Concerts

Concert Review: Gaerea, October 4, Lee’s Palace

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There’s an old clichéd saying about having to suffer for one’s art and while I don’t necessarily think that always needs to be the case, it is certainly one school of thought. And though this is pure conjecture on my part, it would seem to be a school of thought that Gaerea adheres to.

After all, the Portuguese five piece recently released a video wherein one of its members undergoes some sort of water torture which lasts for roughly eight minutes. This “torture video experiment” certainly seems to suggest that they’re willing to go as far as necessary for the sake of their art. If nothing else, it proves that these guys are pretty intense.

That intensity shone through loud and clear on Wednesday night as Gaerea put on a dramatic, theatrical performance as part of the Crypt of Ancestral Knowledge tour alongside Blackbraid, Hoaxed, and headliner Wolves In The Throne Room.

Billing themselves as cathartic black metal, Gaerea are all about setting a mood. Despite the fact that all five members cover their faces in black masks, there’s a good deal of emotion on display, both through their music and through their stage presence. A key part of that stage presence is their vocalist’s unique dance moves, which came across like a dark avant-garde dance piece mixed with the time on Sprockets when they dance.

All in all, the band put on a passionate, memorable and, yes, intense performance. Impressive stuff.

Concert Review: James McMurtry, September 22, Horseshoe Tavern

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In the moments before Texas singer-songwriter James McMurtry would take to the stage at The Horseshoe Tavern on Friday night, a fellow concertgoer struck up a conversation with me, commenting that he knew it was going to be a good show as most of the crowd were over the age of 60. I think I kind of get what he was going for, but then again, I’m also not quite sure that his logic fully works out as older folks are often also into a lot of dodgy stuff. After all, Eric Clapton still seems to have a relatively thriving career.

Still, there is something to be said for experience and over the course of his set, McMurtry definitely made the case for veteran performers who’ve perfected their craft and their ability to put on a great show. To borrow a line from McMurtry’s “Canola Fields,” the first track off of his latest album The Horses and the Hounds, “You can’t be young and do that.”

While we’re on the subject of being young, McMurtry did reminisce about his younger days, noting that he first played the Horseshoe back in 1992, on the night that the Blue Jays clinched the World Series. “I was here … me and about fifteen of y’all.” Luckily for him, 31 years later, and without the World Series as competition, his drawing power has grown considerably. And the fairly packed crowd at the Horseshoe demonstrated that McMurtry does have a pretty dedicated fanbase, with several shouting out song titles when they saw an opening. McMurtry was having none of that though.

“Some of you know what you wanna hear, none of you know what you’re gonna hear,” he said in reply to the shouted requests. “There’s an art and a science to planning a setlist and I’ve just about got it down.”

McMurtry did in fact put together a pretty solid setlist on this occasion, with tracks like “Copper Canteen”, “If It Don’t Bleed”, “Jackie” and “Chocktaw Bingo” standing out as just a few of the highlights. And while he may or may not have mastered the art of crafting a perfect setlist, as he ran through a set full of songs from throughout his career, McMurtry proved that he’s definitely got this whole songwriting thing figured out.

Concert Review: Kiwi Jr, September 9, McMurray Avenue

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If you follow Toronto indie rockers Kiwi Jr. on Twitter (Sorry Elon, I refuse to call it “X”), you might have thought they were joking when they recently tweeted out, “played a highschool battle of the bands tonight” but no, they really did play a high school battle of the bands.

Or, if you want to be nitpicky, they technically played after a high school battle of the bands, with the winner of said battle making a triumphant return to the stage to play a brief set right before Kiwi Jr’s headlining set. Singer Jeremy Gaudet gave the winners a shout out from the stage early on (though he did initially get their name wrong, calling them Just June instead of Just July – wrong month, but close enough, I suppose), noting that they had early Sonic Youth vibes and adding that while he has never won nor even participated in a battle of the bands, he did approve of such a Happy Days-style tradition. I’m assuming the high schoolers in attendance had to Google what Happy Days was.

And while, strictly speaking, the band weren’t exactly playing a battle of the bands, they were certainly playing a show that was a bit out of the ordinary, headlining a day of music played at the end of a residential street as part of the Taste of the Junction festival.

Playing a set that was split pretty evenly between songs off their latest album Chopper and some older tracks, Gaudet and his bandmates (Mike Walker, Brohan Moore and Brian Murphy) put on a fun show with standout tracks like “Unspeakable Things,” “The Sound of Music” and “Waiting In Line” showcasing the band’s strong songwriting. Their combo of catchy hooks and clever lyrics full of pop culture references is a winning formula, especially when delivered in Gaudet’s Malkmus-esque vocal style.

And so, while I’ll admit that it was a little weird watching a band play at the end of a street just a few steps away from the local residents’ front doors, it also gave the show a cool, laid back vibe that made for a pretty memorable performance.

Concert Review: Pyrrhon, Couch Slut, September 1, The Baby G

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Sometimes you’re tired as hell (even though you didn’t really do much of anything all day) and struggling with the choice of going out to a rock show or just heading over to your local dive bar to hang with the usual crew of reprobates. Such was my dilemma on Friday night, but despite being a big tired baby I rallied and happily ended up cactching a great show from Pyrrhon and Couch Slut.

Taking to the stage just after 10:00pm, Brooklyn-based death metallers Pyrrhon introduced themselves in an unusual way by telling the crowd, “We are not Couch Slut.” Now, this was probably obvious to most, but it was nonetheless an important public service as they let us know that the two bands had switched positions on the bill due to Couch Slut running late. As Couch Slut vocalist Megan Osztrosits would later explain, the band’s planned six hour drive turned into ten hours.

Pyrrhon impressed with their heavy and technical tunes, making use of a lot of dissonance in their sound. In concert, they bought to mind a cross between Brutal Truth and Gorguts with a little Jesus Lizard and Swans mixed in for good measure. A potent blend indeed.

Up next were Couch Slut, who matched Pyrron’s intensity with a solid set of heavy noise rock that, like their tourmates, takes influence from a lot of different sources. With the rest of her bandmates setting up onstage, Osztrosits opted to stay on the floor and up close to the crowd for the duration of their set. And during that set, she definitely put her all into the performance, roaming throughout the audience and occasionally hitting herself with the mic. It’s not too surprising then that after what seemed like only a few songs, she was already asking her bandmates if the next song could be their last. I get it, I’d probably need a break too after a performance like that. Unfortunately for Osztrosits, but luckily for the rest of us, Couch Slut did not cut their set short.

And, for any who might be wondering, I was still able to make it out to my local dive bar in time for last call after the show. Best of both worlds!