Archive for September 2008

Young Holt Unlimited

Ahh sweet Northern Soul. There’s such an abundance of great songs from that it seems like I come across a song I deem as my new favorite on a bi-weekly basis. As I was driving home yesterday I tuned into the local ‘Superhits’ station 650 CISL and heard a gem of a song called ‘Soulful Strut’ by 60’s soul and jazz instrumental ensemble Young Holt Unlimited. The tune was stuck in my head the entire evening so I had to investigate further. Turns out this was a very popular song back in the day, hitting #3 on 1968’s Hot 100 and subsequently re-recorded (with vocals) by quite a few artists, some notable (Dusty Springfield) and others not so much (Joss Stone). I’ve posted 4 different versions at the break for your soulful strutting pleasure.

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the legends

Three albums in and it feels like The Legends are still trying to define their sound. Being tied to a leading indie pop label isn’t doing them any favors either as it seems to be limiting them to sound poppy whilst trying to incorporate different styles like 80’s electro or shoegazey feedback. Their latest single ‘Seconds Away’ seems to be yet another victim of their attempts at ‘innovation’.

Now I’ve never been one to poo-poo an entire album based on hearing one song, but from what I’ve read on the press release for the single, I don’t expect Johan and Co. to reproduce the success they had with 2004’s ‘Up Against the Legends’:

“Right now Johan is in the famous Summersound studios together with a large number of distortion pedals and broken amplifiers to record a fourth The Legends album.”

 
icon for podpress  The Legends - Seconds Away: Play Now

Toronto - Welcome to MP3UK, a new series on the Panic Manual which will focus on bands I have discovered thru the now defunct MP3UK group on Efnet that I was a part of back in the late 90s. GEEK ALERT!. Anyways, that group was instrumental in forming the music taste that I have today and so I think it is time to start writing about some of the bands that we all listened to back in the day.

You might know Marion as the Miami Heat power forward with an ugly jump shot and five-cat roto godliness, but some folks still know Marion as a not really successful britpop band from the mid nineties. I turned to my friend Alli to help me describe them, since she is the one who probably introduced me to the band and here is the conversation:

[14:36] r: how would you describe Marion’s music
[14:36] alli: uh
[14:36] alli: awesome?

I would say that Marion sounds a bit like the Smiths, a bit like the Cure. Melody based pop music that sounds kinda sad/dramatic. Riding some hype (and Morrissey’s praise) The band actually hit #10 on the UK charts with their debut LP “This World and Body”. Singles like “Violent Men”, “Sleep” and “Toys For Boys” were released, but without much success. After the second album “The Program” (produced by Johnny Marr) failed to chart, Marion pretty much disappeared. In 2006, the band reunited and is now touring with Puressence, but no new releases as of yet.

 
icon for podpress  Marion - Sparkle: Play Now

polaris

I’ll keep this short. The Polaris Music Prize is announced on Monday. My prediction goes to Plants And Animals. Why? Because they don’t give a shit.

And if they don’t win, then I’m giving it to Holy Fuck. Why? Because they don’t give a shit either.

Discuss.

Toronto - Thursday’s My Bloody Valentine concert broke down into two things - those who wore ear plugs, and those who decided they were too cool or too rock n roll to wear ear plugs at a concert. Fortunately for me, I was part of the former. For those not in the know, My Bloody Valentine is a highly regarded shoe gaze band from the late 80s. Highly regarded enough to charge fifty bucks a ticket and still pack the Kool Haus. They specialize in using distortion, reverb and other guitar effects to create what is essentially, a wall of sound. Anyways, they broke up a long time ago and this was one of those popular reunion tours. According to some people, they are the loudest band in the world.

Having known this, I made sure I had earplugs before entering the Kool Haus, the loudness of the impending show was further cemented by the fact that they were handing out free earplugs at the doors and the guy was like ‘you will need these’. Yay. A quick glance at the stage setup was enough to see that this is true - over ten amps standing side by side. Yup. Wall of Sound tonight. Now I won’t pretend to be the biggest MBV fan in the world, so I am just basing this review on what I know. The band came on shortly after 10 pm, to a solid occasion. Kevin Shields stood about 30 feet away from Bilinda Butcher at the front of the stage, and Debbie Gouge stood in the back near the drummer. That’s a lot of space. They immediately launched into some song off Loveless, accompanied by a blistering light show and some very c86-esque video footage being projected to the back wall.

The next 85 minutes saw the band play thru pretty much every song you’d want to hear off Loveless and Isn’t Anything. The concert seemed to get louder and louder. I looked to my left and saw some poor soul go thru the entire show with his hands plugging his ears. Yup. Satisfied fan right there. As my friend Nick pointed out, there seemed to be a huge disconnection between the band, the crowd and everything, really. I don’t think the members of MBV talked to each other once during the stage, and they were pretty much content with standing in one spot, playing guitar, casually singing (10 points to one person who could make out any lyric sang last nite) and yea, just being all motionless. I guess this is Shoegaze. Compared with the over exuberance of the James show two nites ago, yes, it definitely paled in audience participation. However, they are two very different acts. The light show was insane, it was really hard to look at the stage at times, most of the time I just closed my eyes and listened, maybe that was the intention.

I think most people were satisfied with the set up until the last song, when Kevin Shields said “this is our last song”. So they launch into “They Made Me Realize” and about 3 minutes in, they changed from the song to just..noise. This MASSIVE noise. It was like being inside a jet engine. I don’t know what hit me. It was so FN loud. People with ear plugs were covering their ears. People without earplugs were frozen in pain. Babies were crying, little birds were going extinct. I dont think I have ever felt my body shake at a concert because of the noise, but it did. So you take it all in. I’ll admit, the first few minutes of this noise, felt cool but after minute six or seven, it got ridiculous and by minute 12, we left. According to Frank at Chromewaves, the noise went on for 24 freakin minutes. I am sure some people are hearing jingle bells in their ears today.

So how was the show overall? I turn the rating to my friend Nick, who flew here from Edmonton to go see them, and even bought the ugly ass shirt they were selling. He said (I’m paraphrasing) “Even I would have to give it a thumbs down, there seemed to be a huge disconnect between the band and the noise at the end was a bit over the top”

2/5

ps. my friend Kelly said they were playing at 128 dB

here is a link of a review on a previous show

 
icon for podpress  My Bloody Valentine - When You Sleep: Play Now

halo3 expansion

If any of you are like me and visit Bungie.net or check your Halo 3 achievements on a regular basis you would have noticed a lot of changes have been afoot. In addition to increasing the achievements by another 750 points, Bungie has been counting down to something big. Well this morning they released a teaser giving little in terms of any revelations but causing us geeks to wipe the drool from our mouths at the same time.

The interweb is fairly scarce on detail at the moment so this is the most info I could find: “High action and deep mystery await players in this new Halo 3 campaign experience. Prepare to drop.”

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December 5 - Panic at the Tap II