manic street preachers

Things At Concerts That Never Get Old

Posted on by Ricky in Rickys Random Articles | 4 Comments

Best Coast, NXNE, June 17, 2010, The Great Hall

Toronto – I would like to say that I have been to a lot of shows in my life. Ranging from small acoustic performances at someone’s house to massive corporate festivals like Coachella, I would like to say that I’ve been to many different types of shows as well. With this vast experience, here are some things at concerts that never get old.

Lasers

Simian Mobile Disco, Mod Club, Toronto, 2009

Lasers and light shows never, ever get old. Even if the visual effects are spewing out political bullshit like at a Massive Attack concert, it can still be visually arresting. If the lights are syncing with the music, this can take things to another level. Case in point: I thought The Presets show as only okay until their massive wall of light hit me right square in the face, and then the shit hit the fan. Electro music + light show = epic.

Covers

As much as we love the bands’ original material, everybody loves a good cover. Nevermind the fact that the band probably plays it every night, it still feels special. My favourite cover moment was during a Divine Comedy show, when Neil Hannon started taking requests. He launched into The Smiths There’s a Light That Never Goes Out, and then stopped halfway through to confess that he didn’t know the lyrics; despite releasing the song as a b-side.

Crowd Invasions

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It seems like it’s happening more and more, but there’s certainly an element of electricity in the air when a singer takes matters in his own hand and enters the crowd. There’s always a moment of panic when you realize that the singer is heading right for you. What do you do? I am still slightly embarrassed from SXSW when during the Everybody was in the French Resistance …Now! show, Eddie Argos invaded the crowd and then sang right in my face. This would have been great, except for the fact that I was checking my iPhone, and was completely unaware of the fact. So kids, when you are in an area where there’s a potential for crowd invasions, don’t check your iPhone. Also memorable was the Yacht crowd invasion leading to prayer circle that happened at the Wrongbar in March.

Extended Intros

As a concert going fan, we like it when a band doesn’t play their song note for note. I always like those extended intros that have me guessing: “wait.. Is this song x?”, and then after a minute or two of semi recognizable sounds, launches into the song. In recent memories, the Antlers have done good job of this, despite only playing 8 song sets.

Acoustic Versions

The is many bands’ “go to” move to gain intimacy, the acoustic version of any popular song is an instant crowd pleaser and also guarantees silence and the minimization of concert douchebaggery. Let’s face it, we all like to brag and say “oh man you should have heard the acoustic version of ______”. It is cultural capitalism at its best. In recent memory, acoustic versions of The Everlasting (by the Manic Street Preachers) and Yoshimi (by Flaming Lips) come to mind. I am also expecting Suede to do an acoustic version of the song Still Life in December, unless they bring an orchestra, which would be cool as well.

Surprise Guest Appearances

No, I don’t mean Broken Social Scene bringing out Emily Haines for Anthems for a 17 year old. That is not a surprise at all. However, there are always instances of surprise appearances that will blow your mind. It adds an element of surprise and electricity. It’s also very twitterable. I can’t remember any recent instances of this happening at a show I was at, but the Edge joining Muse for a cover of Where the Streets Have No Name was very cool.

Ending With A Good Song

When the Flaming Lips ended their show with a tantalizing version of Do You Realize, it left the crowd in a daze. Ditto for Manic Street Preachers when they closed with A Design For Life. It’s a proven fact that ending your show with a hit song will always have the crowd leaving in a good mood. It’s the last impression we have of a band; and we like to be left all warm and fuzzy. An example of how not to do it would be The Verve, playing Bittersweet Symphony and then ending the show with a new track. We were all on an emotional high after Bittersweet Symphony and you chose to make us listen to one last new unfamiliar song when we were ready to leave? Ugh. This rule can also be use in conjunction with other rules, for example, LCD Soundsystem ended with a cover of Jay-’s Empire State of Mind.

There you have it. A list of things at shows I will never tire of. What did I miss? What are yours?

