SXSW

SXSW Review: Ellie Goulding, Bat Bar, March 16

Posted on by Ricky in Everything, South By Southwest | Leave a comment

Austin – I have a soft spot for pop music, especially if it’s well made pop music. Hailing from England, Ellie Goulding makes what I consider to be well made pop music. A large star back home, Ellie Goulding has already achieved pop star status with a #1 album with her debut album Lights / Bright Lights, a smash hit Christmas single with a cover of Elton John’s Your Song and the top spot in “breakthrough act of 2010” in BBC’s annual poll of music critics. With all that in mind, this spring Ellie Goulding will try the daunting task of breaking America, something that only Florence and the Machine has done in recent years. Like many artist trying to break through in this country, she will do that by playing a host of shows at SXSW. I was at her first one in the Bar Bar on Wednesday night.

It became pretty apparent early on that Ellie Goulding has kinda made a breakthrough in America already. The Bat Bar was packed with people by the time her set was about to begin, and it wasn’t just interested SXSW types, there was a swarm of girls who must have heard about this show and paid to get inside. Dressed in a cut off Wolf shirt with short (and I mean short) shorts, the petite Ellie Goulding took the stage shortly after midnight. Backed by a band that included a drummer, two multi-instrumentalist, the English singer played a hits filled set from her debut album. Not just content with dancing to her own music, Ellie showed off her acoustic guitar chops on some tracks, and it was pretty impressive. As the concert progressed, it became pretty apparent that I had been listening to the album more then I expected, as I knew each tune. However, I did not know each tune as much as the army of girls in the crowd, all singing happily along to tracks like Guns and Horses, Under the Sheets and Every Time You Go. They were also very aggressive in attempting to get better viewing positions at the show

Armed with a nice voice, strong acoustic guitar meets electro beat pop music and a charismatic stage presence (including a few unexpected f-bombs in her banter), Ellie Goulding went a long way in charming the SXSW crowd. Closing the set with a rousing edition of the mega hit single Starry Eyed (which seemingly included a lap-dance dance routine), the British singer songwriter left the crowd wanting more. A good start on the shores of America.

Ellie Goulding – Starry Eyed by Interscope Records

SXSW Review: Friendly Fires, March 16, Fader Fort

Posted on by Ricky in Everything | Leave a comment

Friendly Fires

Austin – I’ve seen Friendly Fires three times now and each time I’ve seen them they’ve gotten better. Never mind the fact that lead vocalist Ed MacFarlane still dances like a mad man (he could put out an exercise video with those moves), he is a great lead who easily gets the crowd involve with the music. With music that sounds as good live as Friendly Fires does, Ed doesn’t really need to do anything to keep the crowd going anyway. Previewing some newer material I expect to be included in this years record Pala, the band seemed to have incorporated more horns and tribal drum beats into their blend of electro pop and it’s an absolutely great step to take. The beats sound great and the music seems organic and I am sure when this album comes out, it will be a dance floor killer. After some newer tracks, the band delighted the crowd with an extended version of their hit single Kiss of Life. Fans who wanted to hear Paris might have been disappointed though, but they can go to a real show to see that.

Friendly Fires – Skeleton Boy by Fanny Mai

SXSW: Jonquil, March 15, Latitude 30

Posted on by Ricky in South By Southwest | Leave a comment

Jonquil

Austin – Jonquil was awesome. Playing a packed house at the British Embassy, the Oxford group trio brought their keyboard driven soaring melodies to Austin and brought the house down. The band, comprising of Hugo Manuel, Sam Hudson Scott and Robin McDiarmid used keyboards, guitars and the occasional horns to create a fully layered summery sound that only seemed to be strenghtened with Hugo Manuel’s vocals, who seemed to remind me of Elbow’s Guy Harvey. A kickass rocking cover of The XX’s Infinity put a nice finishing touch to stellar show. Check out their debut EP One Hundred Suns, available now off Dovecote Records.

SXSW Review: Pulled Apart By Horses, March 15, Latitude 30

Posted on by Paul in South By Southwest | Leave a comment

Austin – After an excellent yet comparatively subdued set by Jonquil, Leeds based noisemakers Pulled Apart By Horses took to the stage at Latitude 30 and basically tore things up.  Their music had a noisy, punky, chaotic demeanor, full of hardcore style screaming (ie. screamo), abrupt changes, and several riffs that seemed to be almost lifted directly from Rage Against The Machine.  Their stage presence added a lot to the chaotic nature of their set.  They basically threw in all of the stock rock n’ roll/punk moves that are kind of cliche but also work perfectly to get the crowd going – crowd surfing, jumping off their amps, going out into the crowd to sing and climbing up onto the bar, and of course spitting up into the air and watching it land on stage.  They were obviously having fun onstage and it showed.  There was a minor delay after the first song when the power to the mics went out where they got a fan onstage to tell a joke (but if the mic wasn’t working, how would everyone hear the joke?). Later in their set, singer Tom Hudson inexplicably sang a snippet of “Cotton Eyed Joe” as he ran through the crowd.

It was a fun, high energy set that was appreciated by many in attendance.  In fact, it was fun and high energy largely because of the crowd’s reaction.  There was a guy who looked like Stone Cold Steve Austin, but with glasses, who was singing along with many of the lyrics. There was also the aforementioned fan who almost told a joke clearly the most excited to be there, dancing wildly throughout their set.  During the song, “High Five, Swan Dive, Nose Dive,” there were in fact many high fives given out by the band to the crowd, including one unlucky guy who took a high five to the head because he wasn’t paying attention.  Strangely, he didn’t seem to mind that the band had basically smacked him in the head.  I spoke to Ricky, who had been standing much further back from the stage during their set.  His assessment?  “It was like being hit by a freight train.”  Yeah, it was noisy and chaotic, but in a good way.

High Five, Swan Dive, Nose Dive by cooperativemusicuk