Concerts

Opera Review: La Boheme, Vienna State Opera

Posted on by Ricky in Concerts, Everything | Leave a comment

la boheme vienna opera

When you travel to somewhere with a rich cultural history such as Vienna, you pretty much have to go with the flow and investigate things outside your normal comfort zone. Yesterday, I went to the opera. I’ve never been one to appreciate Opera, but if I was to do it once, I might as well go see opera in one of the finest and oldest opera houses in the world.

The Austrian Opera house is old. It is also gorgeous and has amazing acoustics. On the day of the opera, an hour before the show starts, they open up tickets for standing room areas (for the peasants) at an absurd amount of 3 euros. To put it into perspective, a bottle of mineral water or coca cola costs 3.30 euros. We got tickets for the standing room area in the gallery, which is in the upper upper deck of the opera house. If you thought Massey Hall’s upper deck was high, just wait until you see this one. At least five stories up, the standing room area of the Austria Opera house makes you realize why all those people have those little binoculars. Economic lines were drawn – rich people at the bottom, poor people at the top. Pretty much the opposite of Drake’s song.

Coat check was mandatory and free, and when you go to your standing spot (it’s a free for all), you mark the spot by tying your scarf around the rail you’ll be leaning on. How convenient! As you would imagine, a lot of people were dressed up in their best suits and evening gowns. I even wore a dress shirt for the occasion (even though I have worn it about four times this trip and haven’t washed it yet). It’s quite a scene and for a brief, fleeting moment in time, you can see what it’s like to be in the elite. The thing I love about Europe is that even in an expensive venue like this, the drink prices were exactly the same as it would be anywhere. I wish MLSE would learn from this. Sadly, you cannot bring drinks into the actual opera hall itself.

The opera I saw was an Italian play called La Boheme, not to be confused with the Quebec mascot La Bonhomme. Written in the late 1700’s, it is about a group of bohemians living in the Latin quarters in Paris. It was basically Friends. There was an on and off relationship between the two leads that seem to come and go for no real reason, the group of people seem to like to hang out in either the local cafe or their overly large apartment and you had your list of sassy/quirky/attractive characters. It was basically Friends.

Obviously, you go an opera for the music and the singing and that was totally impressive. The sopranos on stage had some serious vocal and lung capabilities. I wonder if they ever go karaoke. It is a testament to their talent (and sound engineering) that their singing can reach the upper edges of the Opera House without the use of microphones. I had no real clue what they were singing about since it was all in Italian but luckily each area is equipped with a little display that shows you the screen play in your chosen language. Otherwise I would have had to imagine everything. The musicians were as you would expect, top notch. I wonder if anyone has written some modern operas using synths and some drum and bass. The show was roughly two and a half hours long with a brief intermission in between. There were no encores, but obviously that’s not a thing.

At the end of the day, a pretty unique experience that cost less then a falafel. How can you go wrong?

Concert Review: Pallbearer, Tombs, October 24, Lee’s Palace

Posted on by Paul in Concerts | Leave a comment

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Doom metal. It’s primal, it’s visceral, it’s massive. It’s heavy. And in the case of Pallbearer‘s latest, Foundations Of Burden, it clocks in at an average of 10 minutes per song. In a live setting, those songs come across as sufficiently epic in nature, all thick, plodding riffs and melodic leads. It’s the kind of sound that just washes over you, envelops you until you can’t help but bang your head very slowly. This is music that you just feel on a very basic level somewhere deep inside, probably in your colon or liver. Or maybe your gallbladder.

The Little Rock, Arkansas-based band took to the stage and started things off with “The Ghost I Used To Be,” the standout track on the new album. Singer/guitarist Brett Campbell noted that it had been awhile since they’d played Toronto, a previous show having been cancelled due to their being snowed in at Winnipeg. Being stuck in a snowstorm in Winnipeg doesn’t sound like a great time, but as excuses for missing shows go, it does seem sufficiently metal.

Also on the bill were Brooklyn’s Tombs, who, while sharing a penchant for funereal band names with Pallbearer, had a much more varied sound than that of the headliner, drawing from various subgenres such as black metal, hardcore, and doom, and I daresay they came across as more metal than Pallbearer in some ways (I will give Pallbearer big points for the flying v guitar and the bassist’s Van Halen t-shirt though). Certainly more brutal, but ultimately equally satisfying.

Concert Review: Sondre Lerche, TEEN, October 18, Lincoln Hall

Posted on by Celeste in Concerts | Leave a comment

sondre lerche

Sondre Lerche has a riveting stage presence. You can listen to his records all you want, but to fully appreciate him you have to see him perform live. To watch this clean cut, polite, soft spoken, downright evanescent Norwegian man light up the stage for two hours is a thing of beauty (If you’ve ever seen the music video for two way monologue you know what I’m talking about – the man glows – he looks like he’s actually giving off light).

Lerche played to an enamored crowd at Lincoln Hall on Saturday. Along with crowd favorites “Two Way Monologue” and “Go Right Ahead” (which includes one of my favorite lyrics ‘if you want to party down/you gotta RSVP’), Lerche pulled heavily from his new album Please. Having seen Sondre Lerche three years ago when he played Lincoln Hall, I knew to expect a fantastic show, but I’d forgotten the conversational gems the man drops at his shows:

“Our van smells like sulfur. Turns out it’s the car and not us, we were relieved to find out, because let me tell you, touring gentlemen is not exactly a delicate scent.”

and after some laughter from the crowd:

“No seriously, spend a little time in our van and you’ll see what I mean. No wait, that’s creepy, don’t do that. Have a little respect for yourself.”

