Concerts

Concert Review: PONY, L.S. Dunes, July 13, Opera House

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“You all look really cool,” noted PONY‘s Sam Bielanski as she addressed the crowd at the Opera House on Thursday night.

“Like, everyone has a cool outfit on.”

And aside from her comment on the crowd’s fashion sense, you could tell she was also appreciative of the crowd’s energy as they responded fairly enthusiastically to PONY’s set, something which is not always a given for an opening act. Part of that response probably has something to do with the fact that this was an all ages crowd, as the youth do tend to get a little more excited about things than the grizzled show going veterans do, but it was likely also due to that fact that PONY are an engaging live act.

Running through a set of tunes taken mostly from their latest release Velveteen, Bielanski and her bandmates put on an impressive show full of catchy, crunchy power pop tunes that brought to mind the likes of Kay Hanley and Juliana Hatfield. Highlight of their set included “WebMD” (taken from their debut album TV Baby), “Très Jolie” and “Sick.”

Following PONY came the evening’s main attraction – L.S. Dunes, a supergroup featuring members of Thursday, Coheed and Cambria, My Chemical Romance, and Circa Survive. And just like PONY before them, L.S. Dunes also had much praise for the audience, with frontman Anthony Green mentioning throughout the set how great of a crowd they were. He mentioned at one point that in the lead up to their current tour, they had played a handful of outdoor festival shows. He went on to describe those shows as “fine” but also “weird as shit,” noting that he felt much more comfortable doing indoor sets and that he was grateful to be inside “this container” with us. “There’s so much more we can do in our little container.”

It’s true, a good audience makes all the difference between a show being just alright and being a truly memorable one. If a performer is giving their all and not getting too much back in response, it can certainly have a negative impact on the performance, but if a crowd is giving back a lot, it’s likely to egg the band on to take things up a notch. And the band did put on an impressive performance, running through the entirety of their debut album Past Lives along with recently released single “Benadryl Subreddit.”

Green ended off their set by giving a shout out to “The true hero of the night tonight” – the person who was working the lights at the Opera House.

“Whoever you are … fucking love you. Thanks for being a part of our band tonight.”

He then went on to add in a request “that we hit this disco ball hard” for the last song of the evening, the album’s closing track “Sleep Cult.” And as the band launched into that final number, the light of the disco ball set the right mood for the song’s emo/doo-wop vibes and made for a perfect show closing moment.

Concert Review: Cynic, July 1, Lee’s Palace

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I’m sure it was pure coincidence that Cynic‘s Toronto show happened to take place at the same time as the final weekend of the Toronto Jazz Festival but nevertheless, in many ways it seemed like perfect timing.

After all, the band’s pioneering sound owes more than a little to jazz – 30 years after the release of their debut album Focus, Cynic’s proggy blend of technical death metal and jazz fusion still sounds groundbreaking and ahead of its time. And in honour of the 30th anniversary of the album’s release, the band made their way to Lee’s Palace this past Saturday night to perform the album in its entirety.

Taking to the stage looking somewhat like a cool hippie art teacher who just got back from a yoga retreat, bandleader Paul Masvidal led his bandmates through an incredible set full of technical riffage and plenty of vocoder effects on his vocals.

After running through their 1993 debut album from front to back, the band took a pause wherein Masvidal took a moment to cleanse the stage with sage before finishing things off with a handful of more recent tunes.

He also took a moment to acknowledge the banner put up on stage in tribute to his late bandmates Sean Malone and Sean Reinert (both of whom passed in 2020), noting that everything they were doing this evening was in honour of them. I think it’s safe to say that on this occasion, Masvidal and the current lineup of Cynic definitely did them justice.

Concert Review: Noel Gallagher’s High Flying Birds, July 3, Budweiser Stage

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I’ve been thinking about what makes a more concert memorable – is it a band that consistently puts out good songs throughout their entire set or is it a band that has valleys and peaks during their show, of which the peaks are astoundingly high?

