Concerts

Concert Review: Sharon Jones, October 29th, Kool Haus

Posted on by Mark in Concerts | 3 Comments

Sharon Jones and the Dap-Kings

Toronto – Last Wednesday brought Toronto a veritable soul queen in Sharon Jones. For those of you who are new to Sharon Jones, she is spear-heading a throwback to good old fashioned funk and R&B. Sharon was backed by her band the Dap-Kings, the house band from her label: Daptone Records. Seeing them live is the closest I can imagine to being in Harlem during the height of soul and funk in the 70’s.

The Dap-Kings are tight. Most notable for me was watching the bassist Bosco Mann get to work. He held everything down like nobody’s business and was clearly leading the charge. It didn’t surprise me to discover later that he is the mastermind behind large swathes of Sharon’s repertoire. In a world of synthesized music (much of which I enjoy), I must say that there’s something really clean and refreshing about listening to an old-school funk band. No crazy digitized effects, just straight up bare-bones amplification for the guitars, bass, drums, sweet brass, and of course the very impressive pipes of Mrs Jones.

But what review is complete without a comment about the venue? The answer of course is many. But I’ll talk about the Kool Haus anyway. Although I’ve never been a huge fan of the Kool Haus/Government, I do have a juicy little tidbit for all you keen concert going types. Yes, it’s hard to get to, and yes it’s a bit out of the way. Yes, you have to pay for parking, but there is parking on the street that’s free. Yes, those spots evaporate quickly. BUT, if you drive one street west and the drive north of the highway, there is a much higher chance you’ll find parking on the street and, it’s still only a 5 minute walk from the venue. Most people never think to park north of the Gardiner.

I do realize that broadcasting this little tip means that I’ll be less likely to park there myself next time. So don’t ever say I don’t do stuff for you people.

Sharon Jones 4/5

Concert Review: The Rumble Strips, October 29th, El Mocambo

Posted on by Wade in Concerts, Everything | 6 Comments

rumble strips

(Toronto) I really hate ska (ska punk) . When I hear the word ska, I immediately think of over weight, middle aged, tattooed guys in black suits and funny hats playing their trumpets, which happen to be connected to their wallet via a long chain. Now I didn’t know much about The Rumble Strips going into tonights show at the El Mo except that I really liked their song Girls And Boys In Love. In what little I read about the band before the show, the infamous ska word was mentioned more than once. As I paid my $13 at the door I was dreading having to sit through some shitty Mighty Mighty Bosstone want-to-be performance. When five skinny, pale dudes from Coronation Street took the stage, I knew that I was going to be OK. And I was.

For the 25 of us in attendance, The Rumble Strips gave it their all. Those who came out were defiantly fans and the subtle, appreciative crowd sang along to their rocking, marching anthems. Tracks like Motorcycle and Alarm Clock kicked the shit out of the freezing cold El Mo.

At one point, bass player Sam Mansbridge busted out his own drum and when his drum stick broke he picked some random hard thing he found on stage and bounced it off the drum. When that thing got lost, he preceeded to beat the shit out of the drum with his hand for the remainder of the song. It looked like it hurt, but it rocked.

The Rumble Strips reminded me of the Canadian trumpet rocking super group, TheWet Secrets. Even a Zutons comparison might be in order. Whatever it is, the Rumble Strips are fun and worth catching. And they definitely aren’t ska.

4/5

Concert Review: Hot Chip, Pop Montreal, Oct 1, Metropolis

Posted on by Mark in Concerts, Pop Montreal | Leave a comment

Hot Chip

Montreal – So there I was in Montreal for the Hot Chip show last Wednesday at the Metropolis. Before I talk about Hot Chip, let me first tell you about the Metropolis. Even though I haven’t yet been to many of Montreal’s live music venues. I can tell you one thing, the Metropolis rocks!

The Metropolis is an amazing old building with a balcony. It’s large enough to host a decent crowd but can still offer a relatively intimate live music experience. First constructed in 1884 as a skating rink, the Metropolis has also moonlighted as a movie theatre, a theatre house, a discotheque, and even a porn house! Is there anything this building can’t do? The answer is no.

