South By Southwest

SXSW Preview: 5 Questions with El Conjunto Nueva Ola (Mexico)

Posted on by Ricky in South By Southwest | Leave a comment

ecno

This year, Panic Manual is aiming to provide more coverage to international bands. The first band we looked at is El Conjunto Nueva Ola, a group of anonymous rockers out of Mexico. In a way, they are like Slipnot, but in many ways they are not. Blending a variety of genres with an equally elating mix of covers and original material, the masked group will probably give you quite a jolt when they rock the Clive Bar on the 21st of March.

We sat down virtually to ask them a few questions.

1. Are you fans of luchadore wrestling? Who’s your favorite?
Yes, we all grew up as fans of wrestling or as we call it, Lucha Libre. Primarily watching the Mexican federation of wrestling. We each have our own favorite wrestler. My favorite is La Parka, my mask is inspired by his mask.

Editor note: I was hoping he’d say Rey Mysterio JR or Juvy. Because those are the only Mexican wrestlers I know

2. This is not your first time to SXSW. What did you learn last time?
We learned that getting out there and networking is very important in this industry, especially when there’s so much competition. It’s all about exposure at SXSW. Doing as many showcases as possible, and even that playing at 12 in the afternoon is as important as being the headlining band at a night time showcase, you never know who will be there.

What do you expect to do differently this time?
We plan on doing it bigger this time around. We want to make out of our showcase a big party, a show that people will remember forever, and leave them wanting more. Not that we didn’t execute that last year, but we like to top ourselves each time. The crazier the better, the more fun the better.

3. What’s the primary difference between tacos in Mexico and tacos in Texas?
Woah! When it comes to tacos, it’s like a science for us. We consider ourselves taco experts. In Mexico city there are types of tacos that you won’t find anywhere else in the world. So it’s almost like comparing apples to oranges. Texans have their own idea of tacos, like breakfast tacos with egg and chorizo and whatever else they come up with. In Mexico they’re just regular tacos, and you can have them for breakfast, lunch, and dinner. You also get more for your buck in Mexico City. There’s a deal where you can get 5 x 25, that’s five tacos for 25 pesos, about $2USD. Where else can you get that!

Here’s one of those covers:

4. How do you decide what songs to cover?
We don’t choose the songs, the songs choose us. We feel that when we cover a song we are actually interpreting that song the way the original artist intended to play it, so we’re doing the song justice. The parodies are not really parodies, those are the actual lyrics that the original artist wanted to write in the beginning but couldn’t, so we like to think of it as doing them a favor.

5. What advice do you have for fans at SXSW?
Get there early, get ready to have a good time, and don’t plan on going home that night because we can play and party all night long (until someone kicks us off the stage).

SXSW Preview: Gal Pals

Posted on by Ricky in South By Southwest | Leave a comment

Screen Shot 2015-02-17 at 11.32.25 PM

SXSW will be a nice homecoming for the duo of Jillian Talley and Lauren Mikus aka Gal Pals. The two moved from Austin to LA some time ago and since have formed a band whose sunny blistering rock sound perfectly epitomizes a lot of the successful bands that have come out of the West Coast in recent times. I call it ‘the Burger Record sound’, even though Gal Pals is not on that label, I think.

What is it about these bands? Why do they have such a good time? I guess it’s wonderful to be sunny and warm outside every single day. Gal Pals just released their new album Velvet Rut earlier this year so look for that to get some attention at their SXSW show case.

SXSW Final Recap: Bests, Worsts, etc.

Posted on by Ricky in Everything, South By Southwest | Leave a comment

13149573603_c5c088a507_z

Another SXSW has come and gone. Once again, we reflect on the time that was. Here is the Panic Manual group in a round table discussion.

Favourite SXSW Act

Gary: Suzanne Vega. There’s no comparison to the polish in her stage presence.

Derek: De Lux

Paul: Big Freedia’s set at Fader Fort was the most unique and a lot of fun, but I think I’ll go with Bob Mould as the act whose set I enjoyed the most.

