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Song of the Day: Black Doldrums – Compulsion

Posted on
31 Aug 2026
by
Paul

“Compulsion” is the latest single from London post-punk trio Black Doldrums, taken off their upcoming album Repetition Compulsion, out November 13 via Fuzz Club. Serious Joy Division vibes on this one. Check it out.

Concert Review: Quicksand, Bane, August 29, East End United

Posted on
30 Aug 2026
by
Paul

One might assume that most veteran acts who’ve been around for 30-plus years would balk at the idea of playing a sweaty show in a church basement, on a stage set up in a gymnasium underneath a basketball net. Quicksand and Bane are not most acts. 

Rather, each band seemed a little stoked, maybe even energized, to be revisiting their roots as they played a good, old-fashioned hardcore show in a rec centre. Near the beginning of their headlining set, Quicksand frontman Walter Schreifels was quick to sing the praises of playing in a “gym with no air conditioning.” For his part, Bane’s Aaron Bedard went even further, waxing poetic about the joys of playing punk rock in a gymnasium through a PA that he’d seen walked through the doors of the venue earlier in the day.

“There’s nothing quite like that sound,” he said, adding, “I’m not even necessarily saying it’s a good sound.” But, he noted, there’s none more beautiful in his opinion, explaining how it takes him back to the early days of the band. I get what he’s saying – there’s a certain energy and immediacy to shows like this, a vibe that can’t really be replicated in more traditional music venues.

And this was most certainly a fun, high energy gig, even if both the bands and many of their their fans are getting up there in age. Sure, the moshpit didn’t get too crazy, but there were plenty of shouted singalongs throughout and Bane did instigate at least one circle pit during their set. What’s more, during Quicksand’s set, one fan was even inspired to crowd surf, definitely an unexpected sight in this largely middle-aged crowd. Schreifels was loving it, encouraging the crowd to carry the crowdsurfer all the way to the back of the room so that he could hang from the basketball hoop. He didn’t quite make it to the back, though he did end up making his way onto the stage where he then lived out his Guy Picciotto hoop dreams.

Another unexpected moment came a few songs in to Quicksand’s set when Hot Water Music’s Chuck Ragan took to the stage, joining Quicksand for a rendition of “Fazer,” definitely one of the highlights of the evening. Other highlights included classics like “Omission” and “Thorn in My Side” and newer tracks like “Crystallize” and “Regenerate” off their latest, Bring On the Psychics. They even threw in a couple cover songs … or at least one and a half covers.

After giving a shout out to openers Soul Blind, Quicksand launched into a version of Helmet’s “Unsung” that was abandoned midway through as Schreifels was having trouble remembering all the lyrics. And also because, as he noted, playing like Paige Hamilton while also singing is akin to rubbing your belly and patting your head at the same time. Fair enough. They also broke out their cover of The Smiths’ “How Soon is Now,” though Schreifels did add that this was not in any way an endorsement of Morrissey’s politics, just a cover of a beloved song.

All in all, this was a great show. Sometimes all you needs is need a gym, a rented PA, and a room full of people who are willing to sweat it out. Really, what more could you ask for from a hardcore show?

Song of the Day: Elephant Stone – Parallel and Contrary Motion

Posted on
28 Aug 2026
by
Paul

Montreal psych rockers Elephant Stone are back today with their new album ASHA, named after frontman Rishi Dhir’s late mother. “Parallel and Contrary Motion” is the latest single from the album. Check it out below.

Concert Review: Kacey Musgraves, August 24, Scotiabank Arena

Posted on
27 Aug 2026
by
Paul

On Monday night, Kacey Musgraves took to the stage at Scotiabank Arena for the second date of her Middle of Nowhere tour, welcoming the Toronto crowd with a simple instruction: “The only rules for the middle of nowhere … well I guess there are no rules.” Except, she added, “Don’t be an asshole and have a really good time.” And sure enough, a good time was had by all and there was nary an asshole in sight.

