Aim For The Roses is a story about obsession. It’s a common theme for filmmakers, though director John Bolton takes an uncommon approach in his film, which is fitting since the subjects of Aim For The Roses each have rather uncommon passions and uncommon approaches to life. In a way, it’s the story of one man’s obsession with another man’s obsession.

Aim For The Roses tells the story of Mark Haney, a Vancouver musician described by friends and associates in the film as “kind of a renaissance man” who “wears interesting suits” as well as “a monomaniacal, obsessive character.” Amongst Haney’s many obsessions (which also include a passion for Archie Comics) is his fascination with Canadian daredevil Ken Carter, who made a bit of a name for himself in the 1970s and ’80s through various stunts and who apparently considered himself to be greater than Evel Knievel. We see Carter’s story unfold through some archival footage as well as dramatized segments playing out in conjunction with the story of Haney’s decision to create his own double bass concept album (also entitled Aim For The Roses) based around Carter’s life story.

It’s an intriguing and entertaining look at Haney’s creative process and inspirations, which include the creation of various characters to represent different elements of Carter’s story as well as composing a musical representation of the first 499 digits of Pi to run throughout the score. He definitely seems like an interesting character, though his quirks are perhaps topped by those of Ken Carter. After all, it takes a certain type of person to willingly risk his life multiple times for the sake of making, in Carter’s own words, “the ultimate statement.” Ultimately, Aim For The Roses is about the quest to make something more of yourself and the journey one must go through to make that ultimate statement.