Concerts

Concert Review: Carcass, April 16, Phoenix Concert Theatre

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There’s a scene in Sam Dunn’s documentary Metal: A Headbanger’s Journey wherein Dunn tells the story of himself and some high school friends sitting around and trying to come up with the most extreme death metal lyrics they can. It’s a great scene and one that likely rings true for a lot of metalheads.

I can certainly recall my circle of metalhead friends doing the same back in high school as we made up lyrics for a steady stream of not entirely real bands. In large part those lyrics were inspired by the works of Liverpool’s Carcass, whose early work especially focused on gore with a particular penchant for using the elevated language of medical textbooks. This set them apart and gave their songs a slightly more sophisticated air when compared to the more straightforward bluntness of many of their peers’ lyrics, and helped to solidify their status as true originals in the metal world. The band’s influence on the genres of death metal and grindcore, both lyrically and musically, is indisputable, even if our own attempts to mimic the band’s particular lyrical style back in the day mostly resulted in semi-nonsensical word salads.

Touring behind their latest, 2021’s Torn Arteries, Carcass made their way to The Phoenix to play a career-spanning set to a packed house on Sunday night. Well, not entirely career-spanning – they neglected to include anything off their debut Reek of Putrefaction, though to be fair, that one’s a bit of an outlier in their discography with its more straight up grindcore sound. I doubt anyone minded its omission too much though, as the band’s setlist for this tour, full of classics like “Buried Dreams,” “Incarnated Solvent Abuse” and “Heartwork”, is a hard one to argue with.

The one quibble I might have with their set is the band’s reliance of working snippets of some of their tracks into the intro or outro to other songs, but I guess it gives them a chance to slip at least some part of these songs into a medley when they otherwise might have been cut altogether, so I guess I’ll allow it.

Despite vocalist/bassist Jeff Walker’s description of himself and his bandmates as the old guys just trying to keep up with the younger acts on the bill with them, Carcass proved on this occasion that there’s a reason why they’re still regarded as one of the greats of extreme metal.

Concert Review: Black Anvil, April 8, Opera House

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When one thinks of black metal, images of full moons, forests, and frostbitten Norwegian landcapes are what usually comes to mind and not scenes from a New York City skyline, which is fair enough. After all, I’ve never heard any black metal on a Scorsese soundtrack.

All that aside, New York City’s Black Anvil certainly seems to take pride in the fact that they hail from NYC, with the band mentioning it a few times during their set at The Opera House on Saturday night. And with their amps and merchandise showing off their NYBM logo (a clever take on the NYHC logo with with 2 scythes crossed over one another rather than the usual ‘X’), it’s clear that being New Yorkers is a significant enough part of this band’s identity.

And probably rightly so, as the band seems to have taken black metal and put their own spin on it, one which gives it enough of its own style and personality to differentiate it from other variants. Similar to how New York style pizza is its own thing, the fact that Black Anvil are from New York would seem to have played some part in shaping their sound. And as their latest release Regenesis demonstrates, it’s a fairly dynamic sound, one which adds a lot of different elements beyond just standard black metal into the mix.

Live, Black Anvil put on a fairly impressive show, playing a 30 minute set of tracks off the new album, with “NYC Nightmares”, “8-bit Terror” and “In Two” all standing out as highlights.

Being the first of three bands on the bill (alongside Insomnium and headliners Enslaved), Black Anvil may not have been given as much time as the other acts, but they certainly made the most of it, making a strong impression during their time onstage.

Concert Review: Sports Team, April 6, Horseshoe Tavern

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Sports Team
Sports Team at SXSW 2023

As I stood by on Thursday night waiting for Sports Team to take the stage, two thoughts ran through my mind that had me realizing that I am well on my way to curmudgeon status as I get older:

1) My tolerance for packed shows at venues like the Horseshoe has dwindled considerably in recent years.
2) My patience for bands not being onstage at exactly their scheduled set time is also significantly lower.

Yup, I am a grumpy old man now. So be it.

Nevertheless, all that was forgiven once Sports Team took to the stage (about 15-20 minutes later than announced, but whatever) as the English band put on an immensely entertaining show. Lead singer Alex Rice is an engaging frontman, full of rock ‘n’ roll swagger and attitude, while the rest of the band matches his energy perfectly, even if some sound issues meant that the keyboards weren’t always audible onstage on this occasion.

Highlight of their set included numbers like “The Drop” and “Unstuck” off the latest album Gulp! as well as older tracks like “Kutcher” and “M5,” though the biggest surprise of the night came when the band slipped into a small snippet of a song from an iconic Canadian group.

