Reviews

Toronto Fringe Preview: Brothers and Arms

Posted on by Brian in Fringe, Reviews, Theatre | 2 Comments

The Toronto Fringe Festival starts next week, so between now and the start of the fest, and in between seeing and reviewing Jazz Festival shows, I’ll be previewing some plays that I’m particularly excited about seeing. Yes, I’m covering the Fringe, which starts June 30, and also covering the jazz festival with Mark, so I won’t be sleeping much the next two and a half weeks or so. If you see me napping during someone’s Fringe play, try to be understanding, and wake me up gently…

First up: Brothers and Arms, a brand new work on war, love, and best of all, comic books. From the show’s press kit:

“Set during World War Two and the current Iraq fighting, Brothers And Arms explores the conflict between the world of comic book war propaganda and the realities of war.  Two brothers, separated by opposing views and the love of a woman, face off one afternoon in an apartment confrontation with dire consequences. In this captivating debut, award winning playwright Steven Jackson offers a drama filled with richly drawn characters and a production that will radiate with intensity.  Brothers And Arms is a play not to be missed.”

In the interests of disclosure, I must tell you that the playwright is a friend of mine, and as a result I’d really like his show to be sold out every night with great success. This is my ulterior motive in previewing his play first. I also know that Stephen is a talented guy with good taste in theatre, so I’m going to go ahead and say that his show will be really, really good and that everyone should go see it. I will admit, I’m not entirely sure how comic books fit into this play from reading the press release, other than it’s “dealing with the changing roles of comic books and the realities of war,” but I’m interested in finding out.

The Fringe runs between June 30 and July 11. Check the Fringe website for passes and advance tix. Brothers and Arms is at Venue 3, the Royal St. George Auditorium, just north of Bloor and east of Bathurst. Tickets are ten bucks at the door. Here’s the schedule:

Wednesday, June 30th @ 10:30pm

Saturday, July 3rd @ 7:30pm

Monday, July 5th @ 3:00pm

Tuesday, July 6th @ 8:30pm

Wednesday, July 7th @ 2:00pm

Thursday, July 8th @ 10:30pm

Sunday, July 11th @ 4:30pm

NXNE Review: Young Galaxy and The Besnard Lakes [June 17, 2010, Mod Club]

Posted on by Gary in Concerts, Everything, North By Northeast, Reviews | 2 Comments

Young Galaxy, NXNE, June 17, 2010, Mod Club

Toronto – Ricky had previously covered the Young Galaxy. Indeed, they sound totally UK and that’s totally OK when they’re from Quebec. When I heard Long live the fallen world I thought Ladyhawke had worked her magic and implanted one of her cat souls. Or maybe they ate a Cranberry that floated across the Atlantic (alright I’ll stop the stupid puns). Unfortunately I had arrived late for the show, and heard only 3-4 songs. One thing I did noticed was that they were very pensive in between, and engaged the crowd intelligently from the periphery. I recall something along the line of “this four word band name conjures up the imagery of X”. The singing was purposeful, not that I was comparing to myspace from the few that I heard, but it flowed well. I will definitely listen to the new album. And they made some great shots during the livelier numbers. There was one shot where it really looked like a galaxy up there.

Besnard Lakes, NXNE, June 17, 2010, Mod Club

The more I look at that picture above the more it looks like a crusader clash; and that’s probably not a bad imagery to have when listening. The word “Nickelback” somehow always floats behind in that cesspool of my mind when Besnard Lakes is mentioned, like some unwanted 1980s relic tv-show. It’s demeaning to even make that connection, but the word association survives the concert. Maybe my brain works on a broken syllabic rhythm. There were more things out of expectations for me. Neither the guitarist Jace Lasek nor his wife, bass/vocal Olga Goreas, looked their voice. That surprise is actually very welcome – Lasek had an even-tempered voice that always hits the notes he writes for, and Goreas fluently shaped her voice to the songs. And I was happy that the concert was never overly rock-n-roll in attitude. I may be wrong, but I don’t recall a really nutty number that the pair rocked out and acknowledged each other endlessly on stage (maybe in the middle of one song… And you lied to me?) Rather, Besnard Lakes methodically worked through their emotional but restrained songs, breaking with ease in-between to check on the audience and time. I think that was actually a very smart move – too often you’re stuck in a string of doleful twists and walk out of the concert feeling like you need to spend another $40/hr to see a psychiatrist. There was a 30 seconds discussion on how the audience would not want them to play too long (for fear that Goreas will come out wearing something funnier than those glowing ACDC horns?) Plus I don’t believe they are overly melancholy. Like most stories, they usually have an uplifting ending. Mod club, at this point, was gradually filling up with people… and smoke. The fog machines were put to good use this night, and together with the resplendent lighting, successfully set the melodramatic atmosphere required to enjoy this music. Sitting down at the tables in Mod Club WHILE taking pictures was a luxury I often do not get to enjoy. I would see them again – they are going to European tour in August – so that might be awhile. Check them out CBC radio3 – Disaster, Albatross, and Devastation are several good ones that they played at this concert.

