Concert Review: Wye Oak, Lou Barlow, August 28, Horseshoe Tavern

Toronto – Saturday night, the Horseshoe Tavern turned into a Merge Records showcase with Maryland duo Wye Oak and legendary rocker Lou Barlow with his new band the missingmen.

1x1.trans Concert Review: Wye Oak, Lou Barlow, August 28, Horseshoe Tavern

Although I walked in towards the end of their first song, I could tell that Wye Oak has already attracted a following. Unbeknownst to me, this girl/boy duo has been around since around 2006, showing me that there’s something in the water in Baltimore.

It’s difficult to resist the temptation to at least make superficial comparisons with Beach House, our favorite duo of 2010. Wye Oak’s Jenn Wasner has the same husky soulful leanings as Ms. Legrand; Andy Stack’s drumming and keyboards is a parallel reversal of Alex Scally’s guitar work. I’m not saying Wye Oak is the bizarro-world Beach House–they’re notably noisier, thrashier, and higher energy, but it’s reassuring to know that the two bands are good friends. Jenn Wasner showed a flair for interacting with the audience, and I’m sure her solicitation for a Canadian Spouse will be met with a shitload of offers.

Best: I Hope You Die off My Neighbor / My Creator EP

1x1.trans Concert Review: Wye Oak, Lou Barlow, August 28, Horseshoe Tavern

From Backstage Rider

Next came the legendary Lou Barlow, who had confessed he was napping backstage before his set. There are a few people in this world that have always oozed the intrigue of 90′s cool, but Lou is definitely one of those people. It kind of grinds my gears that to this day, he seems to be almost as associated with Dinosaur Jr. as he is with Sebadoh, Folk Implosion, his plethora of hybrid side projects, or solo career.

He started off without his band, playing an acoustic set comprised of a historic rainbow, not dissimilar to what I had read about his Carrboro North Carolina show last week. What surprised me about his solo set though, was that I actually found it highlighted how hard it is to tame a venue like the Horseshoe due to the bar set-up outside of the performance area. The crowd was a decent size, but I would say that the bulk of attendees not directly around the stage area were there to go out on a Saturday night, making it one of the chattiest shows I’ve been to in a long time (and though he may not have cared, I found this unacceptable for Lou fucking Barlow).

As readers of the blog will know, this is definitely my crotchety old lady pet gripe about Toronto show goers. I can relax this policy for enthusiastic fans (and there were several upfront); but for people wanting to talk about how so-and-so is a bitch because they used your name in a text message, it’s just not cool. It’s just plain disrespectful, and I would not do that to anyone I had paid to go and see perform.

Now that we have that out of the way, I’ll admit that I probably would not have noticed the background noise at all, had the one-man aspect of his set not highlighted it. I have covered the difficulties of completely solo performance before, but I’m glad that Lou’s glistening catalogue saved it from deteriorating into a level of discomfort. For me, and I’m sure for a lot of the younger (read, younger in this case would mean 35 and under) attendees, hearing songs like “Magnet’s Coil”, “Too Pure”, “Soul and Fire”, and especially, “On Fire” live is something that is irreplaceable. His voice is still beautiful, and he has passionate stories about bootlegs gone wrong (someone had mentioned the “Life in Japan” bootleg, which a band member had angrily made and distributed when he was told they wouldn’t cover the cost of admitting his girlfriend into the show).

The second part of his set involved Mike Watt’s (the illustrious punk bassist’s band has purchased a lot of Kinder Surprise eggs and YOP in Canada) missingmen¬† joining him onstage to perform his more recent stuff. To me, this was what really blew me away…after all of these years, Barlow is still churning out high caliber music and it’s unfair to expect him to be a one-trick jukebox of past Sebadoh / Folk Implosion tunes. I actually felt that this half of the set was the best thing about the show, bringing a much needed energy / interaction and effectively shutting up all of the background chatty cathys. Goodnight, Unknown and Emoh are both great releases that I have left lingering on the shelf because I haven’t made the effort to re-conceptualize an artist after a long period of neglect.

Barlow came out again on his own to perform a solo encore with what I think was a ukelele for the first few songs. Together or Alone and On Fire were the big standouts here, and when 1:15 A.M. rolled around, he was still going strong with even more. The reviews have been consistent with marathon-long sets and encores, and you can rest assured that if you see these guys on this tour, you’re going to get your money’s worth.

1x1.trans Concert Review: Wye Oak, Lou Barlow, August 28, Horseshoe Tavern

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Posted on by Allison in Concerts, Music

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Crankypants.

4 Responses to Concert Review: Wye Oak, Lou Barlow, August 28, Horseshoe Tavern

  1. Andrea

    I hate those chatters/texters too. Lou Fucking Barlow indeed.

  2. Christian LeBlanc

    I caught this show, and had one of the best show-going experiences I’ve ever had. My wife and I travelled from Saint John, New Brunswick to attend the comic convention, and I learned at the last minute that Lou was doing a set. It was a brilliant surprise for me.

    Actually, as far as chatter? I remember telling my wife afterwards how amazed I was that people were attending the show for the music, and not just to be seen (the audience for indie music here in Saint John is so small, clique-ish and tasteless that they would have probably been in front of the stage chatting, instead of nearer the back). I’m so used to the chat back home that I honestly didn’t even notice it at the show! (It could have been that I was so star-struck and blown away that I was tuning everything else out, though, I don’t know).

    Thanks for writing this!

  3. Allison

    Hey Christian, I’m glad you and the wife had a good time.

    Thanks also for making me feel a bit better about Toronto. It’s nice to know we aren’t the worst out there, though it’s hard to imagine how any civilized person would feel comfortable paying / getting a pass to go to a show only to go right up to the front to talk about what they ate for lunch. This does not give me much faith in humanity, in music appreciators, or in fact, in anything.

    I would imagine Mr. Barlow may be used to that–he probably didn’t even notice either. I guess I just have unreasonable expectations when it comes to show noise.

  4. Gary

    Hey Allison

    Thanks for the great review. My wife and I are from Tallahssee and caught the show at the Horseshoe. I’ve been in the GTA the past 6 months and have been to numerous shows, plays, events and this show was definately the best of the bunch.
    Was that you taking the photos? Great pic of Jenn, even with the crummy stage lighting.
    Gary

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