“High Tea” is the latest single from English trio HotWax, taken from their Invite Me, Kindly EP, which the band will be promoting this March at SXSW. Check out the video for “High Tea” below.
A new year is upon us, and for us here at Panic Manual, that means it’s time to start getting ourselves psyched up for SXSW.
With the Austin festival happening in just two months’ time, we’re ready to start scouring through the music lineup again and reporting back on all the acts we think are worth checking out this time around. And since we’re based out of Toronto, we’ll start things off with one of the Toronto acts who’ll be playing Austin this March – Hot Garbage.
The Toronto psych rockers have a new album, Precious Dream, coming out later this month. “Mystery” is the latest single off that album, which is due out on January 19th via Mothland.
While 2022 saw the return of SXSW as an in-person event after 2020’s cancellation and 2021’s pivot to online, last year’s edition still felt a bit weird with the spectre of COVID still hanging over our heads. This year, however, felt a little more normal, though the festival seemed to continue its trend over the last few years of feeling a little bit lighter than it did in the past.
This year also saw cooler than expected temperatures as well as the arrival of a big storm on the Thursday night, which definitely put a bit of a damper on the proceedings for that evening. And though the weather didn’t always cooperate, we still found a lot to like about this year’s SouthBy, as well as a couple of things to complain about. Here, then, is our rundown of how the week went for us.
Best Act
Gary: It should be Sports Team for sheer rockstar drama, but Thao takes the cake.
Ricky: it’s hard to go against New Order playing a set of their greatest hits and being only five feet from the stage but a non-New Order act would probably be Dream Wife.
Paul: There were many acts who could potentially vie for the title of “best thing I saw all week,” including a few old faves like Voxtrot, Superchunk and New Order, but I think I’m going to have to give it to Dream Wife. Killer show.
Best New Discovery
Paul: I’ll pick two. Steam Down put on an incredible show, bringing exactly the right energy to keep me going late into the night on a day when I’d already been up and on the go for way too long. And Brandt Brauer Frick were also great – they definitely made it worth my while to brave the rain and the cold on Thursday night.
Ricky: For me, it’s either LÜCY and her charms or Dream Wife and their absolutely most fun show.
Biggest Disappointment
Gary: Didn’t have time to do homework and lacked anticipation… fixed that quickly after a few shows.
Paul: Missing out on Tangerine Dream. And missing out on Max Cooper. And also missing out on Jeff Tweedy. But is it really even a music festival if you don’t miss out on something you wanted to see?
Ricky: Honestly, the weather – I had read it was gonna be 24 degrees and brought 3 tank tops that I could not wear throughout the week.
Most Memorable Moment
Gary: “Your Yalla burger is ready… nah, it’s gonna be 15 minutes.” Seriously, how a food-truck vendor can piss off so many while trying to give away a burger is beyond me.
Ricky: Probably the SXSW comedy show hosted by Nick Thune with Christina Martinez, for all the right or wrong reasons. Also the Manchester mayor saying ‘Black Lives Matter’ because Manchester refused to work with cotton from America during the time of slavery was quite the proclamation.
Paul: I will second Ricky’s nomination of Christina Catherine Martinez’s performance as most memorable. Her appearances at that Sunday night comedy show and as part of the “silent clown ballet” Swan Leak are both moments that will stick with me for a while.
“This Could Only Happen at SouthBy”
Paul: Tuesday night. I’m sitting at the back of Flamingo Cantina, watching Philly ska/punk outfit Catbite play their midnight set when a guy leans in and asks, “You like this shit?”
“Yeah, they’re not bad.”
He eyes me suspiciously and continues his line of inquiry. “Did you like No Doubt back in the day, then?”
I guess he was hoping I would be a similarly grizzled veteran of the rock ‘n roll life who would agree with him that The Clash were better (and yeah, maybe they were, but what’s that really got to do with anything?) but I think he mostly just wanted to tell someone that he played Flamingo Cantina with Daniel Johnston back in the day. Fair enough. I guess I’d be telling random folks about that too if I was him.
Gary: Listening to a Taiwanese band yet still having space to move my arms.
Ricky: We’ve been here so many times it’s kind of hard to process what’s normal, but anytime you can see 10 shows in one day with bands from all over the world from Taiwan to Europe to New York with music ranging from pop to electro to folk to hard rock, it’s pretty special.
Connecting instrumentals with lyrical singing is not always simple. The Orielles are an interesting band in their apparent lack of attempt to blend these two components. The instrumental aspect, particularly the synth, is the mainstay, but the singing is dosed in and used as an instrument. There is a free-wheeling carefreeness to the way the vocals are delivered.
Since the voice does not need to hold up a melody, there’s no need to be pitch perfect nor sustain long lyrical meanings. And with that restriction gone, segments of seemingly unrelated music can be organically stitched to flow into each other.
The Orielles’ previous LP La Vita Olistica had encased this style in an indie capsule. The latest full length album, Tableau, released in October 2022, has taken a more multi-directional approach. Seeing them at the BBC Introducing showcase at The Courtyard at night was also a plus. Their music lends itself well to a laid-back mysterious vibe, and with the fog machines working overtime, you were hard pressed to get a clear shot of the trio anyway.
Clearly not the energetic and ostentatious type, they let the music do most of the merrymaking. But they love to change up tempo and style mid-way through – songs like “Beam/s” have interludes that are more aggressive and memorable than the 4 minutes preceding, and others like “Airtight” or “The Room” are so different that your brain figures it must be simple beneath it all – something like applying one recipe to ingredients from different genres. Regardless, the results are far from the typical connotation of “experimental” – refreshingly good across the spectrum and hard to pin down.
Or maybe that’s the secret? Who said only rabbits can be stewed, and not eggnog, turkey, chocolate, and candy canes? And why not together?