Ricky: I’m torn. Big Freedia’s set at Fader was completely mind blowing and so unique. At the same time, Idiotape’s electric blitz had me craving to see them again. It might be a tie.

Most Disappointing Act

Gary: Milagres. Voice was off compared to record and the music jars with the setting.

Paul: Eagulls. I somehow expected more from them, but there was a bit of a sameness to their stuff. I’m willing to give them another chance though.

Ricky: I was looking forward to seeing Classixx, but they couldn’t locate their laptop and had a lot of sound issues and ended up playing two tracks. That’s too little for them.

Favourite Moment

Derek: Tie up between being backstage for Big Freedia/Being in the photo pit for Blondie. Debbie Harry’s still got it.

Gary: When Allen Stone told people to get the f*** out if they don’t want to dance.

Ricky: When Damon Albarn played On Melancholy Hill.

Paul:When the guitarist for Athens tech/prog metal trio Lazer/Wulf apologized to the crowd at Red Eyed Fly for not being very metal because he was smiling so much, but explained that he was just happy to be at SXSW, adding at the end of their next song,”I can’t believe we’re here!”

Break Through Act

Gary: Badbadnotgood. Fresh drum rhythms and energetic stagecraft, even through the set was early and the crowd was thin.

Ricky: It’s hard to tell because Haim and Bastille were obviously the big winners last year. Maybe I went to the wrong shows. From the acts that I have not heard of, I can see Prides or the Colourist doing well in the future, their music is pretty primed for big time. From the acts that I heard of, Sam Smith is also primed.

Derek: I didn’t have any moments like previous years where I felt absolutely floored and blown away by a band I hadn’t seen before. That’s likely more due to my own unwillingness to wait in long lines..

Paul: Fat White Family

Was this SXSW any different than previous years?

Paul: Yes and no. On the one hand, the corporate branding continues to grow and the crowds on 6th Street come Friday and Saturday night become less and less tolerable, but on the other hand, one can avoid or ignore a good deal of that and just take in the music. Also, pizza from Subway. I think that was new this year.

Derek: I felt like the lines were longer for the unofficial showcases, despite feeling like official festival attendance was lower this year.

Gary: Fewer turnouts and the vibe has now completely changed from music to corporate advertisement just 5 yrs ago.

Ricky: I feel like more people are complaining about commercialism than before. The music is still strong, and you can certainly make the case that all the people complaining about the corporate narrative should probably divert their energy into checking out some random band from Tokyo instead.

That’s another year at Austin. All in all, SXSW, despite the Doritos stage and Lady Gaga roasting herself on a bbq, is about the music. You can find many things to complain about, but you can also find yourself absolutely charmed by four Scottish girls doing string covers of Chvrches in a coffee shop that you accidentally stumbled upon. That’s the magic of SXSW. That’s why you should go.

SXSW Review: De Lux

Posted on by Ricky in South By Southwest | Leave a comment

LA group De Lux pulled off one of the smoothest and most south by moves I saw at the music festival this year. Playing the Filter Cedar Courtyard on a Friday afternoon, the group was halfway through their set when some other guy went up to the lead singer Sean Guerin mid-song and whispered something into his ears. Without missing a beat or lyrics, Guerin then reached into his pocket and handed the guy car keys. It wasn’t a big deal, but it was somewhat hilarious.

I accidentally caught De Lux twice at SXSW but I thoroughly enjoyed their set of disco-dance-rock music. It really took me back to the 80’s and somehow I think they could perfectly soundtrack the next Adam Sandler 80’s era movie. Their music was fun, a bit Talking Headish and has some nice hooks. Guerin’s vocal work was different then a lot of singers, a bit scratchy and sometimes a bit off key, it gives their music a form of sincerity which is sometimes a lacking feature in the new wave-disco kind of world that De Lux exists in.

The band also gave away a lot of free EP’s after each show, and judging by the amount of people who went up to get them, I would say that they gained a few fans with their sets, including me.