In his introduction to “The Drop,” Rice announced to the crowd how happy they were to be playing in “the greatest country in the world, in the greatest city in the world” and while his professed love of Canada seemed sincere enough, that statement did seem to be laying it on a bit thick. Yet Rice demonstrated that their Canuck love was bona fide as he slipped into a brief a cappella rendition of a few lines from The Tragically Hip’s “Boots or Hearts.” Was he inspired by the mural of Gord Downie on the Horseshoe’s walls? Could be, but whatever the reason, it was a welcome surprise.

Before launching into the band’s breakout track “Here’s The Thing,” Rice announced that they had three songs left in their set and that there would be no encore. I appreciate a band who’s upfront about that sort of thing. Maybe it appeals to the grumpy curmudgeon in me? I don’t know, but I do know that this grumpy old curmudgeon walked away from the Sports Team show feeling like just a little bit less of a grump.

SXSW 2023 Recap: The Good, The Bad and The Inclement Weather

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Dream Wife

While 2022 saw the return of SXSW as an in-person event after 2020’s cancellation and 2021’s pivot to online, last year’s edition still felt a bit weird with the spectre of COVID still hanging over our heads. This year, however, felt a little more normal, though the festival seemed to continue its trend over the last few years of feeling a little bit lighter than it did in the past.

This year also saw cooler than expected temperatures as well as the arrival of a big storm on the Thursday night, which definitely put a bit of a damper on the proceedings for that evening. And though the weather didn’t always cooperate, we still found a lot to like about this year’s SouthBy, as well as a couple of things to complain about. Here, then, is our rundown of how the week went for us.

Thao

Best Act

Gary: It should be Sports Team for sheer rockstar drama, but Thao takes the cake.

Ricky: it’s hard to go against New Order playing a set of their greatest hits and being only five feet from the stage but a non-New Order act would probably be Dream Wife.

Paul: There were many acts who could potentially vie for the title of “best thing I saw all week,” including a few old faves like Voxtrot, Superchunk and New Order, but I think I’m going to have to give it to Dream Wife. Killer show.

Steam Down

Best New Discovery

Paul: I’ll pick two. Steam Down put on an incredible show, bringing exactly the right energy to keep me going late into the night on a day when I’d already been up and on the go for way too long. And Brandt Brauer Frick were also great – they definitely made it worth my while to brave the rain and the cold on Thursday night.

Gary: The Orielles.

Ricky: For me, it’s either LÜCY and her charms or Dream Wife and their absolutely most fun show.

Biggest Disappointment

Gary: Didn’t have time to do homework and lacked anticipation… fixed that quickly after a few shows.

Paul: Missing out on Tangerine Dream. And missing out on Max Cooper. And also missing out on Jeff Tweedy. But is it really even a music festival if you don’t miss out on something you wanted to see?

Ricky: Honestly, the weather – I had read it was gonna be 24 degrees and brought 3 tank tops that I could not wear throughout the week.

be your own PET

Most Memorable Moment

Gary: “Your Yalla burger is ready… nah, it’s gonna be 15 minutes.” Seriously, how a food-truck vendor can piss off so many while trying to give away a burger is beyond me.

Ricky: Probably the SXSW comedy show hosted by Nick Thune with Christina Martinez, for all the right or wrong reasons. Also the Manchester mayor saying ‘Black Lives Matter’ because Manchester refused to work with cotton from America during the time of slavery was quite the proclamation.

Paul: I will second Ricky’s nomination of Christina Catherine Martinez’s performance as most memorable. Her appearances at that Sunday night comedy show and as part of the “silent clown ballet” Swan Leak are both moments that will stick with me for a while.

“This Could Only Happen at SouthBy”

Paul: Tuesday night. I’m sitting at the back of Flamingo Cantina, watching Philly ska/punk outfit Catbite play their midnight set when a guy leans in and asks, “You like this shit?”

“Yeah, they’re not bad.”

He eyes me suspiciously and continues his line of inquiry. “Did you like No Doubt back in the day, then?”

I guess he was hoping I would be a similarly grizzled veteran of the rock ‘n roll life who would agree with him that The Clash were better (and yeah, maybe they were, but what’s that really got to do with anything?) but I think he mostly just wanted to tell someone that he played Flamingo Cantina with Daniel Johnston back in the day. Fair enough. I guess I’d be telling random folks about that too if I was him.

Gary: Listening to a Taiwanese band yet still having space to move my arms.

Ricky: We’ve been here so many times it’s kind of hard to process what’s normal, but anytime you can see 10 shows in one day with bands from all over the world from Taiwan to Europe to New York with music ranging from pop to electro to folk to hard rock, it’s pretty special.