Concerts

Concert Review: Thee Silver Mt Zion, August 8, Lee’s Palace

Posted on by Paul in Concerts | Leave a comment

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Midway through Thee Silver Mt. Zion Memorial Orchestra’s set at Lee’s Palace, vocalist/guitarist Efrim Menuck paused to do something not often seen at concerts – he asked the crowd if there were any questions.

This, of course opened things up for all sorts of pointless and strange things to be shouted out, but the one that first caught Menuck’s attention (and to which he took some exception) was when someone shouted out, “Why are you so negative?” This came after earlier statements from Menuck about our “terrible fucking Prime Minister” Stephen Harper, how he openly says what the ones who came before him only said privately and how the next one and the one after that would also be terrible and “how we work so hard for fucking nothing.” Granted, those statements could seem negative, but to me, Menuck seems like a pretty positive guy. Sure, he can get angry at times and he is talking about a lot of the negative things in our world but the fact that he’s talking about it is a positive thing. To quote Howard Beale in Network, “first you’ve got to get mad.” History tells us that when enough people get mad about things, they can effect change, so in that sense, it was all quite positive. Furthermore, a guy whose first words to the audience before the band has played a note are, “We’re happy to be here and we hope you’re happy too” does not sound like an overly negative guy. Menuck’s response to the question was to ask how “negative guy’s” day was. When he conceded that it had been “shitty,” Menuck added, “You’re a bummer, dude.”

One of the other, odder questions to emerge from the impromptu question period was if the band took part in the “beep test” during high school. Menuck had no idea what this was (nor did I) and he pressed on for further information. When it was explained that it was a fitness test, he noted that it was stuff like that that made him drop out of school and he managed to make a silly throwaway question somewhat relevant. “Is that why you’re all here? Because you failed the beep test? Otherwise you’d be at the Tori Amos show at the Real Estate Dome.”

Politics aside, (though with a band like Thee Silver Mt Zion it’s not that easy to just separate them from their politics) the band sounded incredible. Playing songs off of their latest Fuck Off Get Free We Pour Light On Everything, they ran the gamut from the heavy post rock vibe of opener “Fuck Off Get Free” (described by Menuck as being about civic pride) to the gentle, almost lullabye of encore “Little Ones Run.”

They finished off their main set (before returning for the aforementioned encore) with “What We Loved Was Not Enough,” a song which might help to back up those who see Menuck as being negative with it’s apocalyptic lyrics such as “the world itself consumed” and “all our children gonna die.” It is definitely dark stuff, but as Menuck explained in an interview with The Rumpus, maybe there’s some hope amid all of the doom:

“If you’re in the future and you’re going to look back and say “what we loved isn’t enough,” then maybe the point right now is to find how what we love is actually enough to change things. That sounds hopelessly idealistic, but maybe there’s some truth in that.”

Maybe there is. And maybe more bands should incorporate question period into their shows.

Concert Review: Oneida, US Girls, August 1, Lee’s Palace

Posted on by Paul in Concerts | Leave a comment

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As US Girls took to the stage at Lee’s Palace, singer Meghan Remy surveyed the crowd with a quizzical look on her face as if she were looking far off into the horizon.  Yes, it was the Friday night of a long weekend and they were the opening act and so, the already sparse crowd seemed even smaller since most were keeping their distance from the stage or not even there yet.  After a smattering of applause following their first song, Remy responded with, “Oh, you’re alive.”  It’s a shame there weren’t more people there to take it in, but the band took it in stride with Remy later saying jokingly to the crowd, “You guys are too broke to get out of town … Get a job.”  They ended off their set with a brilliant version of Tracy Chapman’s “For My Lover” that they transformed into a doom metal-esque dirge.

The crowd, while still sparse, moved closer to the stage for Oneida‘s set.  Like US Girls, they also acknowledged the long weekend, albeit with a bizarre joke about celebrating Jerry Garcia’s 100th birthday (it would have actually been his 72nd, but who`s counting?) and how none of them were going to die, but that it does happen because they’d seen it on TV.  Or something like that.  

Joined by Yo La Tengo’s James McNew on bass, the band played an impressive set of heavy psych jams based around the use of repetitive riffs and rhythms. While Oneida definitely had a few of the dudes near the front of the stage feeling it, the band were clearly feeling it too, with drummer Kid Millions being the most visibly into it.  In a  way, Kid Millions is the closest thing I’ve seen to a real life human version of Animal from The Muppets – so much energy and enthusiasm and one hell of a drummer.  They closed things out with a blistering version of “Up With People” that featured most of the band singing the refrain,”You’ve got to get up to get free.”

All in all, an impressive, albeit underattended, night of music. Happy birthday, Jerry Garcia!

