Hot Docs

Hot Docs Review: Fall and Winter [Matt Anderson, 2013]

Posted on by Gary in Everything, Hot Docs, Reviews | 1 Comment

photo-main

Baltimore – I’m not a fan of throat-singing. That’s why I don’t like this film.

I’m joking; I love it when humans imitate didgeridoos. But I hate it when cowards imitate visionaries. When someone said “the whole planet will be a desert in 70 years”, that says more about their lack of imagination (and geophysical education) than their foresight. I really don’t recommend this film unless you are already in the choir and love being preached to. Fall and Winter is an alarmist piece that preys on hippies. Starting with a collection of the problems facing modern America, it tries to make some feeble connections so it can invoke personal transformations as a valid solution to these manifold problems.

To paraphrase and expound myself: The film introduces human evolution, agriculture, industrialization, plutocracy (or maybe they wanted to say oligarchy?), war, celebrity culture as evils that led to the visible problems of modern America (read, ONLY America, no where else): poverty, social stratification, pollution, globalization, climate change and natural disasters. The way out, we’re told, is to “re-embrace” nature, abandon our artificial machinations and join the Occupy movement and harbor a DIY attitude, making everything from Mother Earth. Because otherwise, as our Indian brothers foretold, “the white brothers will not be able to rejoin the great spirit and will parish”.

Let’s start with a few easy one-liners: Can Yellow people safely modernize (burn coal, dig for iron, buy oil, all that jazz) since it’s not written in the prophecy? When we move to an “Mother Exoplanet”, should we export and import our spiritual connections with Mother Earth? Is there even enough land for us to make mud-houses and still “hunt and gather”, live off the land as we’re “meant to be”? If you do a quick mental exercise, you’ll find that every person on Earth is currently entitled (because of course everyone is equal) to 5 acres of land. That includes the Arctic and Antartica. If we were to reset the Earth in 5 acres partitions and start living by the land as hunter gatherers did, we may run into two alternative scenarios: A) What the film wants you to believe – everyone will be fine and dandy, and all of our problems will have been vanquished. B) SAME AS WE HAVE TODAY. COMPETITION DUE TO SCARCITY. I’m betting on B). Because while my 5 acres may well be made of gold, with no tools and no trading partners, it’s literally worth less than shit in terms of sustenance. Even if each 5 acres is self-sustained, and if you are lucky, one of your neighbors happened to be a woman who chose you (and not her other 3 neighbors) with whom to procreate for a seemly acceptable total of 2 children, you’ll now be sharing 10 acres among 4.

And now we can think about competition – which, for good reason then, the native Indians are very good at. Living off the land doesn’t mean the end of wars. Keep doing that math and you’ll reach the main problem: everyone involved in the film conveniently forgot about the term “OVER-POPULATION”. Regardless of the content of your solutions – if your claim is that everyone should adopt, you should check your logistics. So, I don’t need to go into an itemized list of the non-sensical conclusions reached in this film such as agriculture is an evil that lead to constant wars and celebrity culture. It’s call history, by the way. Just because one happened before the other doesn’t prove that Genghis Khan caused the sub-prime mortgage crisis. The inclusion of the Occupy Movement further bares the flaws – precisely what happened to the thoughtless Occupy movement will happen to any of the solutions proposed. It will dissolve because it has forgotten the ground from which is spawn is that of a society, one that provided for the pizza that were sent around to freeloaders. An hierarchy will automatically form in a group of humans unless they are independent of each other – that’s why we’re “SOCIAL” animals. And then all of the problems told in the first half of the film will return to haunt the new paradise. What is infuriating is that the star-speaker of the film, an Indian Chief, is talking about the genuine and tragic destruction of his culture; but he and his people are used as a ruse to support the cause. Why doesn’t the filmmaker mention over-population? Because that would stipulate a solution – and this is a film made for people who will obviously champion freedom of the individual carte blanche, including having 10 children. Without addressing population crisis, the stance taken in the film is equivalent to shouting “Who cares if I add to the burden of the planet? My responsibility to the planet stops at my genitals!”

This is a thoughtless and superficial film that caters to the converted. It promotes a nostalgia of the “old-days” when humans were more in-tune with the natural world and reduces it to rhetorics, without reminding the audience how and why that lifestyle is left behind, and what the consequences of regression will be. Of course, I can’t blame anyone for not condensing human history into 1.5 hrs… though the filmmaker certainly tried. I’ll close with a quote from one interviewee: “I think Mother Earth is gonna scare the shit out of us, and we deserve it”. The whole point of being close to and understand nature, I believe, is that Earth and other celestial bodies will scare the shit out of you regardless of what you do. If you mystify nature as too complex and don’t do something about it, you WILL deserve it. So, when any of these people have committed their own grand-children to a hunter gatherer’s life of traumatic injuries and a lifespan of 40 yrs, fighting smallpox and killing (among) 7 billion other people for food instead of clamoring for welfare to take care of their problems, please call me at my office on Mars.

Hot Docs: The Defector: Escape From North Korea [2013, Ann Shin]

Posted on by Ricky in Hot Docs | Leave a comment

the_defector

An intense and gripping affair, The Defector follows a group of North Korean defectors as they try to make the 3000+ kilometer journey to escape out of China on their way to claiming refugee status.

Directed by Ann Shin, we are quickly thrown into a world of safe houses, secret meetings, hidden cameras and a particularly mysterious broker named Dragon. The man is responsible for guiding the defectors to freedom but seems morally ambiguous (he is still, running a business). Dragon’s methods and actual motivations are constantly in question and as such is of great stress for both the crew and defectors. Among the defectors we meet are Sook-Ja and Yong-Heem two North Korean ladies who have already suffered through a lifetime of hardships in both North Korea and China. Yong-Hee was instantly sold to a China businessmen to be his wife when she arrived in China while Sook-Ja has not heard from her sister (who also defected) in seven years.

