Concert Review: Ugly Purple Sweater, Kennedy Center, November 30, 2012

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Ugly Purple Sweater is a ‘homegrown’ DC-band with a narrative style that speaks of far-away, ancient, epic poetry. The quintet blew its audience away at the Kennedy Center on November 30th by performing 50 minutes of pure lyrical masterwork. The band’s inventive and innovative word-play served to do everything from offer DC history lessons to literally tear-inducing stories about relationships and love. Lead singer Sam McCormally played up the hometown advantage, giving a shout-out to his mom and the local haunts all DC’ers know and love. Rachel Lord also contributed beautiful vocals, as well as exhibiting her melodica skills which were quite unexpected (I’m sure they were good as well… but since I’d never seen a melodica played before I have no frame of reference for comparison!). Will McKindley-Ward, Rishi Chakrabarty, and Mike Tasevoli were equally solid as guitar and drums support. Basically, you can tell this group is at-ease and where they should be when on stage. Although the band has traditionally stuck to east coast tours, I hope they expand their presence with the debut of their January 2013 EP. If they end up near you I’d highly recommend stopping by their show.

Grown Up Event Review: Davis Conducts Schumann & Strauss, TSO, Roy Thomson Hall, December 1st

Posted on by Ricky in Concerts | Leave a comment

Toronto Symphony Orchestra

Once in a while, I’ll have a glance in the mirror, look at my wind worn face and realize that yes indeed, I am no longer a child, but a fully functioning adult. It is at these precious times that I make decisions such as going to the Toronto Symphony Orchestra, an experience that an uneducated version of myself had designated as “adult only activities”, similar to playing bridge or hiring a maid. As you will find out, the TSO is not merely an experience for people with mink coats and high limit credit cards, but an experience for everyone. Except deaf people, probably.

This past Saturday night, the TSO was in a celebratory mode, as they hosted a party in honor of tsoundcheck members. Tsoundcheck is program designated to get young people from ages 15-35 to come to the TSO. Tickets for people in this age group are only 14 dollars. It’s been a wildly successful program and has probably steered a lot of kids from a life of drugs, prostitution and crime (although some might turn into sophisticated serial killers, if television and movies are to be believed).

A night of music entitled “Davis Conducts Schumann & Strauss”, a ninety minute show where TSO’s Conductor Laureate Sir Andrew Davis conducted Schumann’s Piano Concerto in A Minor, Op. 54 and Strauss’s Don Quixote highlighted the night. I would provide links to the names of the people I just mentioned, but they don’t have myspace pages.

The show was split into two parts. The first part was Schumann’s Piano Concerto in A Minor, Op. 54, featuring child prodigy Jan Lisiecki. Apparently, within the classical world, Lisiecki is a star. At only the age of 17, Jan has already risen among the ranks of pianist. This was apparent after the show, as girls and grandmas lined up for an autograph. And no, the Roy Thomson is a classy place, so probably no breasts were signed. Here is a picture of Jan Lisecki

Doesn’t he look like MTV tween star Cody Simpson?

How awesome would it be if they switched lives for a week? More importantly, how come there hasn’t been a movie about this yet? Did the Olsens do a female version of this in the 90s that went straight to VHS and made a bazillion dollars already? Somebody sort this out.

Jokes aside, Lisecki was amazing on the piano as advertised. The child has quick fingers. It’s a good thing his parents directed him towards this path, or I feel like his talented would have been wasted in some chill-wave band. As for the music, the band(is that the term?) sounded tight (is that a term?) and I generally liked it when everyone would go all in and the music was really loud. Maybe this is because I am partially deaf. I love horns and strings in my music, so this was right down my alley. Lisecki left to a standing ovation from the appreciative crowd after his part was done.

After a short intermission, Sir Andrew Davis returned to conduct Strauss’s Don Quixote. If you didn’t have the pleasure of studying that in high school (as I did), you might be familiar with this name from the Terry Gilliam documentary/failed movie project from the early 2000’s. Either way, it’s a famous piece of literature and the musical interpretation of it as conducted by Davis was just as varied as the story is. It featured a much larger orchestra, a wind machine and dueling cello and viola/violist.

As the orchestra played, some questions popped into my head. I think they say classical music helps stimulate the mind, so this might have been as a direct result of listening to the excellent orchestra. Here are the questions.

1) How many montages in cinema has there been where people get killed to classical music?

A lot. I can’t name one, but as the horns, trombones, bassoons and other instruments played, I couldn’t help but try to recall scenes in movies where this happened. Someone should make a youtube montage of these montages.

B) At a party, would Sir Andrew Davis be a) the best dancer or b) the worst dancer

Sir Andrew Davis is the conductor laureate of the TSO. He is very expressive in his conducting and rather mesmerizing to watch, it is easy to see that he is a leader of men. Previously, I had assumed conducting was just a gesture of hands and arms, but now I realizes it involves every part of your body, moving in certain fashions as the music snakes in and our of notes. Sir Andrew Davis’s body does that as he throws himself into the music. Of course, this led me to think what would happen at say, the TSO Christmas party after a few drinks and then something like Notorious BIG comes on. Does Sir Andrew hit the dance floor and rock it? or is it one of those awkward moments. I’ll never know.

