SXSW

SXSW Review: Billy Bragg, March 13, St. David’s Historic Sanctuary

Posted on by Paul in Concerts, South By Southwest | Leave a comment

Billy Bragg

On March 13, 2013, a new Pope was chosen, so of course Billy Bragg, playing a set in a church, took the opportunity to throw down a few good one liners for the occasion.  “The new Pope is Argentinian … I detect the hand of God.”  After some laughter, he added, “Oh good, there’s some English people here,” adding in a dig at the version of football where you don’t use your feet.  Ever the quick wit, Bragg seized upon the theme of religion and ran with it for the duration of the evening, asking if there was a vicar in the back doing sound and also noting that his new album “fittingly deals with redemption and the difficulties in maintaining long distance relationships.”  His wit was also on display in a few SXSW-inspired hipster jokes (“these beards also come in vintage”) and in new song “Handyman Blues” with the lyrics “I’m no good at pottery/so let’s lose the T and shift back the E,” adding, “See what I did there?” immediately afterwards.  We saw, Billy.  Clever.  He followed that song up with a slower, stripped down arrangement of “Shirley,” which he introduced by saying, “If that guy sounds familiar, here he was 25 years ago.”

Noting that he’s not one for organized religion, but respectful of those who are, Bragg mentioned that he was asked to write a song for the anniversary of the King James bible and that he wanted to write about “one of those books in the Old Testament with Jesus Christ being a socialist.”  He also played a version of Woody Guthrie’s  “I Ain’t Got No Home,” which he said could have been written any time in the last five years, but which was actually written over 70 years ago.  Other highlights included a reworked version of “The Great Leap Forward” updated with references to X Factor, the Occupy Movement and Pussy Riot as well as the last song of his set, which he introduced as “perhaps the most religious song I know,”  Bob Dylan’s “The Times They Are A Changin’.” A good reminder that no matter how bad things may get, there’s always hope for the future.

SXSW Review: Polyphonic Spree, Hype Hotel, March 13

Posted on by Ricky in South By Southwest | Leave a comment

Polyphonic Spree

It’s been a good decade since Dallas’s cult-twee band The Polyphonic Spree first emerged on our radar. Back then, they were this cute overly joyful band with god knows how many members that played a style of music that can only be described as a wall of happy sound. Flutes, horns, strings, keyboards, choirs – they were all part of package. It was a breath of fresh air that spawned two fairly popular hits – Hold Me Now and Light and Day.

After seeing the band play a set at the Hype Hotel on Wednesday, it’s fair to say that the band is still going strong. With a new album set to be released, the ten to twenty member band played a full force set at the Hype Hotel. Tim Delaughter, the charismatic front man/cult leader of the band has traded in his long locks for a shorter bleached blonde cut, which is I think something people do when they want to fight the effects of aging. Don’t fight it man, time is not a worthy battle. Dressed in uniform floral costumes, the band played some new tracks before settling in with more familiar material. The crowd at the Hype Hotel definitely responded best to Hold Me Now, which still sounds fresh after ten years. It’s a song that best exemplifies what the group has to offer – anthemic choruses made more epic by the size of the band, many layers of arrangement in the background all somehow coming together and Tim Delaughter doing his thing. A pretty good moment.

Another note is..do all the members of Polyphonic Spree get SXSW wristbands? Wouldn’t it be possible for them to sneak some friends into the band so they can get wristbands and then go to shows for free? I would do that. They are probably too nice to though.

SXSW Review: Deadmau5 vs Richie Hawtin, Stubbs, March 12

Posted on by Ricky in South By Southwest | Leave a comment

I’m not entirely sure what DJ battles are, but when I saw that the main event for the SXSW Interactive closing party was Deadmau5 vs Richie Hawtin, my curiosity was tickled and I couldn’t resist going. Where else are you going to see two of the world’s biggest DJ’s battle it out in a backyard of a bbq house?

Deadmau5 and Richie Hawtins are two of the most popular dj’s in the world. They are also Canadian. You might recognize Deadmau5 from his trademark head ensemble, gossip worthy relationship with Kat Von D or just the fact that he is EVERYWHERE. The dude played a sold out show at the skydome, to put his popularity into perspective. Richie Hawtins has been around a lot longer, I was not as familiar with his music.

So what does a DJ vs DJ battle entail?

First of all, my expectations were this:

Instead, what I got was

Did I just use the same image twice in a post? you bet.

The setup was pretty minimal – Deadmau5 on one side, Richie on the other. Deadmau5 wisely decided against wearing his traditional headgear. With the searing Texas heat, it was probably a wise decision. They seemed to be quite friendly with each other even though they were locked in a DJ battle. I guess when you are both millionaires, what’s the point in being hostile? Maybe it’s like WWF, where the whole battle is fake, and it really is just some sort of complicated choreographed set. I don’t know. I did not see any chair shots.

After attending their hour plus battle, I think DJ battles basically come down to matching the other DJ’s beat after he has played his for a few minutes and then taking it over and adding your own twist to it and then the other dj will build on that and so forth. That is what I gathered. I couldn’t really tell who was DJing what part, but I can tell you this – they put on a freaking good dance party. They know how to build up the beat and they know when to slow it down. Combine that with an epic light show and you have a pretty stunning display of electronic dance music for all to see. I can’t even begin to imagine how awesome this would be out in a field, in the middle of the night and by the sea somewhere.

Not quite sure who won the DJ battle, but I think in the end, we all won. (cliche fact-of-life concluding line)

SXSW Review: Cloud Nothings, Mohawk, March 12

Posted on by Ricky in South By Southwest | Leave a comment

Cloud Nothings, they know how to rock.

When I first heard about them, I had heard they were a DIY sort of rock band that embraced a lo-fi rock kind of sound. I hadn’t particularly paid much attention to them aside from the fact that one of my friends seem to be BFF’s with the lead singer. It has seem that in the few years since their self titled album first made waves in the music world, the band has grown up. Dylan Baldi is no longer a clean shaven short hair basement singer for his little band – now it seems like Dylan Baldi has emerged into a long hair bearded leader of a rock band that just hits you with a punch of grunge-ish rock.

I didn’t quite know what to expect when Cloud Nothings took the stage at the Mohawk on Tuesday night. I had thought that they were this nerdy little band whose lead singer who writes for the same zine I did. I was wrong. The band took the stage and just rocked the place. For forty minutes, there was a non stop wall of sound from the group. Playing tracks from albums new and old, the group played what I can only describe as a blistering set of guitar noise and screamy vocals that weres surprisingly catchy. Paul said it was pretty clear that Dylan listened to Nirvana growing up. I would agree. I felt bad for people without earplugs. It was quite a jolt.

Cloud Nothings are playing a few more shows this week, so if you want a good punch to the gut of rock n roll, then definitely check them out.