Album Review: Molly Tuttle – … but i’d rather be with you (2020, Compass Records)

One could argue that (among other things) the mark of a great performer is what they bring to the table when interpreting someone else’s work, and to my mind, Molly Tuttle‘s recent covers collection, … but i’d rather be with you, is a perfect example of a great cover album.

Recorded during quarantine in collaboration with producer Tony Berg (Phoebe Bridgers, Andrew Bird), the album features Tuttle’s takes on songs by such unlikely bedfellows as The Rolling Stones, The Yeah Yeah Yeahs, Karen Dalton, and Harry Styles, but the songs all flow together perfectly, to the extent that it’s not at all jarring to hear her transition straight from the beautiful balladry of FKA Twigs’ “Mirrored Heart” into the much more rollicking sound of Rancid’s “Olympia, WA” over the course of the album.

Tuttle made her name as a virtuosic bluegrass guitarist (she’s been named the International Bluegrass Music Association’s Guitar Player of the Year in both 2017 and 2018), and her instrumental prowess is most definitely on display throughout this album. And yes, Molly Tuttle is an impressive guitarist, but just as important is her voice, with particularly strong and memorable performances coming through on her versions of Arthur Russell’s “A Little Lost” and the aforementioned “Mirrored Heart”.

In her song selection on this release, Molly Tuttle branches out and shows the breadth of her influences, covering artists across various genres and putting her own distinctive mark on each song while also showing her range as a performer – Bob Dylan’s not the only one out there who contains multitudes, you know.


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Posted on by Paul in Albums

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