Vancouver, A warm spring night, not ideal conditions for Goth’s children to creep out of the shadows in order to attend the return of The Cure after a 10 year, 7 month delay. This was my first time seeing The Cure and not being an uber fan I had mixed feelings as to how it would be. Based what what I read and was told, The Cure performs epic set in excess of 3 hours with multiple encores, but people I know who have seem them live would always say the show was ‘Amazing’. I pressed on though, The Cure is just one of those bands I had to see, more so because they’ve been such a huge influence on many of my favorite bands.

We arrived at GM place early to pick up my tickets at the will call window. Staying true to my lazy nature, I waited until the last minute to pick up the tickets even though I purchased them 1 year ago. We decided to skip the opening band 65 days of static as they seem a bit too industrial for our taste. Arrived back at GM place at 8:30 only having to wait 10 minutes for the lads to make their appearance – quite surprising seeing as I’m usually terrible predicting the start times of bands. After a rousing reception from the crowd as if they were collectively thinking ‘Took you long enough!’ personifying it in the form of applause. They kicked of the set with a 5 song intro with – Falling Down, Fascination Street, The Walk, Love Song, and Sleep When I’m Dead. They sounded good, but personally I felt the show kicked off as soon we heard the haunting thump and twinkle of “Picture of You”. This made more than half the crowd to jump to their feet, couple that with swaying and clapping, it made the atmosphere absolutely eclectic. The set continued on with a mix of some new tracks and a few old. I didn’t recognize most of them (but you might, here’s the setlist). I was just enjoying the great atmosphere and it seemed like Smith and Co. were as well:

Simon Gallop on bass keeled over this guitar in the classic shoegaze pose (my cohort Ryan mentioned he looked exactly like the bass player in Guitar Hero). Porl Thomson on lead guitar was dressed up in what looked like a vinyl jumpsuit with glittery red platform boots. Jason Cooper was pounding perfect beats that many in the crowd were air drumming along to. Robert sounded fantastic, seemingly enjoying himself by hopping, shimmying and swaying around the entire stage.

The set hit it’s climax three quarters of the way through when Smith and crew pulled out – Friday I’m In Love, Inbetween Days, and Just Like Heaven with no breaks in between, needless to say we ate it up, licked our lips and rubbed our tummies. They capped off their first set at around 10:30 after playing at least 20 songs. Staying true to form they came back on stage after very little coaxing from the crowd. I unfortunately only stayed for the first encore which included – Love Cats, Let’s Go To Bed and Close To Me. After a little research I found out the last 2 encores included – Boys Don’t Cry, Jumping Someone Else’s Train, 10:15 Saturday Night and Killing An Arab.

To sum the entire Cure experience, it only takes one word: ‘Amazing’.

5/5

Thanks John

Clip of ‘Pictures Of You” taken at the ACC in Toronto