I think about this in regards to last night’s concert. Noel Gallagher’s High Flying Birds was in town touring behind their latest, Council Skies. As per usual when a Gallagher is in town, a vast majority of people were there to hear Oasis tunes rather than their solo stuff.

Now I bring up my thought about what’s more memorable because on a whole, the show last night was good, but man, when he brought out the acoustic version of “Live Forever” and the obvious set closer “Don’t Look Back in Anger,” those two moments were great.

This was the third time I’ve been to a Noel Gallagher show and yes, I am one of those suckers who goes mainly for the Oasis tunes, but what really surprised me was how good the new material is. All the familiar elements are there – catchy choruses, elongated singing of some words and good songwriting.

Having heard the new record as a primer before the show, I was surprised how much I enjoyed the new material. It makes me wonder if how much I held on to the past has blinded me to the new stuff. Tracks like “Pretty Boy” and “Easy Now” feel like they fit right in with the old material.

All in all, a much better show than I was expecting.

Concert Review: boygenius, June 21, Budweiser Stage

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A few moments before boygenius would take to the stage on Wednesday night, a group of youths from an organization supporting two spirit individuals took to the stage to conduct a land acknowledgement in recognition of National Indigenous Peoples Day. It was a nice moment that stood out in part because it was a gesture one might not necessarily expect at the outset of a big rock show. But then again, boygenius aren’t quite your standard rock band. The land acknowledgement helped to set the tone for what type of show we would be treated to on this occasion. One that takes place in a positive, welcoming, inclusive and all around warm environment. One that felt like a community.

One big part of that community is, of course, the fans and boygenius fans are indeed a dedicated and passionate bunch. And a loud one. This may or may not have been one of the loudest crowds for a show that I’ve been to, but they were certainly one of the most creative, with a group of fans even going so far as to create a unique experience for the Toronto show. I’m not entirely sure how this came together, but before the show, a group of people went through the crowd delivering little slips of paper, in different colours for different sections, with the following written on it:

During Cool About It, hold this paper over your phone’s flashlight to help create a beautiful rainbow!

It was a fairly cool moment and one that was appreciated by the band, even if they were a bit taken aback by the surprise. Phoebe Bridgers stated first off that she wasn’t even going to ask how this came to be and later commented how moments like that are appreciated as they help to shake things up for them as performers and make for some good memories.

Memories were also on Bridgers’ mind as she reminisced about the first time she played Toronto, opening for Julien Baker at The Drake Hotel. Plagued by a bad case of strep throat, she decided to go through with the show anyways, only to break down sobbing afterwards. The surprise twist in this story though is Baker appearing at just that moment bearing a hot toddy for her tourmate. As she explained, it’s a moment she remembers fondly, even if the overall circumstances weren’t so great – “I’m grateful to this place for that moment.”

Another thing that made this show stand out as a unique one, though not quite for the most positive of reasons, was that early on in the set, Lucy Dacus announced that she had been concussed and that while she had been cleared to play the show, she would be taking it a little easier. Not that it seemed to put a damper on things though – no, in fact, the band put on one of the more impressive shows I’ve seen in a little while. Individually, each of the members of boygenius – Bridgers, Dacus, and Julien Baker – are talented, charming, and engaging performers, but there seems to be a little extra something that happens when they come together that made for a great performance.

I’ve seen each of the members of boygenius individually on numerous occasions in the past, generally playing much smaller venues. I’ve seen Phoebe Bridgers at The Velvet Underground and Lucy Dacus at Burdock and while I’ve only ever seen Julien Baker playing somewhat larger venues, I did once walk past her inside a Copenhagen 7/11, so I’ll just go ahead and count that as a small venue.

Regardless, all three of them have come a long way over the last few years and to see them graduate from those smaller gigs to playing what Bridgers referred to as the most people they’ve ever played to is rather impressive. And they absolutely delivered a show worthy of such a huge crowd, with Dacus wondering aloud at one point if this was one of the best gigs of the tour.

In response, Baker confirmed her suspicions with a simple, “It is.”