Film Review: Bill & Ted Face The Music (2020, Dean Parisot)

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There’s a moment in Bill & Ted Face The Music where Bill S. Preston, Esq. and Ted “Theodore” Logan are attempting to reconcile with their former Wyld Stallyns bandmate Death (played perfectly by the great William Sadler) and are reminded by their daughters to “be sweet.”

It’s a nice moment, but I also imagine that phrase could have doubled as the mission statement for the entire film – be sweet. Bill & Ted Face The Music is a film that’s full of sweetness and heart and soul. It’s a love letter to the fans of the film series that incorporates everything that was great about the first two films while building on that legacy by adding new themes and elements into the mix.

Nearly three decades later, Bill & Ted Face The Music sees Keanu Reeves, Alex Winter, and the original writing team of Chris Matheson and Ed Solomon revisiting these beloved characters. Now a couple of middle-aged dads who still haven’t quite achieved what they were supposed to, Bill and Ted are given one final chance to write the song that will unite all of humanity. As we follow the duo on a journey through time to save reality as we know it, the film touches on themes of family, of trying to live up to practically impossible expectations, and on the legacy which we ultimately leave behind. And throughout it all, it’s fun, funny, and yes, quite sweet.

One element of the film that adds a lot of that sweetness is the addition of Bill and Ted’s now grown up daughters, Billie and Thea, who go on their own excellent journey through time, space, and the afterlife to assemble a killer band who can help them to create that one great song. Brigette Lundy-Paine and Samara Weaving each give memorable performances that recall much of Reeves and Winter from the first two films while also bringing their own touches to the characters.

Growing up, the Bill & Ted movies meant a lot to me as they surely did for many others and Face The Music is a solid addition to that legacy. The duo’s core values (“Be excellent to each other”) still hold up today and the idea that music can save the world and be the basis for a future utopia is certainly one that I can get behind, even (or maybe especially) at a time when live music is something we will not be seeing again anytime too soon.

A film where a key plot point is a song that can bring all of humanity together and save us all may have had me missing live music a bit, but it also gave me some hope for that time, whenever it may be, that we can get together again with others to see live music, or watch a film, or whatever else it is that brings us joy. Until that time though, we can at least still heed the words of Wyld Stallyns: Be excellent to each other. And party on, dudes! Just make sure you practice social distancing while doing the latter. And wear a mask.

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Posted on by Paul in Movies

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