SXSW Review:The Evaporators with Andrew WK, Lisa Marr, Dana Falconberry, March 14, Cheer Up Charlie’s

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Back in the day when MuchMusic was a viable source for new music and not just a dumping ground for the same handful of pop videos and lots of not necessarily music related content, I was introduced to a lot of cool new stuff, particularly though shows like The Wedge and MuchWest. The latter program was likely where I first got turned on to the Mint Records roster and the likes of Cub and The Evaporators, while also being where I first saw Evaporators frontman Nardwuar the Human Serviette do his whole band/celebrity interview schtick, one he still carries on to this day, seemingly getting the bulk of his interviews right here at SouthBy. And so it was with a slight bit of nostalgia in mind that I went to the Mint Records/Riot Act Media party to see members of both) at Cheer Up Charlies. Oh, and it certainly didn’t hurt that Andrew WK was sharing the stage with The Evaporators.

Not that this show was entirely about nostalgia though; Austin singer Dana Falconberry, also on the bill, was quite new to me, though one who had made the list of “want to sees.” Her sound, while somewhat haunting, also somehow fit in the sunny afternoon environment.  Following Falconberry was former Cub frontwoman Lisa Marr, billed for the show as “Lisa Marr’s Cub Sing-a-Long,” which describes exactly what it was.  Taking to the stage with her son, wearing a bear mask and referred to by Marr as “the cub,” Marr ran through a bunch of classic cub tracks while “the cub” held up cue cards with the lyrics on them and occasionally threw out candy to the crowd.  A handful of folks up front (which may have included me) joined in on the singalong and the whole vibe was not unlike being at a  concert for a children’s performer.  There were even kazoos handed out for the last song.  Good times.

Speaking of good times and childlike fun, Nardwuar  is a high energy manchild dedicated to bringing the good times.  Several times throughout their set, he invaded the crowd, instigating conga lines and dance circles  and crowd surfing on top of his keyboard during “Your Instrument Does Not Affect Me.”  Nardwuar was definitely there to start a party, and if you’re going to have a party, you’d better invite Andrew WK.  The man who likes to party hard joined the band on stage to play keyboard and to sing his biggest hit, but first, they needed to find a cord for the keyboard.  “When you want to party, you need a cable or a cord,” joked WK as they searched for one.  Sure enough, somebody came to the rescue and they launched into “Party Hard,” followed by a few more Evaporators tunes with their set culminating in Nardwuar and WK commanding the entire crowd to get low to the ground then jump up again. Repeatedly.  And of course, the show ended with the customary “Doot Doola Doot Doo.  Doo Doo.”

SXSW Review: Bastille, March 14, Cedar Courtyard

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Bastille

If there was anything to be learned from England band Bastille‘s forty minute set at Cedar Courtyard, it is this: they need a bigger stage.

First off, their debut record Bad Blood, which sounds great on record, sounds equally great live. Utilizing duo synthesizer setups (+ bass/drums), you would think that they sound like one of the many electro-pop acts to have come out recently, instead their ability to craft immediately dramatic and easy to digest songs has catapulted them to the front of pack in terms of new bands from overseas (Bad Blood hit number one on the charts). Take the track Things We Lost in the Fire for example, a slow piano starts off the track before the group launches in a chorus that you will have memorized by the 30 second mark. The sound then slowly builds up into an anthemic climax. I can already see the crowds singing out to this in unison at a festival this summer. Other songs like Icarus and Pompeii also sound like big singles. If the crowd response to these tracks at Cedar was any indication, it might just come to fruition in upcoming months.

Bastille

Second, Bastille needs a larger stage because lead singer Dan Smith likes to wander. The dude went everywhere. Perhaps energized by the enthusiastic crowd, he explored the stage like a monkey in a cage. He went up the stairs to the second level, went around the drum kit, went into the crowd and climbed a shaky looking scaffolding to the second floor, to which I told a fellow bystander that this might also be the last Bastille show.

Bastille

Luckily, it wasn’t.

Check them out if you get the chance. One of my highlights in Austin.

SXSW Review: Daniel Romano, March 13 ,The Velveeta Room

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Daniel Romano likes both kinds of music: country and western.

Sure, he’s an Ontario boy who came up in the punk scene, but his former band, Attack in Black, long ago made the transition towards more of an alt country/folk sound so it’s not surprising that he’s embraced the classic country look and sound. Still, it may seem a tad audacious for a Canadian who used to play hardcore shows to come to Texas and rep himself as a country singer. Here’s the thing though; Romano knows his stuff. This is clearly a man who’s studied the genre. His songs, both in lyrical content and structure, could fit in easily on a playlist alongside classic tunes from the ’50s, ’60s, or ’70’s. And then there’s  Romano and band’s wardrobe, which made them look as if they stepped out of a honky tonk some 30 odd years ago (and have you seen his latest album cover? I think someone may be a Slim Whitman fan).

As for the show itself, Romano has definitely got the goods live. While some of the performance may be a little tongue in cheek (the band took to the stage after a prerecorded message styled after old time theatre announcements), this is no “let’s dress up as hayseeds and mock the genre” type of thing. Romano has a love for the music and it shows.

 

Buzzfeed Style SXSW Review: Willy Moon, March 14, Cedar Street Courtyard

Posted on by Ricky in South By Southwest | Leave a comment

Willy Moon

Willy Moon‘s SXSW show at the Cedar Street Courtyard was something else. So in the style of the content farm Buzzfeed, I will just review his show in images.

Willy Moon

Is this really Willy Moon? Or is this GEORGE MCFLY?

Maybe he did some time travel. However, would George Mcfly do this?

Willy Moon

I don’t know. I hope that isn’t a shared microphone.

For some information, Willie Moon is a singer who as you might suspect, has fused 50’s era rock and roll with 2000’s sensibilities. What does that mean? I’m not sure, basically, he sounds like he’s from the 50’s if the 50’s had also heard of other types of music. I guess I can say there are other influences in his music. Having lost most of his voice for the show, Willy Moon’s showcase probably didn’t fully showcase his vocal work, however, he made up for that by being an amazing performer.

Willy Moon

He danced his ass off, all while wearing a full suit in crisp 100 degree weather. He also threw water into the crowd. Mostly though, he just liked having a microphone in his mouth. Here is his guitarist, who also made the mistake of wearing black on a sunny Texas stage.

Willy Moon

Here is Willy asking his guitarist why they didn’t just wear shorts and sandals like everyone.

Willy Moon

Eventually the heat was too much and Willy Moon suffered a heat stroke

Willy Moon

Nah, just kidding. However, the man is a great performer. Hopefully when he plays next, his voice won’t be shot, but the future seems bright for this one.