Concert review: Xavier Rudd [Queen Elizabeth Theater, May 21, 2010]

Posted on by Gary in Concerts, Everything, Reviews | 1 Comment

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Toronto – When I go to a concert, 2/3 of the time I have little allegiance to the band, if I knew them at all. This was one of those shows. As it happens, we were sufficiently intrigued by the didgeridoo alone. Seriously, how can you not be? The venue was also a draw – neither me nor Ricky has ever been there. So after arriving 9pm on the dot, we were ushered into the huge and newly decorated theater. Xavier Rudd trio came out promptly to a crowd of about 600, and it immediately became a standing affair.

With the flag of Aboriginal Australia over Rudd and that of South Africa over the drummer, the set looked almost like a head-to-head beat-off. The first song continued for 10 minutes. It was along a very enjoyable rhythm and Ricky thought it would be perfect for the opening of  The Beach (the movie): carefree and footloose with the peace, love, drug and sex typical of hippies. And Rudd certainly dress the part. Photo-ops were abundant, too (more pics after the link). But several songs later I begin to find inconsistencies between that image and the music. Granted, you do not want to listen to him on a CD – it will probably makes all those long wolf-howling chorus much less expansive. But as elements of rock, world, Caribbean music works their way into the concert, you begin to wonder how this comes together. The didge was used mostly for effects, I thought. It was more like a beat device or a throat singing simulator, and he even electronically made the guitar like a didgeridoo once.

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Although I did mention that his brand of tenor-pop should really be heard live, it’s really a shame that Xavier Rudd only provides 3 30 sec samples on his myspace page – a little stingy in this day and age. I cannot name any of the songs save to describe their general style as above. The performance, however, was a completely different matter. Perceiving himself more celebrity than a singer/songwriter, Rudd constantly addresses the crowd and plays to their tune. “How’s it feeling TO-RON-TO” was uttered at least 4 times and sung once in the midst. Trying to incite the crowd, he danced and twirled around at one point, only to complain about his guitar not working 30 secs later. At the 3 or 4th song a girl climbed on-stage but was quickly booted-off by security with no response from the band. This happened for a few more times. Yet near the end of the set, he invited around 75+ people to mosh on the stage. I’m not sure if he became more pliant over the idea, or he finally gave up. But letting people dance during the merry-making river-dancing tempo-increasing portion of the gig seemed very calculated. Overall, it was an interesting show at a gorgeous theater. The crowd certainly got into it (even if quite a few couldn’t keep the beat). Too bad the music and performance wasn’t as exciting for me.

HotDocs review: A small act [2010, Jennifer Arnold]

Posted on by Gary in Everything, Hot Docs, Reviews | 1 Comment

Toronto – On the last day of Hot Docs 2010, and in this my last review for the festival this year, I want to mention one thing. Ford Fiesta FAILS. For the number of screenings (136,000+ attendance, apparently) Hot Docs could do much better than a half-hearted CG sketch of 3 fake economy vehicles pretending to be fashionable. That type of marketing works well for Ferrari and Porsche – I hardly think men/women drool over a GEO equivalent thinking that it’ll be the next status symbol on their list. Why not hold a competition for short films with the help of NFB for that slot? Or Coca Cola, if short on commercial sponsors, which has found an interesting balance between commercial and short films?

Anyways. Now that my 2 cent is spent, let’s get on to the story of Chris Mburu. A small act follows Chris, a human rights attorney working for the UN, through the turmoil he and other had to go through to set up a local scholarship fund in his native Kenya. The impetus is a diminutive Jewish lady living in Sweden. For years, Hilde Back had given something like $15/month to a foundation, and directly sponsored Chris’ education from primary to secondary school. Since secondary school isn’t mandatory in Kenya, those who do not make it has little chance of learning anything beyond simple concepts. This does not only lowers the productivity, it further opens the population to political manipulations. Having worked in situations like those in Chad, Bosnia, Rwanda, Chris (and his cousin) believe that education is a solution to such problems – so they set up a foundation in Hilde’s honor. The film follows the inaugural year of this scholarship, which unfortunately coincided with an election and ethnic wars between Kenyan groups. It documents not only how the foundation is operated, but also the struggles of 3 top students in getting funded for the secondary education their families cannot afford.

This is a simple and easily sensational story. It’s difficult to not be moved by Kimani, Caroline, and Ruth when they thought they had disappointed their families. Many will cringe at how poor the conditions are, and lament at how many kids are left behind simple because they have no money. But that’s the whole point – how many, after cringing, actually pay forward this small act of kindness? Apparently quite a few. They raised $90,000 at the Hot Docs screenings alone. And when the film crew found out that only one of the students could be funded by the Hilde Back foundation, they pitched into help the other two. It ends Hot Docs for me on a warm note, but it’s not the best film this year by a long shot, not the least because Arnold has chosen an easy topic. But as long as it moves people to donate and volunteer for a higher cause, I will happily enjoy more warm-&-fuzzy documentaries.

Well that’s it. Hot Docs have been very interesting this year, and with age it only gets better. Until next year!