Fringe

TO Fringe Review: P-Dale

Posted on July 14, 2011 by Brian in Fringe, Reviews, Theatre | Leave a comment

Toronto – In P-Dale, a group of four screwups try to stick up a convenience store. They screw it up. It’s not really that good.

What? There has to be more? Ok then…

Our four heroes, Snoop (Brendon Smith), who has big gambling debts, Walker (Scott Walker), an alcoholic who’s homeless, Svelte (Caleb Verzyden), who works in porn, and Twizzle (playwright Luis Fernandes), a goofy white rapper and drug dealer, are all from Parkdale, hence the name. Except for Twizzle, who “reprahsents da P-Dale” but is actually from Richmond Hill.

As ridiculous as Twizzle is, he’s easily the most interesting character. Fernandes manages to inject him with a fair amount of depth in the first half of the show, even while he’s yelling at other characters not to censor him, wearing a strap-on on his face, busting out ridiculous rhymes and breaking the fourth wall. But the nominal protagonist, Snoop, is the least interesting character. He puts everyone off who asks why he’s planning this convenience store robbery until his end-of-show reveal, which isn’t that dramatic. Svelte has little going for him that’s interesting aside from his porn job, and it’s really not clear why he’s involved in this at all. Walker is meant to be a tragic figure, but the script only pays lip service as to why. The show relies on solliloquies from the characters to fill in their back story, and never really gets into how they know each other.

The robbery goes staggeringly wrong, of course, and there’s a handful of ok gags along the way, but it’s rarely laugh-out-loud funny and none of the characters are all that sympathetic.

P-Dale plays at Venue 10. Check your Fringe program or the online play listings for showtimes.

TO Fringe Review: The Soaps

Posted on July 14, 2011 by Brian in Fringe, Reviews, Theatre | Leave a comment

Toronto – Have you ever been a regular at a long-form improv troupe’s shows? It can be great fun. The setting and characters stay the same from week-to-week, storylines emerge and involve, characters are killed and others come in. Generally, the really good part of the cast drives the plot and comes up with really funny scenes and the rest of the cast members just sort of tread water around them.

The episode of The Soaps – The Live Improvised Soap Opera that I saw felt like a lot of the best cast members were missing. Colin Mochrie made a guest appearance, but of the seven improvisers on stage, only he and Scott Montgomery really impressed.

Maybe it was just not the best episode, because I can see how the setup could make for some very funny improv. The action is set at the “Shawford Festival,” and the associated actors, stage managers, support staff and fans are all trying to put the shows together as best they can, despite the untimely death of a couple of the lead actors. There’s lots of sleeping around, plotting, and associated mayhem you might expect.

But despite Mochrie’s guest appearance, this episode was really lacking a couple of regulars who could push the plot forward. Instead there were a lot of fairly one-note characters. Maybe it’s because some of the cast members listed in the program, like National Theatre of the World’s Ron Pederson and Chris Gibbs, weren’t around, presumably working on the other Fringe productions they’re involved with.

It was pretty hit or miss, but I wouldn’t be at all surprised if you told me you saw them on a different night and they were great. The episode I saw, however, was a bit disappointing.

The Soaps – The Live Improvised Soap Opera plays at Venue 3. Check your Fringe program or the online play listings for showtimes.

TO Fringe Review: The LOVE Octagon

Posted on July 13, 2011 by Brian in Fringe, Reviews, Theatre | Leave a comment

Toronto – I will now use this space to express my unending adoration for pretty much everything Ron Pederson and Chris Craddock produce, much like I usually do.

<gushing and fawning praise goes here>

Ok, with that out of the way, their new show The LOVE Octagon, really is very good improv. Pederson and Craddock, with Waylen Miki providing atmosphere music on the keyboard, start the same way many an improv show begins: by getting suggestions from the audience. Only here, instead of getting names of settings and occupations, they take audience stories about love. Breakups, heartbreak, even stories of people who are happy and in love.

With the character names and setups they get from these stories, Craddock and Pederson spin four stories about love that interweave, go in bizarre directions, and are just generally hilarious. The two will drop a scene when it gets stale, move to one of the other three storylines, then come back to the characters again later on without missing a beat. Watching these two improv masters keep all four stories going with little more than a few cues written on a whiteboard and the occasional out-of-character conference to the side of the stage that’s often as funny as the in-story action is amazing.

In the show I saw, the audience provided plenty of inspiration, particularly one guy in the front row who said that he and his girlfriend broke up because he felt that they were going to grow apart, a phrase the two came back to in some variation repeatedly. Like a lot of improv shows, LOVE Octagon occasionally goes off the rails a little, with the occasional mimed blowjob gag and Jesus turning up in one scene with an English accent and trying to have a threesome with two young Jehovah’s Witnesses.

Mostly, though, it’s just great improv from two masters, and one of the best bets for laughs at the Fringe.

The LOVE Octagon plays at Venue 10. Check your Fringe program or the online play listings for showtimes.

TO Fringe Review: Boyfriends

Posted on July 13, 2011 by Brian in Fringe, Reviews, Theatre | Leave a comment

Toronto – I suppose if I hadn’t read the play description for Boyfriends on the Fringe website before gonig to the show, I probably wouldn’t have got that the three male leads in the show are supposed to be Peter Falk, John Cassavetes and Ben Gazzara in the 1960’s.

I mean, I probably would’ve gotten the 1960’s part. And I might’ve gotten that the one actor was doing a young Peter Falk (I don’t know the actor’s name, as there was no program that I could see and the company ahs no website). Of course, I couldn’t pick the real John Cassavetes or Ben Gazarra out of a lineup, but I digress.

Anyway, Boyfriends would probablybe enjoyable even if you didn’t know who the three male characters were supposed to be, thanks to how good the three actors are, their dialogue, and their chemistry and charm. In the story, the three have a contest to see if any of them, in turn, can get a call girl they invite over to fall in love with them.

It’s not a very nice game to play, of course, and it’s destined to end badly, but there’s more than a few laughs along the way, especially from Cassavetes’ motormouth, and a few tender moments, particularly with Falk’s vulnerability. A cynical Gazzara just comes across as mean-spirited, however, and as the plot grinds to it’s inevitable conclusion, with the escort getting upset at being the subject of this game and storming out, the play kind of limps to its conclusion and never does find a strong note to end on.

Still, the three male leads are quite good, the dialogue is snappy, and it’s probably even better if you know who these people are in real life.

Boyfriends plays at Venue 13. Check your Fringe program or the online play listings for showtimes.

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