an entire light show to Lee’s Palace? Kasabian does.

Playing a mixture of music from all four of their albums, the veteran rockers started the crowd off with a sampling of material from their new album, Velociprator!. The incredibly drunk crowd was already rocking by the time classic track Club Foot was played, which then signaled the “mostly hits” part of the show. The next bit was fast and furious – Empire, Fast Fuse and hit single Rewired were all played before set closer LSF was played. All were crowd pleasers, all incited some sort of drunken singalongs. Anthems, my friends. Kasabian knows anthems. An encore of Switchblade Smiles, Vlad the Impaler and Fire closed off the set.

Halfway through the track Fire, Tom told the crowd “I’m not f__in done with you yet” before engaging in another singalong. Judging by the excitement of the almost moshing crowd, we really wish he wasn’t. Soon after, Kasabian was gone. Hopefully it won’t take another seven or eight years before they return.

Concert Review: Dry the River, March 27, Garrison

Posted on by Ricky in Concerts | 4 Comments

Dry The River

If I was a member of London five piece band Dry the River, I would probably hold onto my hard hat. Things are going to get crazy. The band had just completed a mega successful SXSW trip and judging by the rapturous reception they had in Toronto, It won’t be a gross exaggeration to say that the band will soon be headlining venues much larger than the Garrison.

Taking the stage shortly after 9:30, you would be hard pressed to imagine the band sounding like they do. Bassist Scott Miller has arms full of tattoos while lead guitarist Peter Liddle’s disheveled haircut makes him look like he should be fronting a early 00s King of Leon’s tribute band. That perception all changes when the two open their mouths and you suddenly realize holy crap, this band can sing. The next 45 minutes consisted of majestic, soaring, pastoral tracks that featured dueling vocals, strings, a great rhythm and incredible surges between the tender and non tender moments of a song. Few new bands are this good this fast, and fewer new bands play knowing they are that good. I think Dry the River is one of these bands.

If I was to make a lazy comparison, I would say Dry the River is probably Bon Iver meets Mumford & Sons. They’ll be big, and it’ll happen fast. Catch them while you can.

ps. The picture was taken when we saw them at SXSW, so the Garrison did not undergo massive renovations.

CMW Review: Absolutely Free, March 24, Comfort Zone

Posted on by Paul in Canadian Music Week | 1 Comment

Absolutely Free is the new project of 4 former members of spazzy Toronto indie/art rockers DD/MM/YYYY, a band who Panic Manual writer Mark once describedas “unmusical” and “like 5 drunk fratboys finding your little slice of heaven and puking in it, then on you.”  Needless to say, they didn’t make a fan of him that night.  I, on the other hand, liked the band when they were around and so when I found out that Absolutely Free were playing a show at Comfort Zone, I of course invited Mark to check it out as well.  Kind of like one of those blind taste test things – “What?  There’s no way this is instant coffee!!”

So what did the band sound like anyways?  Well, they shared the same musical adventurousness and penchant for instrument switching with their former incarnation, but with a much stronger krautrock influence, a smidgen of funkiness, and a whole hell of a lot of echo effects on the vocals. I don’t think it would be out of line at all to describe this thing as a cosmic odyssey.  I’ll definitely be checking these guys out again.  And what did Mark think?  Turns out he liked it.

CMW Review: BADBADNOTGOOD, March 23, Wrongbar

Posted on by Mark in Canadian Music Week, Concerts | Leave a comment

BADBADNOTGOOD was featured on the cover of last Thursday’s NOW. The timing simply couldn’t have been better, since they were playing the Wrongbar the very next day. The band consists of drummer Alex Sowinski, bassist Chester Hansen, and keyboardist Matt Tavares. They met at Humber’s jazz program and have managed to fuse elements of jazz, hip hop, youthful bravado, and web 2.0 net savvy to create some kind of tidal wave phenomenon. It was a crazy and adrenaline pumped set as they celebrated both the Now cover, and getting booked for Coachella.

After seeing their fresh faces, it would be easy to discount BBNG as newbies. That is, until you hear them play. They are tight and skilled the way jazz musicians are, but they’ve managed to combine that with restless energy and the confidence to dash musical boundaries. Why can’t a band who has figured out how to tie the jazz of yesterday with the hip hop and rock of today put on a show that involves moshing? No reason, because that’s exactly what they are doing.

There’s a popular conception that modern jazz has become ossified. It’s easy to get that idea if you listen to standard adult contemporary jazz stations that cater to an older generation that grew up on Miles Davis. If that’s your starting point, then it’s easy to fall into the trap of thinking BBNG are a different breed entirely. If you dig a little deeper though, you realize that mirroring the times, exploring new vistas, and pushing boundaries is exactly what jazz was about. In that respect, BBNG is simply part of the latest wave of artists to pick up the torch. They’ve been able to do it in a way that resonates with a new generation. That’s a good thing for jazz, and a good thing for new music.

BADBADNOTGOOD’s next album, BBNG2 is set to release April 3rd.