Lerche was backed by his drummer and bassist as well as the four members of the opening band TEEN. I was having some trouble thinking how I would describe the band but luckily the guy behind me missed the opener and turning to the girl next to him he asked “who are those girls on stage?” to which she responded “Dude, those are the rad rocker chicks who opened for Sondre.” Yep – a perfect description. Led by guitarist/vocalist Kristina “Teeny” Lieberson (formerly of Here We Go Magic) in her businesswoman slacks and sparkly gold blazer, the female foursome (three of whom are sisters) warmed up the crowd with their unique brand of indie rock, and doubled as back up singers for Lerche. After seeing more bands than I can count that are all male with a token female dinging the triangle, it was awesome to see these ladies dominating the stage with the only male counterpart being Lerche’s drummer subbing in on a couple songs to shake a little tambourine.

Lerche was at his best when he had the whole crew behind him – as he did for his final song (pre-finale) “Legends” off his new album. Leading the crowd into a “Whyyyyyyyyyyy-oh-why-oh-why-oh” sing-a-long, the song was a perfect wrap-up to the show and representative of the night overall – a solid mixture of edgy and cathartic but still lively and fun.

Concert Review: Placebo, October 15, Sound Academy

Posted on by Ricky in Concerts | 1 Comment

placebo

Sometimes you leave a band behind, and sometimes, a band leaves you behind.

This was the ultimate theme for me last Wednesday night as I saw Placebo live.

To me, Placebo was always this upstart band in the late nineties with a love of Bowie, a mischievous, androgynous frontman and a swath of lyrics that are mysterious at best and nonsensical at worse. I mean, c’mon, look at some of the lyrics of Pure Morning:

A friend in needs a friend indeed,
A friend with weed is better,
A friend with breasts and all the rest,
A friend who’s dressed in leather,

A friend in needs a friend indeed,
A friend who’ll tease is better ,
Our thoughts compressed,
Which makes us blessed,
And makes for stormy weather,

A friend in needs a friend indeed,
My Japanese is better,
And when she’s pressed she will undress,
And then she’s boxing clever

Seriously, what the hell was that about? Nobody really knows.

Back in the day, they were fresh, different and exciting. Their loud and aggressive sound was everything that Britpop wasn’t and let’s all face it, Britpop at that time had withered down to the likes of Cast and Gay Dad. I was quite a fan of them up to their third third album after which for some reason, I started to think they were old news and decided to look into other directions.

Yet, they moved on. The concert I saw on Wednesday was completely not what I had expected. Being old and seeing mostly older bands, I had expected that Placebo would follow a standard pattern – some new songs, old song, new song and then all the hits … which in my mind were tracks like “Pure Morning”, “Nancy Boy” and “36 Degrees.” Instead, Placebo did follow a similar pattern, only instead, their hits section was filled with songs after the early 00’s.

It was at this moment I realized that while I had partially abandoned Placebo as a band in 2003 or so, the band had continued on and dare I say, improved their material (and success) in the past decade.

I first saw Placebo in 2001 in Edmonton during their Black Market Music tour. Back then, they were an impressive three piece band. Since then, they have grown to include additional musicians. The group played over 90 minutes at Sound Academy and sounded rather good. Brian Molko seemed more comfortable as a front man than he was almost a decade and a half ago, egging on the fans at the right time and generally appreciating the fans as a whole.

The group played tracks from their entire discography, including tunes I have never heard of off their most recent release Loud Like Love which was pretty successful globally. The new material (by which I mean, music I hadn’t heard) all sounded pretty great and, dare I say, Molko’s songwriting has improved dramatically. The crowd at the Sound Academy loved it anyway. They play a really good brand of rock that was perfect for a stressed out individual such as myself.

Obviously, I was there for some of the older material and despite it’s limited appearances, it still gave me chills. “Every You and Every Me” was great despite sounding slightly rushed. You can almost make a case that it was one of the defining songs of the late 90s, having been a big hit and also being the feature song from Cruel Intentions, one of the more defining movies for the young’uns of the 90s (despite being based on a story from the 1700s).

My other favorite moment from the show was during the encore, when they sang their incredible cover of Kate Bush’s “Running Up That Hill.” Placebo has always done great covers (check out their version of T-Rex’s “20th Century Boy”). It is one of my favorite covers ever and to hear it live was great. It also brought back memories of the OC, since it was the track that started off season 4 after Marissa had died in a contract dispute accident (Neither the show or Mischa Barton survived that one. I made this joke five years ago sadly: http://www.panicmanual.com/2009/01/30/placebo-running-up-that-hill/)

Check out this OC video *chills*

Apparently it was also used for Shawn Michaels vs Undertaker and also ,Vampire Diaries.

Anyways, I am rambling, but to summarize: Placebo – still good live as ever, have released many good songs since their initial push and I’m sad I didn’t really know those tracks because it would have made for a smashing good time instead of merely a good time.