Not that Musgraves hasn’t had her run-ins with assholes, the most recent example being when she ruffled some feathers amongst some of the terrible people of the internet a few days ago. If you hadn’t heard, some folks got upset that Musgraves dared to ask people to have a little compassion when she encouraged fans at her opening night show in Chicago to donate to a nonprofit helping immigrant children. Of course, I’m sure no one actually in attendance that night was terribly bothered by such a request – if that show was anything like this one, there were likely nothing but good vibes.

Those good vibes were evident even before the show had started, as the notes of AC/DC’s “Back in Black” rang through the arena, with a countdown clock marking down the minutes until Musgraves and her band took to the stage, kicking things off with “Everybody Wants to Be a Cowboy.” From there, the hits kept on coming, with a setlist that featured most of the tunes off Middle of Nowhere alongside older tracks like “Butterflies,” “High Horse” and “Follow Your Arrow.” She even threw in a couple of covers for good measure: a lively rendition of the Texas Tornados’ “Hey Baby (Que Pasó)?” and her set-closing version of George Strait’s “All My Ex’s Live in Texas,” rewritten from a female perspective. One of the most memorable moments, however, came in the form of a very unique stage prop. Or, technically speaking, two props.

“It takes a lot of balls to do what we do up here every night … really big, asymmetrical balls,” said Musgraves as a giant pair of testicle-shaped disco balls emerged for her performance of “Rhinestoned” – surely one of the most unique pieces of stage setting I’ve ever encountered. She then proceeded to float above the stage atop those disco balls for the duration of the song, as if she were on a slightly NSFW version of the CNE’s Sky Ride.

At one point in the set, Musgraves noted that she’s been doing this for a while now and that she’s been performing classic country since she was a young kid. She went on to explain how she appreciates that she also gets the chance to venture out into whatever other musical directions she chooses and that her audience is willing to comes along for the ride with her. Of course, the fact that she’s a talented singer, songwriter, and performer makes it pretty easy to follow her on whatever musical journey she takes. Even if that journey includes a pair of giant, shiny balls.

Song of the Day: Gently Tender – Don’t Sleep

Posted on
26 Aug 2026
by
Paul

Photo Credit: Holly Whitaker

A little over a decade ago, UK indie rockers Palma Violets made some waves with their debut album 180 and its follow up, Danger in the Club. Every now and then, I still give their biggest single “Best of Friends” a spin, but it wasn’t until recently that I learned that former members of Palma Violets have since gone on to form another band.

That band, Gently Tender, will soon be releasing their sophomore album, This Was Once Fields, and yes, I suppose it’s entirely on me for not paying attention and completely missing out on that first album (2022’s Take Hold Of Your Promise!). But it’s too late to look back now – on to album #2 it is. Gently Tender’s latest single “Don’t Sleep” is a bit more mellow and breezy than the sounds of Palma Violets, but no less compelling. Check it out below.

This Was Once Fields is due out Friday, October 16 via TODO Records.

Concert Review: BTS, August 23, Rogers Stadium

Posted on
26 Aug 2026
by
guestwriter

This past weekend, BTS performed two nights in a row at Rogers Stadium as part of their Arirang World Tour. The crowd was absolutely hyped for their return, and the show did not disappoint. The setlist was a beautiful mix of songs from their Arirang album and their older music, with the tempo shifting between songs to create dynamic pacing.

The visuals matched each song so well. The use of flowy fabric in “Body to Body” was a nod to traditional Korean dance, while the same fabric was used to depict waves in “Swim.” In contrast to these smooth movements, the use of lights and fire during “Hooligan” and “FYA” got the crowd dancing and jumping.

The playful interactions between the members made the show feel like you were hanging out with some friends. During “Butter,” members Jin, Jungkook, and V started a playful water fight sequence, entertaining their fans and bringing some chaotic energy to the performance.

When DJ Spin surprised fans with “00:00” and “Tear,” watching the members interact with the Army made the show feel more intimate. The 360-degree stage further added to this intimacy, with the rotating stage allowing the audience to see each of the band members without feeling that their view was obstructed.

If I had to describe the concert in one word, I would say it was dynamite.

– Genny

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