I’ve been putting off this review for a while. A Cuckoo’s Destination Unknown basically turned up on the doorstep about a week ago with a request to review, but while I like music and writing and writing about music more than most, when the Ricky-in-chief asks you to write a review of something specific suddenly it all seems kinda like, well, work. Not that I’m currently overrun with what most people would call work, but that’s another story.
The real problem with writing this review, though, is that after listening to A Cuckoo’s debut album, I’m really not sure what A Cuckoo is, exactly, and I’m even less clear on what he’s trying to do with Destination Unknown.
And it’s not like I’m a neophyte to music that’s different. I’m not completely unaccustomed to being perplexed by exactly what I’m listening to. I mean, I liked Portishead’s last album, I’ve listened to a lot of mid-60s John Coltrane, I’ve been around the block a few times. But I don’t completely get this.
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