South By Southwest

SXSW Review: Gwenno, March 16, Barracuda

Posted on by Paul in South By Southwest | Leave a comment

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“My name’s Gwenno and this song’s about how much of a pain in the ass patriarchy is. For everybody.” That was an interesting way for Gwenno to introduce herself to the crowd, but it definitely made an impression. It also gave me some insight into Gwenno’s lyrical content, which also included such light topics for a Wednesday night as war crimes and revolution. She acknowledged though, that if people wanted, they could imagine that the songs were about something other than that because most likely wouldn’t understand the lyrics anyways.

You see, Gwenno Saunders, formerly of The Pipettes, is Welsh and so are all of her lyrics. Because of this, and because I didn’t really do much research before catching her show, I went in not knowing that her latest album, Y Dydd Olaf, is based on a Welsh science fiction novel in which robots are turning humanity into clones and the protagonist must communicate only in Welsh so as to avoid detection by his robot overlords. It’s an interesting concept and one which wouldn’t immediately be apparent upon first listen to her music without the background info. There’s a bit of a disconnect between the subject matter of her lyrics and the ethereal beauty of her voice and synth based music, though one that makes the songs all the more interesting.

SXSW Review: Chairlift, Budweiser House, March 16

Posted on by Ricky in South By Southwest | Leave a comment

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Chairlift’s new album Moth is one of my favorites thus far in 2016, with it’s incredibly catchy hooks and delightful synthpop sounds, so it was a no brainer to see them at SXSW. Taking the stage a bit after midnight, I was pleased to find the new album also seemed to bring forth a new change in the band’s live setup. Considering how creative and visually pleasing their videos have been, it was always odd to find the band mainly behind their instruments during the set. The new album seemed to have changed the presentation, the new tracks bring Caroline up from behind the synthesizer and in front of the stage. She’s a dynamic presence when not behind her synthesizer and adds a much needed visual and energetic element to the groups live show.

Playing a short set full of new material and some previous hits, the group seemed more lively then ever, although they still did not do the Amanaemonesia dance. One could only dream. My only complaint was that the track Moth to the Flame, which is definitely going to be a hit this year, was not as ‘anthemy’ as it could have been. That’s a killer track with a sick hook and the live version came out a bit subdued for some reason. I guess there’s some kinks that need to be worked out. Minor complaint aside, this latest rendition of Chairlift seems destined for success. Now if they would only hire some dancers or something for when Amanaemonesia comes on.

SXSW Review: The Moonlandingz, Cheer Up Charlies, March 16

Posted on by Ricky in South By Southwest | Leave a comment

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The Moonlandingz are a weird and delightful psych rock band. Much have been made about the band’s “supergroup” feel – they feature members of Fat White Group, The Ghost of a Saber Tooth Tiger and Eccentronic Research Council. Led by Lias Saoudi on vocals, the groups live show is a rowdy party that always seems to be teetering on the edge of destruction. Saoudi is a mesmerizing front man, and his squinty Sam Rockwell delivery while carrying a cigarette and drink in one hand is unique. Much like the band, you wonder if he’s really like that or if it’s just an act. Whatever it is, it works well with the music, which incorporates psych rock-punk elements with almost 8bit electronic sounds at times. A fascinating show, catch them during sxsw.

SXSW Review: Steve ‘n’ Seagulls, March 15, Austin Rowing Club

Posted on by Paul in South By Southwest | Leave a comment

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I have a bit of an affinity for the Nordic people, having done a bit of travelling around Scandanavia, so when I noticed that a Nordic music showcase was being hosted at the Austin Rowing Club (temporarily rebranded for the day as the Nordic Lighthouse), I decided to make that my first stop on the first official day of SXSW music. The day’s program was filled with a number of bands from Denmark, Finland, Sweden and Iceland. Dolce impressed with their set of somewhat mournful country-ish ballads, much of it sung in Norwegian and The Great Discord definitely stood out as the most unique performance of the afternoon, sounding somewhat like an alt-metal band fronted by Alanis if she were also a goth mime. I have to give them serious props for not only committing to all black, all long sleeves outfits, but also to the singer for going with full make-up in the heat.

The band whose set I enjoyed the most was Steve ‘n’ Seagulls, a Finnish group that plays bluegrass versions of classic hard rock and heavy metal songs. Their brief set included banjo and accordion filled covers of Iron Maiden’s “The Trooper” and “Aces High” along with ACDC’s “Thunderstruck” and Led Zeppelin’s “Black Dog.” The latter even featured a whistling passage. While the band definitely ham it up a bit with the animal pelts and overalls, they overcame any novelty factor and absolutely impressed with their arrangements and musical skills.