Cover of the Week – Manic Street Preachers cover Rihanna’s Umbrella

Posted on by Ricky in Covers | 1 Comment

Toronto – It’s hard to imagine, but this song is 3 years old. I can’t believe Britney Spears turned this song down, I could of released it as a single and probably made billboard top 10. I don’t think people want to see me swinging an umbrella in the rain though. The Manic Street Preacher‘s have a history of releasing strong covers, including Suicide is Painless and Raindrops Keep Falling on My Head. This cover is pretty good and I guess it was released in 2008. Still, take a trip down memory lane and check it out.

 

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Concerts: A year in review, 2009

Posted on by Ricky in Everything | 1 Comment

Toronto – I went to a lot of shows in 2009, as a result, I’m going to be deaf when I’m 50. What? What? Here are some of the highlights.

Glasvegas, Vice, Austin, Texas
I wasn’t a huge Glasvegas fan until I saw them play, and they blew me away. The lead singer is a dead on ringer for a young Joel Strummer and their wall of sound show was impressive to say the least, all leading up to a “Daddy’s gone” singalong. I also managed to piss off the club owner, after moving moving chairs into his vip area and sitting there. Haha.

Matt and Kim, Austin and Toronto
How can you not love Matt and Kim. They put forth such an effort at their shows you can only get sucked into their vortex of happiness and enjoy it. The Austin show was the most epic, but the NXNE shows were also great as well. I saw them three times this year, and if Sufjan wasn’t playing October 4th, I would have seen them a fourth time. That’s how good they are live, even if some of their schticks (Final Countdown) are repeated, they do it with such enthusiasm, it makes it okay.

The Whip, Late of the Pier, White Lies and err Razorlight, Cedar Courtyard, Austin, Texas
Not only was the lineup great, but whenever you have a fight between a band and security, that always makes the show memorable. The Whip were insanely good live (much to my surprise) and the rest of the bands were solid. White Lies delivered on the enormous hype they had coming into SXSW and Razorlight allowed us to all go in and grab a beer, so all in all, an excellent day.

The Presets, Mod Club, Toronto
They have one of the better light shows out there, and the album is quite strong. I really like electronic shows with crazy light shows, because all you do is go there and dance and feed off the energy of the crowd. This show had tons of energy and the result was a big bumpin dance floor. Maybe I should be a raver.

Patrick Wolf, Mod Club, Toronto
Just read this review and it’ll give you a sense of the epicness of the Patrick Wolf show. You were literally exhausted and speechless after it was all said and done, and probably took a few hours to absorbed what happened. Stage fits, nudity, crowd invasions. extremely weird costumes and an underlying feeling of ‘what’s next’ dominated this NXNE show and really, it delivered on so many fronts (no pun intended). It also helps that this man is extremely talented. I don’t know if you could put up with so much shenanigans if it was someone like Aaron Carter or something.

Yeah Yeah Yeahs, Kool Haus, Toronto
It’s Karen-O, of course this show was going to rule.

The Killers, Molson Amphitheatre, Toronto
Haha, just kidding, my big highlight from this trip was eating bacon with chocolate at the Ex.

Surprise Enjoyable Concert of the Year
Edward Sharpe and the Magnetic Zeros, El Mocambo, Toronto
Like I said in the review, I knew nothing about the band going in and wanted to know everything about the band going up. That is a sign of a good show.

Disappointing Shows
Passion Pit, Lees Palace, Toronto – These guys voice just doesn’t carry well in a live environment. I thought their show lacked..passion. Har har.

Lykke Li, Phoenix, Toronto – It just wasn’t very good, the weird pixie drumming of Lykke Li didn’t really add to a very non organic feeling concert.

Sebastien Tellier, Mod Club, Toronto – Never a good sign to see someone drink two bottles of white wine on stage…and try to perform.

La Roux, Guvernment, Toronto – Diamond Rings was a good opener, but La Roux 35 minute show felt rushed and phoned in.