So anyway, before I talk about Hot Chip, let me next tell you about Pop Montreal. Pop Montreal is a great 5-day international music festival in our favourite sister city: Montreal. There’s all sorts of great live music over the city in great venues. After experiencing Toronto’s music festivals like CMW and NXNE, I have to say that my first impression of Pop Montreal was that it was a relatively grassroots and low-key affair. Most of the venues I went to were extremely intimate, and the tickets were very accessible in terms of price and availability.

OK, so how was Hot Chip? The show was certainly one of the more anticipated shows at Pop Montreal this year. This London-based band showcased their brand of very danceable rock to a crowd of enthusiastic fans. I kind of wish that “Over and Over”, being an amazingly fun song to dance to, would have occurred somewhere later in the set (or in the encore) instead of mid-set. But apparently they always do that, so I suppose they’re not going to mess with a formula that works. Their encore included a rendition of “Nothing Compares to You”. A nice little retro throwback combined with sly wink that this up and coming band doesn’t take itself too seriously. Nicely done.

Metropolis: 5/5
Hot Chip: 4.5/5
Pop Montreal: 4.5/5

Concert Review: Sunparlour Players, Pop Montreal, Oct 4, Cagibi

Posted on by Ricky in Concerts, Pop Montreal | 6 Comments

Montreal – If you had listened to our podcast, you would know that both Wade and Brian had suggested I go see a Toronto based band called the “Sunparlour Players” in Pop Montreal. This was before they called me a whiner. Bitches. Seeing how I hold their Canadian-Indie music opinions in high regard, I decided to risk it all and take my friends to see this band for their Pop Montreal showcase on Saturday. So you had two people from Toronto, visiting Montreal, taking two other people, who are from Toronto but moved to Toronto this year, to a show in Montreal,featuring a band from Toronto.
The show was a at a placed called Cagibi‘s, located in a neighborhood known as “The Plateau” or maybe “Le Plateau”.

I think it’s the hipster area of Montreal. Let me tell you, Cagibi’s is a fantastic place. I was expected a dark and dingy bar similar to the Horseshoe, but you know what Cagibi is? It’s like this hipster coffee shop/bar that features old school furniture that seem to not care whether they are in proper shape or not, board games that had probably been there for a decade and creaky wooden floor. My best comparison to this place would be the restaurant Aunties and Uncles, if it was a lot bigger, and served beer.

I only had one real complaint about the place. The thing about hipster joints is that the workers there are totally indifferent to things such as serving customers with any sort of efficiency. They walk around in their laid back ways, casually make the espressos or lattes or mixed drink that someone ordered, make inside jokes with other coworkers who are there, talk to their friends who are at some table, then finish the customer order. For a person who is used to efficiency, such laissez-faire attitude to service just bugs the beejesus out of me. Took us a good ten-fifteen minutes in line to get our booze. Ian and I both agreed that If we were the owner, we’d fire everyone in that store.

The Sunparlour Players have quite an interesting setup, there are three members, two of them have snare drums and are multi instrumentalist. I can’t say for the third guy because my view was obstructed. What is their type of music? I would say, good ole Canadian-esque rock and roll along the lines of mellowed out Joel Plaskett. The lead singer delivered his lines with great intensity, and switched from guitar to drum to banjo thru out the set. The other dude was even crazier, going from guitar(or bass) to accordion to drums, sometimes all over the course of one song. Words cannot do justice to their music instrument playing styles. They are like a swiss army knife of music.

The songs were all pretty strong lyric based tunes, I remember some tune that was about barley and thinking “damn, that’s Canadiana”. I then started thinking about Saskatchewan. Maybe Brian will leave a comment with more info on the band.

I really enjoyed the show despite the fact that I did not know any of the bands material beforehand and also, despite the fact that the venue was overcrowded to the point where I was thinking it was a fire hazard (i had already plotted my route to the nearest door, and who I would have to push/run over to get there). It was definitely an intimate affair, and the band’s music style definitely catered to this type of show.