3) What is the easiest way for me to join the Toronto Symphony Orchestra?

I’m a man who likes to try new things. While I was watching the TSO, I was amazed at not only the racial, but the age diversity in the crowd. There were people there young and old, and they were all getting along. This inspired me to think of ways to join this rugged crew. So I started looking at the group and seeing which member I could potentially replaced. I came up with two conclusions

a) The Cymballist/Triangle guy – I think this guy just either crashed the cymbal or hit the triangle for most of the show. Seems simple enough, I know it probably isn’t but I think I can probably learn this quicker then a flute.

b) Wind Machine / Percussion guy – This guy mostly sat around and used a variety of percussion instruments at some points of the set, but his most important role was to operate the wind machine. I gather since this is a key part of the night, it might be rather stressful. How hard do you crank it? Do you have to crank it at a certain speed? Is the crank lubricated enough? What if it gets stuck? Still, these seem to be questions that can be answered with experience.

I concluded I lack the discipline these musicians have to join the symphony.

The TSO put on an impressive night of music. I am sure most people’s first night at the TSO via Tsoundcheck was similar to my own – arrive at the gorgeous Roy Thomson Hall, marvel at the incredible sight lines and concert hall and then proceeded to get amazed by the music coming from some damn fine musicians. In the end, classical music is just music and it’s something everyone can appreciate in one form or other. If you haven’t checked out the TSO, I would recommend you do so.

Concert Review: Cold Specks, Schubas, Chicago, November 29

Posted on by Celeste in Concerts | Leave a comment

Cold Specks

Al Spx laughs at her own jokes. That wasn’t something I expected to learn about the 24 year old Canadian singer Thursday night at Schubas. I approve completely – I always laugh at my own jokes – why would you tell a joke that you don’t think is funny? It’s just that having listened to Cold Speck’s brand of doom soul, I didn’t expect to learn much about Al Spx’s style of goofiness, but I, and I think most of the crowd, was pleasantly surprised by the singer’s onstage banter. Halfway through the concert she broke into an a cappella rendition of the theme song to “Fresh Prince of Bel Air.” And then she giggled. Not a high pitched girlish giggle or anything, just a few quiet chuckles before she “brought us back down again.”

The woman is all kinds of contradictions wrapped up in a peasant-style, floor length, black dress. She’s aloof but charming, her voice is lulling yet jarring, and she sports a six piece backup band consisting of a bass, a guitar, a keyboard, drums, a sax and back-up vocals, but Spx’s voice is indisputably the strongest instrument on that stage. She played mostly from her 2012 debut album I Expect a Graceful Expulsion with the strongest pieces being Holland, Hector and Blank Maps. Although Hector is my favorite song, the band was at it’s best for Blank Maps – the piece strikes a perfect equilibrium, allowing the instruments to serve as a conduit to deliver Spx’s voice at its fullest and most powerful – neither overshadowing the other.

The brutal honesty, beauty and raw edge of Spx’s pieces are what make her such an entrancing presence onstage. As she sung and stamped her way through her pieces there was no whispering, no cups falling to the floor, no arguments, no texting – nothing. There was just Spx, onstage. And every eye was on her.

Concert Review: Six Organs Of Admittance, November 28, Drake Underground

Posted on by Paul in Concerts | Leave a comment

My first introduction to Six Organs Of Admittance occurred back in 2004. Six Organs, aka Ben Chasny, was opening for Current 93 at The Music Gallery. There he was, one man on stage with a guitar making some amazing sounds. Intricate fingerpicking, drone based compositions – there was a lot to like about what he was doing. In short, I was mesmerized and that night I became a fan. However, in the intervening years I had not seen him live again. And eight years later, Six Organs Of Admittance is not really the same thing it was then. For the recording of his latest album Ascent, Chasny has absorbed his former bandmates in Comets On Fire into the fold and Six Organs have become all the mightier for it.

While the sound may have changed somewhat, the general vibe of the band is more or less the same, just more beefed up, more intense and way more amplified. And truthfully, you’ve got to admire a performer who’s willing to change things up a bit. And if I wasn’t quite feeling it as much as I did the first time, then chalk that up to The Drake not quite having the same atmosphere as The Music Gallery and also me being generally too old and tired to fully rock out on a Wednesday night. Probably mostly the latter.

That said, the band sounded great as they ran through several heavy, noisy, psychedelic guitar jams. While the bulk of the set was far removed from the mostly acoustic based stuff Chasny’s known for, the encore did provide an opportunity to experience something closer to that as Chasny returned to the stage sans band to run through a stellar rendition of “Words For Two” followed by a cover of Epic Soundtracks’ “Roll The Stone.” Meanwhile his bandmates made a beeline to the bar at the back of the room where they too enjoyed the rest of the show.

Setlist:
1.They Called You Near
2.Waswasa
3.Solar Ascent
4.Close to the Sky
5.(Unknown)
6.A Thousand Birds
7.Even If You Knew
8.Redefinition of Being: Creation Aspect Fire
Encore:
9.Words For Two
10.Roll the Stone