Show that makes me feel like an idiot, 10x over
Kanye West, Perez’s Party, Austin – Easy the biggest regret of the year. I was tired and wasn’t feeling the greatest, but it’s still no excuse to bail out on the Perez party and miss Kanye West playing in front of ohh..250 people. I still feel stupid today about it, even if I don’t, Allison will remind me about it.

CONCERT OF THE YEAR
Manic Street Preachers, Phoenix, Toronto
Easily. I love them. They love me. One of the bands I want to see the most. Small venue. Greatest hits show. I sang almost every song and as a result, the show of the year.

Favorite concerts from other years:
2008 – James, Phoenix, Toronto
2007 – Arcade Fire, Massey Hall, Toronto
2006 – Massive Attack, Carlu, Toronto
2005 – Art Brut, Lees, Toronto
2004 – Morrissey, Hummingbird, Toronto or Basement Jaxx, Coachella

Here’s hoping for another year of good shows.

Ps. Other PM Members, feel free to add to this post.

 

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Concert Review: Manic Street Preachers, The Phoenix, Oct 4, 2009

Posted on by Ricky in Concerts | 4 Comments

manics

Toronto – What a show. What a freaking awesome show. It’s been ten years waiting for Toronto fans of the Manic Street Preachers, but after the show they put on Sunday night, it was certainly worth the wait. First and foremost, here is the set list:

Motorcycle Emptiness
No Surface All Feeling
Peeled Apples
Your Love Alone
La Tristessa
Jackie Collins Existential
Let Robeson Sing
Faster
Tsunami
Marlon J.D.
From Despair to Where
If You Tolerate This..
This Is Yesterday (Acoustic)
The Everlasting (Acoustic)
Send Away The Tigers
You Stole The Sun
Motown Junk
Me And Stephen Hawking
Little Baby Nothing
You Love Us
Design For Life

Okay, so there was no “Everything Must Go”, “Kevin Carter”, “Australia” or “Masses Against the Classes”, but every show will have its exclusions and inclusions. There’s like 20 years of material – deal with it. Lets just focus on the show.

The Phoenix was not even packed! That’s pure absurdity consider this place would probably fill up for some band like The Bravery or something. More room for the fans I guess. The people who were there were 1 of 2 groups – people who were lifelong fans of MSP and knew lyrics to practically every song (at least till Know Your Enemy) and people who were dragged there by former group of people. It was mostly an older crowd, and I am sad to say I am probably more lumped in with the “older crowd” nowadays then the “young-uns”.

As for the show itself, what can you say? they gave it their all and seem fully appreciative of the support the crowd gave them. The crowd was nuts for every song, specially the older ones. The Manics were always for the people, their music has always taken a point of view from the common man, no matter how many obscure literal references each song was. There’s definitely some sort of unifying feeling you get when you are yelling out lyrics “If you tolerate this..then your children will be next” or singing along to an acoustic version of “The Everlasting”.

Opening with Motorcycle Emptiness was completely great and set the tone for the show. It was basically Manics telling the crowd “Don’t worry, we are here to take care of you.” The crowd instantly knew that (most of) their favorites will be played through out the night. The rest of the 100 minute show was largely a singalong for the fans. Material off every album except Lifeblood was covered, although “Everything Must Go” probably should have gotten a few more numbers in. Anyways, despite looking a bit like a cooler Jimmy Kimmel, James Dean Bradfield and Nicky Wire both rocked it hard and really, they had a pretty easy job considering how much the crowd lapped everything up. Set closer “A Design for Life” was epic, with JDB standing out onto a speaker near the corner and letting the crowd sing most of the chorus.

Easily my favorite show of the year, and even the casual observer would have to be impressed with the workmanship and anthemic songs of the Manic Street Preachers. Please come back soon, I don’t want to be near 40 when I see you again.

This show gets 10/5 stars.

 

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