Concerts

Concert Review: 1,2,3 Band, December 9th, Black Cat

Posted on by halley in Concerts | Leave a comment

DC – If I had the chance to give two words of wisdom to an opener on a weekday, especially a rainy weekday, concert, it would be: be punctual. Please god, be punctual, especially in Washington DC where most people not only admit to, but proudly claim, the ‘nerd’ label.

Unfortunately, no one gave that message to The Chance, the second opener at the 1,2,3 show at the Black Cat Wednesday December 9th. The band was supposed to take the stage at 9:15 and didn’t end up playing until 9:45 – but then went on to play their entire slightly off-key, totally unintelligible hour- long set. I wish I could list the songs they played but I really couldn’t distinguish one from another and couldn’t make out a single word. Please note, I am not big on negative reviews – I love music, bands, the concert scene – and as badly as things may go – I can usually have a good time. However, I do feel justified with this assessment because it was corroborated by a very nice group of concert-goers I had actually seen at last week’s excellent Wendell Jimbrough/Sunbears!/Andy Zipf show. We all agreed The Chance should work on improving their lyrics and refining their sound (we were all big fans of ‘Bing’ the guitarist though – who seemed to have a cult following in the very young crowd and had a great bald head/faux hair flip movement going on.)

When 1,2,3 finally took the stage a little after 11, the crowd had not only thinned but aged. I had imagined the band as a duo, but there were actually several musicians on stage – and they looked nothing like I expected after watching the very blue-collar “Work” music video. I was pleasantly surprised by the look: extremely laid back. I feel like most indie bands I see take pains to carry off the ‘casual-but-contemplated’ wardrobe choice for shows, but 1,2,3 literally just got on and jammed in comfy looking sweaters and jeans – no flashing lights, no ridiculous argyle – just there to play. They opened with Work which is just a fantastic song. When I was first listening to the band, I was put off by their punk sound, but Work is one of those songs anyone will love: it’s catchy without being cliché. The band also featured “Scared but not that scared” from their debut album, New Heaven. (In the interest of full disclosure, I left early – I’m serious about my self-imposed midnight bedtime on weekdays, so I didn’t see the band’s entire show which I imagine was a solid effort the entire way through.) Overall, I think the Pittsburgh-based group remains a bit too punk for my taste, but I thoroughly enjoyed their stage presence and show and would highly recommend trying them out.

1,2,3 – Work by orchardmktg

Concert Review: Yacht, December 6th, Lincoln Hall

Posted on by Celeste in Concerts | 1 Comment

yacht

Chicago – I’m going to start out this review by giving YACHT some of the highest praise possible (in my book) for a band – they made going out on a Tuesday night worth it.

The night got off to a rocky start – local Chicago opener Cains and Abels took the stage at Lincoln Hall promptly at 8:00 and while they played a solid set, there wasn’t much that the eleven of us in the audience could really do to show our appreciation. Somehow applause and whistles from eleven people sounds more like sarcasm than anything else – sorry guys.

By the time Extreme Animals came on at 9:00 the place was starting to fill up a little. Extreme Animals is composed of two guys, both sporting long locks, one very stoically playing an electric guitar that brings to mind Spinal Tap, and the other auto-tuning covers of a very eclectic mix of covers (my concert companion very aptly dubbed them as Weird Al Yankovic meets Girl Talk, but not necessarily in a good way). Bizarre and slightly creepy images of dismembered hands sifting through sand and melting faces play in the background, and at the climax of the show two three tiered pumpkins inflate on stage – they even have names, (one was Never4Get, and I completely forget the name of the second one). It was a little trippy, a little unpleasant, a little catchy, and a little funny. I have to say my favorite was their last one, which was a mash-up of the Harry Potter theme song and Christine O’Donnell’s “I am not a Witch” campaign commercial.

