Toronto – What more can be said of Mr. Maceo Parker, the funktastic sax who played with James Brown for so many years?To say that this show was dripping with sweet funk would be an understatement.This show was pure dance party funk from start to finish, and the crowd couldn’t get enough of it.
As one friend stated, “there was a lot of confidence on that stage”.This was certainly the case.Maceo has assembled himself a super tight funk orchestra that knows how to rock like nobody’s business.It’s a very well put together sound, and you know that they know that they know it.They wore suits, and they came, and they threw down, and there was merriment.
It’s too bad that such a great show had to happen at the Docks (sorry, the Sound Academy).The sound was a little muddy at the beginning.Fortunately adjustments were made and the band came into balance after a few songs.Then it was just pure funk energy for two solid hours.I was hoping for a couple more Ray Charles tunes, but I was really glad to hear a bit of “Georgia on My Mind” on flute, and “You Don’t Know Me” during the encore.
The Sound Academy still sucks though.The acoustics are still bad.There are TV’s showing live feeds of the show all around the room.I suppose you can make an argument that then people who are farther from the stage can see what’s going on, but in my opinion it takes away from the actual musicians on stage.Who is going to face away from the band and watch the TV’s at the back of the room?
Sound issues aside, I don’t think the Docks/Sound Academy can ever really truly succeed as a great venue because of its location.It’s just too much of a hassle to get way out there, and then getting back is always difficult as cab’s take advantage of the location to extort the concert goers.
So all in all, this show unfolded as I expected.A fantastic band, and a fantastic show, just too bad it had to be at the Docks.
The downtown Toronto Jazz Festival is my favourite jazz festival in downtown Toronto. Now, I suppose some of you maybe thinking that sentence is a little self-evident. Why would I say such a thing? Was it to waste your time? Yes. Yes it was. But the reality is that there are a number of jazz festivals in Toronto every summer, and the Toronto Jazz Festival is still my favourite.
The Art of Jazz is a brand-new festival that started in the Distillery District. I caught a Brazilian pianist/guitarist by the name of Egberto Gismonti this year and it was pretty sweet.But as far as festivals go, this one is but a pup, starting life in 2005 as not-for-profit jazz organization.I think more word of mouth is needed so people can be aware of the great work they’re doing. But kudos to the Art of Jazz festival.
Next is the Beaches jazz fest. Sigh. Every year I say I’m not going to go. But every year I get lured by that magical combination of freeness and live music. I’m like a moth to a flame; a jazz-loving cheap moth that can’t say no to some free live music. As great as free is though, the Beaches jazz fest isn’t so much a jazz fest, as a street festival.I give the Beaches 5 out of 5 on the freeness scale, but maybe 3 out of 5 on the music scale.
Apparently beggars can be choosers. Because here I go: I sometimes wonder if the organizers had a conversation like this:
Festival Organizer #1: “Hey, remember how our first Beaches street festival was such a success with that one band we brought in to play on the street?”
Festival Organizer #2: “Sure was!”
F.O. #1: “And, then, then the year after that, we brought in 2 bands and they each had their ends of the street and the festival was like twice as good!?”
F.O. #2: “Absolutely!”
F.O. #1: “Well I have a great idea this year.Are you ready for it?”
F.O. #2: “What?!”
F.O. #1: “This year let’s have 400 bands.By my calculations, we will be 200 times better than our 2nd year, and a full 400 times better than our 1st year!!!”
F.O. #2: “How will we fit that many bands on Queen East?”
F.O. #1: “Simple, we’ll stack the bands directly on top of each other using stackable bandstands.I know a guy who could rent us a lift that would allow us to transport the least popular musicians to the very top stage.They’ll be the hardest for the general public to hear because they’ll be floating approximately 120 meters in the air. I’m a genius!”
F.O. #2:“Hmmm, why don’t we just space out the bands at ground level instead, but only about 15 meters apart.There will be ridiculous noise bleed between bands, but we should be able to fit them all in.”
F.O. #1: My idea is better.
But I digress. The beauty of the downtown Toronto Jazz Festival is that it’s a great festival for music-lovers. Top musicians are brought in from all over the world to shower us with their talent. Let’s look at some highlights:
Al Green – June 19 – Sony Centre
Ah, good ol Reverend Al Green. I just saw a really amazing video of him in 1978 where he sings “Love & Happiness” on Soundstage. It’s fantastic. I really wished I had stopped there, because then I watched a modern video of him prancing about in an all-white suit, looking too full of Love & Happiness. It was a little cheesy. But don’t let me stop you, Al Green is a veritable soul legend.
Maceo Parker – June 20 – Sound Academy
James Brown’s former saxophone player, this man is funk royalty, or funkalty.I’m super excited about this show! Catchphrase: “2% jazz, 98% funky stuff!”
Ahmad Jamal & Oliver Jones Trio – June 23 – Nathan Philips Square
Ahmad Jamal is a fantastic piano player. He’s got roots, but he knows how to contemporarize. ‘Nuff said.
Marcus Miller – June 26 – Opera House
Marcus Miller is one hell of a bassist. He’s played with Miles Davis and other jazz luminaries.
Dave Brubeck – July 2 – Four Seasons
This is a special event happening outside of the standard jazz fest. Dave Brubeck is a jazz legend. It’s certainly nice to see the old jazz guard kicking it old jazz-school.
