Reviews

Hot Docs Review: African Moot [Shameela Seedat, 2022]

Posted on by Gary in Hot Docs | Leave a comment

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“May it please the Court, I beg Your Excellencies’ indulgence to expound on the meaning of a MOOT as opposed to that in the vernacular?”
“Senior council, it is a mock trial. This particular one on the human rights of refugees.”

Let’s just wind back. This is a documentary about a student debate team competition, with none of the typical lack of gravitas. Slyly against interlaced shots of the servers and the humdrum of the city, polished, well-manner students with sartorial class argue in shiny conference facilities. The implicit conflict between the intellectual wealth of the African (future) elite and the stereotypical, Western view of the state of African lives is plain to see. The equivalence with any institutional elite, be it Asian, European, or any other social order, is also clear. This is of course further contrasted by a celebration of intellectual achievement and the visceral weight of the matter at hand.

However, unlike their counterparts elsewhere, these students have a keen awareness that their own worlds can also fall apart with short notice. It’s never far removed from their mind. So, this is very different from a Scripps National Spelling Bee or an Intel Science and Engineering Fair. Besides coaching from their own debate mentors, as preparations, students visit practicing refugee lawyers and interview refugees in clinics. They are given a fictional but clearly relevant case, where they must argue both sides of the situation and often against their personal beliefs. It exposes those who do not examine the situation fairly and comprehensively. It also exposes the students to clear disparities between African states, from which perspective a pan-African union seems just as unreachable in the present as the pan-European notion did.

Normally, I find debates pointless. Stimulating thoughts simply for the sake of contest is merely intellectually amusing. But this was a case of forcing steam through fissures in both law and morals, and upon fictional structures. Was this a simple test of knowledge of the letter of the law, or were the students used, cynically, as quality control on the existing laws and conventions? Will potential loopholes and limitations be re-examined? In that light, these exercises could be a far more healthy and impactful case-studies, when viewed against the spelling bee’s effect on Scrabble. As the outro pointed out in a less than subtle manner: the numbers of refugees and internally displaced people around the world continues to rise. We will never build walls tall enough to keep all of us out.

Hot Docs Review: Still Working 9 to 5 (Camille Hardman, Gary Lane, 2022)

Posted on by Paul in Hot Docs | Leave a comment

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The film 9 to 5 came out more than forty years ago. A comedy that dealt with the issues faced by women in the workplace, it became fairly successful at the time, spawning a TV sitcom as well as a Broadway musical many years after the fact. Inspired by the 9to5 political movement, star Jane Fonda and producer Bruce Gilbert set out to make a movie that would deal with a serious issue in a comedic way in the hopes of reaching the widest audience possible. Still Working 9 to 5 tells the story of the making of that film while also examining its impact and legacy and showing that four decades on, it’s still quite relevant.

Placing the film within a larger cultural context, directors Camille Hardman and Gary Lane examine both the fight for equal rights and equal pay decades ago and the fact that even today we still have a long way to go. “It’s not about politics,” says Dolly Parton. “It’s about downright fairness.” And when put as simply as that, it’s hard to argue with her, but of course, the fight for such “downright fairness” has indeed become a political issue. We see it in this film through the ’70s and ’80s era fight for equal rights as well as in the rise of the Me Too movement over the past few years.

Ultimately, Still Working 9 to 5 is an entertaining and compelling doc that is equal parts heartwarming reminiscence on the making of the film and serious look at the film’s political impact. Well worth checking out.

Hot Docs Review: Images of a Nordic Drama (Nils Gaup, 2021)

Posted on by Paul in Hot Docs | Leave a comment

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Photo Credit: Paranord Film

As the old cliched saying goes, one man’s trash is another man’s treasure, and that phrase was certainly going through my mind while watching Images of a Nordic Drama.

In telling the story of Norwegian art collector Haakon Mehren and his quest to garner some recognition for relatively unknown artist Aksel Waldemar Johannessen, Images of a Nordic Drama examines the idea of what’s considered ‘real’ art, what gets allowed into the established canon and all of the issues that might arise when one dares to go against the art establishment.

After finding a cache of Johannessen’s long forgotten art in a barn, Mehren makes it his life’s mission to become Johannessen’s champion, constantly pushing for this art which he sees as a unique portrayal of the common people of the time. And while many come to agree with him on this, the elites of the Norwegian art scene, including those in charge of the National Museum, instead see Johannessen’s work as awful and unworthy, with some even suggesting the only thing it’s fit for is the rubbish bin.

While it seems unlikely that Johannessen’s detractors will ever change their opinions on him, the film makes it abundantly clear that Mehren’s life has been forever changed by his association with these paintings. And that, in itself, is a testament to the power of art to affect people, even if some can only see it as trash.

Screenings:
Sat, Apr. 30, 11;30 AM @ Varsity Cinema 8
Thurs, May 5, 8:45 PM @ Varsity Cinema 8

SXSW Film Review: Pez Outlaw [Amy Bandlien Storkel and Bryan Storkel]

Posted on by Gary in Reviews, South By Southwest | Leave a comment

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Steve Glew has been waiting to tell his story for 20-odd years. It’s not because Johan Patek, his Viennese competitor, labeled him a loser not worthy of a documentary spotlight. To a large segment of the population, many of the people featured in Pez Outlaw are “losers”. The magnitude of this repulsion is in direct proportion to their nonsensical hobby, some would say addiction, of toy collecting, specifically Pez dispensers.

And that is where most people are sorely mistaken. Specialty collecting can be immensely lucrative – for a rarefied, elevated example of the same phenomenon, look no further than the fine art world. But one does not need to trade in 15th century masterpieces or 12 ft tall dog sausages. With the right reputation, provenance, and hype, even childish, mass produced plastic casings moulded by Soviet-era factories can become hot commodities. And those who traffic in hot commodities can get rich very quickly.

This is where a 60 year old mechanic, whose OCD manifests as a compulsive requirement to carry a paper towel at all time, comes into the picture. This is ultimately a film about how he floated to the top of the barrel, if you will. And the manner of his escape from that dead-end life in rural Michigan is decidedly simple, to the point of incredulity. Ponder it for a while, and you might agree that only a forthright, un-cynical mind can make it work.

Glew started as a cereal box collector who, at first, generated profit from premium redemption in cereal boxes by reselling the items. The newfound revenue fed his urge to go bigger, in order to lead he and his family out of the mindless motions called a living. With some luck and the help of his son, he made trips to Eastern European destinations such as the Kolinska factory in Slovenia, just after the Berlin Wall fell, to buy rare Pez dispensers that American fanatics have no access to. But since Pez America is an actual registered company with intellectual rights and trademarks separate from its European counterpart, these shady backdoor deals soon began to cross into corporate espionage territory.

This is a tale where roleplaying dumb-hillbilly has everyone underestimating his motives. Even in this documentary, the stories Glew tells seem designed to build an image of a wizened grey wizard – but a wizard, nonetheless. In fact, this fantasy led Glew to craft and inhabit a new persona as the namesake “Pez Outlaw” for which he suffered later. Truth be told, a lot of luck was involved. But the fact that he got away with it, even for just a little while, makes for a fascinating window into the collecting world and its mythologies.