promo shot of Ted Dykstra in The Kreutzer Sonata
We’re in the latter stages of the ten-day SummerWorks festival, and unfortunately I must report that I haven’t seen nearly as much theatre as I’d have liked. The stresses of adjusting to a new job after being unemployed for several months has put a damper in my fest attendance, and at this point I’m not sure if I can even commit to more shows the rest of the week. How does Ricky go to a half dozen shows a week, review them all, and find time for full-time employment anyway? This I will never understand.
Anyway, I have a few shows I did see that I haven’t reviewed yet, so I’ll knock those off one at a time here.
All of Him is less a play and more of a…well, to be honest, I’m not sure what to call it. A seminar, maybe? The subject is Pat Pillay, the playwright/performer Tanya Pillay’s father, and the challenge is this: how do you reconcile what you know about a loving father with accusations that he’s committed a terrible crime?
There’s no real answer in All of Him, but it’s not for lack of trying. Amidst an audience largely made up of her family and friends, Tanya Pillay tells the story of her father, encourages the audience to ask questions and express their opinions, and even tried to greet everyone before the show started (I had to admit, while sitting next to a friend of the family who I’d been chatting with, that I had no idea who she was, I just got a ticket because it sounded like the most interesting sounding in it’s time slot. She was thrilled).
Pillay has a projector and screen set up to show pictures and a handful of props that are passed around the audience. She tells her father’s story without shame, admits it took her years and a great deal of therapy to come to terms with him and the things he was accused of doing, and tries to get the audience to ask anything they can think of, no matter how unpleasant it might be.
On this night the audience seemed a bit reluctant, maybe because it was so full of people who knew the family, although it was interesting when Pillay’s mom and one of her cousins who had no idea his uncle had such a past spoke up. It’s a show that’s pretty raw, and could probably use another 5-10 minutes of stimulating content so that it doesn’t have to rely on a talkative audience to feel complete. Still, Pillay is an engaging performer, and it’s a show with potential.
(after the page break: a hanging, and my favourite show of SummerWorks)