At 10:30 YACHT came out (I was impressed to see that at this point the place was filled. Shout-out to Chicagoans coming out in force on a szuper cold Tuesday night in the name of good music!). The band came on stage and immediately started rockin’ out, no chit-chat. This is definitely a band that sounds better live than recorded. They’ve got an energy that comes across in person that doesn’t quite make it on youtube. You could make the direct comparison because their music videos were playing in the background. I’m not sure why they bothered – it was way more fun to watch lead singer Claire Evans busting out her dance moves. The woman had impressive stamina – she spent a solid hour and a half jumping, wiggling and generally rockin’ out, onstage, offstage, in the audience and even on top of the sound system at one point. That would have made a Tuesday night concert worth it in and of itself but YACHT also sounded fantastic, and they were obviously in tune with the crowd. Clear crowd favorites Summer Song, Psychic City, The Afterlife, Tripped and Fell in Love, definitely got the audience moving and they saved Shangri-La for their single-song encore. There was a powerpoint mid-concert where the audience was told that the event would be split into three acts, starting with an introduction that necessitated the entire audience humming together as one, blah blah blah, but even the band forgot about this unnecessary component once they got rolling, and they never actually made it to act three – we were all too engrossed in the music to care.

Yacht – Psychic City by SDP

Concert Review: Austra, December 1st, Phoenix

Posted on by Ricky in Concerts | 1 Comment

Rebranding.

It’s a helluva thing.

Katie Stelmanis has undergone one of the more radical rebrands in recent memory, changing from friendly looking girl next door Katie Stelmanis

to platinum blond midnight electro goth sexpot Katie Stelmanis

in a matter of a few years. Maybe it was an artist finally becoming comfortable with herself, maybe she accidently stumbled into one of those matrixy night clubs one night

and discovered a new use for her talented vocal pipes. Whatever it is, the change in appearance and music has completely worked out. Katie is now a part of Austra. Behind the always magnificent classically trained voice of Stelmanis and the pulsating dark electro beat provided by the rest of the band, Austra has rode a tidal wave of praise from fans and critic alike to the top of most people’s best-of charts for their debut album Feel it Break.

The momentum that Austra has gained in recent months swelled to a point that their 2011 homecoming Thursday show took place at a packed Phoenix, a far cry from the confines of the Bovine Sex Club, a place where they played a show almost exactly a year before. Having toured extensively throughout the year, the band’s live renditions of their tracks sounded crisp and Stelmanis’s voice sounded as glorious as you would imagine. The track Lose It, for me, remains one of those songs where you really really hope no drunk wannabe singer tries to sing in karaoke. It is completely unique and definitely one of the tracks of the year.

Despite the the solid set by the band, I felt rather disconnected from the show – maybe it was because I was all the way in the back of the venue, or maybe it was because of the fact that the place was rather well lit, I’m not sure. Austra seems like a type of act you see live at 2 am on a Saturday, when you stumble into some hidden alley and enter some pitch black bar that seems to be a borderline opium den. Maybe my imagination got the best of me there. Either way, Austra’s homecoming show and subsequent response was a great conclusion to what was a fantastic year for one of Canada’s brightest up and coming acts.

Austra ‘Lose It’ (Young Galaxy Remix) by Paper Bag Records

Concert Review: Jukebox the Ghost, December 1st, Black Cat

Posted on by halley in Concerts | Leave a comment

Oh Jukebox the Ghost, how many ways does DC love you?

Enough to eschew our nerdy early-to-bed weekday habits and actually come out for a Thursday night show? Yes. Yes, JTG, for you we will come out in the hundreds to fill the venue in recognition of your graduation from the Black Cat (an equally awesome but undeniably smaller stage) to your first headlining show at the 9:30 Club on December 1st.

Enough to forgive a totally debaucherous first song? Of course. Ben, when you realize your piano isn’t actually plugged in after you run onto stage to the screams of your fans and you have to scramble to re-connect it and then call off the first song altogether because you can’t quite recover… it’s OK. We love it. Especially when that song is a crowd pleaser: “Empire.” No worries guys (and good recovery jokes by the way, your self-depreciating humor is absolutely part of your charm).

Enough to overlook technical difficulties? No question – that wasn’t even your fault. Shame on whoever the IT guy (or girl) was for letting your album cover graphic default back to a PC desktop screen on the stage backdrop: an embarrassing but temporary glitch. Otherwise, great stage set up: simple but fun with your one string of white Christmas lights. Loved it.

We loved your old songs, including (of course) “Hold it In” and “Schizophrenia”; we loved your covers, including your rendition of Whitney Houston and (no joke) Rick Astley; and we went crazy for your new songs, including “Somebody” and “Say When.”

We loved your stories from your European tour, including the image of Jesse playing the drum with baguettes and we loved even more that you were back, not only in the States, but in the District. Come back soon. I’ve seen you four times at this point and I’m looking forward to the fifth.

Jukebox the Ghost – The Stars by Partisan PR