Concert Review: Lionel Richie, Molson Amphitheatre, July 30

Posted on by Ricky in Concerts | Leave a comment

Let’s go back to this picture

This was at SXSW two years ago and it took me a ton of alcohol and a free show to fully come to appreciate Lionel Richie

Wanting to relive those good times, we got tickets to go see Lionel Richie’s Greatest Hits tour at the Molson Amphitheatre on Wednesday.

Walking into the Amphitheatre, I was hit by one of my most shocking moments ever going to a show. As we passed by security, my friend had a backpack on her and the security guard just waved her through.

!!!!!!!!!!!!

In complete shock at such indifferent security, I looked at other security members and realized this was happening all around.

!!!!!

Are Lionel Richie fans so tame and old that they aren’t even remotely worried about them? I could have snuck in a six pack and a bottle of wine in my friend’s backpack and they wouldn’t have even known? That blew my mind. Of course, I didn’t try to do that because I thought they would check backpacks, so maybe there is a hint of reverse psychology there. I think it’s the fact that the band is Lionel Richie, which made me think about what levels of security the Molson Amphitheatre would have. I have come up with this:

Security:
Post 9/11 / Red Alert; Any hip hop or nu-metal or heavy metal show
Drug pat downs: EDM, Dave Matthews
Look for Pedos: Teeny bop/top 40 bands
Normal: indie rock, folk,
Pretty chill: Classic rock/older acts
Really chill: lionel richie
No Security required: Sade, Yanni

Regardless, it was pretty mind blowing.

It never really dawned on me how far away you are when you sit in the lawns at the Amphitheatre. Typically, I sneak into the 400’s but the place was rammed, so I was left with this view:

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Like my friend Thierry said, I might as well have been in Glastonbury, all I was missing was mud, random flags, a bunch of drunk brits and a fist full of mollys.

The one thing I love about classic acts is how amazing their stage presence is. Lionel Richie is an exceptional performer. Not just a singer, he tells stories, he invites you to dance and he loves incorporating his songs into his banter. This includes saying stuff like “Ladies and Gentleman, we are here to party… all ….. night….long”.

He also pulled off a bit where he almost tricked the entire crowd into thinking Diana Ross was going to come out for Endless Love by having a camera backstage going to a locker room. It was pretty funny.

As for the show itself, the night was billed as hits tour and as such, ran through a pretty predictable set list of his solo and Commodores stuff Honestly, that’s all you want. Songs like Say You, Say Me had people swaying and Dancing on the Ceiling had people dancing. Of course, the night ended off with the one-two punch of Hello and Up All Night got the crowd up in the frenzy and those two tracks rightfully ended the main set. Richie sounded great the entire time, the man takes care of his voice, that’s for sure.

Stunningly enough, We Are the World ended the night, leaving everyone on a singalong high note. Stupidly, I left after All Night Long wanting to beat the crowd and missed that last track and now I fully regret it. I’ll probably regret it All……..Night….Long.

Concert Review: Bernard Butler & Ben Watt, Drake Underground, July 17

Posted on by Ricky in Concerts | Leave a comment

bernardbutlerbenwatts

It’s not everyday that your favorite guitarist comes to town.

It’s also not everyday Bernard Butler comes to town either.

The elusive musician is best known as the guitarist of Suede. He left the group halfway through the recording of Dog Man Star, leaving us with all the what ifs in the world. The Butler led Suede is basically my favorite band of all time so count me among the large list of people who constantly wonders what might have been.

Since Suede, Butler has had his hands producing music for the likes of the Libertines, Duffy and Kate Nash. His imprint on the UK music landscape is undeniable.

And there he was at the Drake Underground on Thursday night, as unassuming as ever playing in support of Ben Watt.

To not talk about Ben Watt would do the man injustice. A legend in his own right, Watt is perhaps best known for his partnership with spouse Tracey Thorn in the group Everything But The Girl. This year saw the release of his second album, a dark and personal record named Hendra. his previous record was released on 1984 so it’s suffice to say that the man doesn’t release an album unless he’s got stories to tell.

Ben Watt played a methodically paced show, pausing frequently to tell us stories about each track. The man has had a rough few years, but despite that, he sounded rather great. His vocals have a really soft tone about it and his ability to pen catchy and personal tunes easily separates him from your standard Starbucks coffee house singer. Having not experienced his music at all prior to the show, I came away rather impressed by it all. Bernard Butler would saunter on and off the stage as needed and well frankly, I was mesmerized every time he was on just watching him play. I am not a guitar player by any stretch but I would say he is pretty damn good. Honestly, the whole show I was turned into a fanboy and was all like “Bernard Butler’s 10 (and then 5) feet in front of me”. I don’t think that happens often. He didn’t kick into any sudden Animal Nitrate riffs, but that would have been pretty disrespectful, so I could understand.

With so much history in the room on Thursday, the concert quickly turned into a neat cozy personal and intimate affair. The Undergound was only partially full which sort of gave the crowd a sort of special feeling. Basically one of those “hey can you believe who is actually playing this tiny room” kind of vibe. I certainly couldn’t, and it was great.