At 70 minutes, this documentary moves ahead at the pace of an action packed television show. Computer graphics and staged scene shots are used to move the story along so at times, the slickness of it all might seem a bit too stylized at times but doesn’t take anything away from the film. Being an illegal operation, all the people involved had to have their identity hidden but it was done in a tasteful way as not be too much if a distraction throughout the film. As we follow the group from Yanji to Xian to their final destination, the constant threat of detection by Chinese officials looms large with everyone (including the film crew, who probably would have been screwed if they were discover) and that constant threat weighs on everyone and makes the documentary that much more engaging. I would have liked to hear some opinions from Chinese officials on the matter, but obviously, that wasn’t going to happen.

An entertaining, informative and beautifully shot film on human smuggling and the life and dangers that face North Koreans in and out of their country every day. Recommended.

Hot Docs Review: Tales from the Organ Trade [Ric Esther Bienstock, 2013]

Posted on by Gary in Everything, Hot Docs, Reviews | Leave a comment

There is a “little known” problem with money: it discourages a holistic valuation from a humane perspective. Everything can be transacted, but not everyone can agree on a fair price. Is it really moral to discourage organ trading while thousands die from conditions that are medically trivial if only given a supply that can match the demand? This is the value that Bienstock’s documentary questions. I can just imagine the Q&A session filled with outraged people with two healthy kidneys.

The title says organ, but the whole film is really about kidney trades. We are all familiar (but hopefully not intimately) with the hotel-ice-bath urban myth which has a genuine root in the skewed supply/demand balance: there’s too many people on dialysis and not enough kidneys for transplantation. Bienstock, a veteran Canadian documentary maker, assembled a cast of characters whose involvement with kidneys cover the spectrum of that balance – except the middlemen. Her attempts at an interview with the cash-supply of the Medicus operation was obviously met with silence. Frankly, I would question the authenticity (and in equal portion applaud her tenacity) had she succeeded where Interpol failed. But she did get interviews from the doctors involved in one particular case of international organ trafficking, and scores of donors, successful and waiting transplant patients, some lower-rung local traffickers, as well as prosecutors pursuing the doctors. The flow of the film generally follows two potential donors in the Philippines, but presents switchbacks between the multitude of people and presents kidney trafficking through such an mosaic.

While I feel that Tales is a very good motivational piece, it could have contained a bit more investigative value. The Medicus tangent served as a nice segway into how doctors, patients, donors and the blackmarket trade intersected, but it was not made into a focal point. But maybe I’ve watched one too many Frontline/ProPublica episode. One immediate departure from expectation is that the whole thing doesn’t feel depressing or ominous at all. The tone was clearly defiant, and one would not be confused on where Bienstock stood. It wrapped up with happy endings all around, and even ended with post-texts lambasting NGOs and governments as being politically-correct but factually immoral while Blur’s “Out of time” played as out-tro. It was cleanly edited with a minimal dose of infographics at the introduction. One thing it does well is introduce the audience to the diverse range of opinions – although again I feel that there’s a bias toward the positive. A slightly surprising fact is that in online, “altruistic” donor matching services, people still prefer to donate to those who are young and with potential. If chivalry is dead, altruism is probably extinct. While many of the participants (except the prosecutors) appear to be somewhat anti-establishment, at one point the Toronto patient on a waiting list (which is of course the longest one in Ontario) said: “Well if it’s not freely available, there’s a black market.” Exactly what compelled her to complain about Lake Ontario not brimming with salvageable renal material wasn’t very clear, but it did demonstrate the frustration of putting one’s life on dialysis for 9 years while your person is being ground through the system. That said, if you deem the legalization of drugs, alcohol, prostitution, homosexual marriage and other liberal propaganda a product of our morally bankrupt society, you might want to stay home and clean your guns with your 6 year-old.

Hot Docs: 15 Reasons to Live [2013, Alan Zweig]

Posted on by Ricky in Hot Docs | Leave a comment

15reasons

15 Reasons To live is the latest documentary from Toronto filmmaker Alan Zweig. In this film, we meet a series of characters, all of whom have found happiness – whether it is was temporary or sustained and their stories are relayed (and some might be re-enacted) in the documentary.

Based on the work of Ray Robertson, the film takes us through fifteen stories from a variety of people in all swaths of life. They have all found happiness at some point. These stories are have been categorized under broad terms such as “love”, “home” and “intoxication” for example. Some stories are particularly strong (a wife allows her husband to walk around the world for ten years, strangers team up to save a whale) and some seem rather odd (mother abandons her kids for hours at a time to go to a mall) but maybe the point of it is that everyone is different, and everyone finds happiness in different things. I am glad that some of the stories Zweig chose had archival footage, otherwise it would have been a series of talking heads followed by shots of the subjects walking around in random Toronto neighborhoods. As much as I like pointing out what places are during the film, it might not have provided for the most interesting visual experience for non-Toronto people. Zweig’s interviewing style for some of these stories is interesting, as he tends to talk about himself during the subject’s story (especially the introverted girl/boating story). I guess it’s his documentary and he can do whatever he wants.

While all the stories are just very loosely connected, the message of the film is clear. Everyone in the world can have happiness, it might come in odd shape and sizes, but it’s up to you to choose to find it. A pretty good message.

Sat, Apr 27 6:30 PM @ TIFF Bell Lightbox 1
Mon, Apr 29 1:30 PM @ Isabel Bader Theatre
Sun, May 5 1:30 PM @ TIFF Bell Lightbox 3