Concerts

Concert Review: MGMT, April 29, Mod Club

Posted on by Ricky in Concerts | 7 Comments

Toronto – Thursday night saw MGMT in town to promote their polarizing sophomore album Congratulations, which was released April 13th, 2010. I’ve listened to this album a few times and was kinda okay with it, but it wasn’t the atrocity some people made it out to be and of course, not the anthem filled album that the debut was. The all ages show at the Mod Club was sold out in minutes, making this night feel like a more intimate affair then it could have been. Having seen MGMT before at V-Fest, I was interested in seeing them in a more smaller venue. I had quite enjoyed their set on the island, but I can’t really remember it. When you go to V-fest with press credentials, you pretty much have an open bar, which means you don’t really remember much of the festival.

First of all, I have to thank my lucky stars my coworker was at the show, I had originally intended to make it to the Mod Club at around 10, anticipating a 10-10:30 start. What do you know, at 8:40, i get a text message:

S: Mgmt on stage, book it over here

which led to this exchange

Me: WTF
S: I think openers didn’t show, 3 songs done already
Me: Where u at
S:On the raised area on the right, all the way at the front
Me:Balcony closest to stage.. Did they play kids
Sno..no kids yet

Interesting! As you can tell by this intimate exchange, I was there to hear their super single Kids, so lets talk about that song

Kids

As you might have guessed, Kids was the last song of the night. It should be, it’s the meal ticket. Unless you go to the Kate Nash Institute for Performing Live Arts, you generally will know to play one of your biggest songs last, to send the crowd home happy. Kids is a wicked song, it’s catchy, got a good melody and very anthemic. I would say most people going to the show were there to hear this song, Electic Feel and Time To Pretend. I can understand playing old songs when you have new cool stuff to play is boring and somewhat of a chore, but I think a band should never forget that they really are just a product and the concert goers are the consumers and it’s really up to the product to deliver. Especially when you are in an industry like the music industry, where competition is stiff and most bands shelf life is short. It’s probably in your best interest to make the most of what you have, when you have it.

So why the little spiel? MGMT could not have looked more bored playing that song. They didn’t even really play it. The background music was basically played from a recording, with all the members basically taking a break from instrument playing duties to sing along to the song. Drummer James Richardson would very occasionally bang the symbols and Ben Goldwasser would occasionally bang the keyboard a bit, but more or less, it was just a MGMT karaoke over their own song. The crowd still lapped it up though, but I thought they were basically taking a piss on their own song, basically saying ‘we know we have to play this song, but we aren’t REALLY going to play it’. Maybe I was the only one who noticed it, but it definitely bothered me a bit.

The rest of the show was stellar otherwise, I kind of like the new material live, it’s got quite a psychedelic late 60s acid/lsd feel to it and it seems to me like a unsurprising direction change from the band. Oracular Spectacular was basically an ode to classic 70s rock, so it should be of no surprise that Congratulations makes nods towards other types of music from the same era. That being said, the overly chatty young pseudo hipster crowd still reacted more favorably to all the classic songs of the debut album. Like Sarah had said in her review of MGMT at Coachella, they had very little stage presence and was pretty disengaged with a crowd, despite saying a host of ‘thank yous’. I guess you can’t expect too much from a bunch of kids thrusted into the spotlight as MGMT was a few years ago.

All in all, it was a decent show. I got in late, somehow got an awesome spot, and then got home early. While I was there, I heard some good tunes and despite the hiccups that was Kids, I still enjoy the set.

Ps. Next time I’m at Mod Club, I promise to take a pic from a different angle

Review: Coachella 2010, Part 2: Surprising Sub-Par Acts

Posted on by sarahw in Concerts | 3 Comments

Palm Springs – Continued from part 1

Surprisingly Sub Par Acts

One: MGMT

After that love-fest, let’s move onto the bands that left a bad taste in my mouth. First up is MGMT, their debut album, Oracular Spectacular, was repeated on my iPod for ages when it first came out. Amazing from start to finish. Their second album, Congratulations was a departure from their indie rock smash hit, a little more disjointed and psychedelic and took a lot of listens to begin to grow on me. Regardless I was pretty psyched to see them live, they arrived on stage and announced that they would play all the songs from their new album, okay fine, it just came out. They played about 3 or 4 songs from their new album which no one really knew and were underwhelming live to say the least. These guys just have no stage presence, their vocals are weak and they make no effort to involve the audience. They finally got to songs like Kids and Time to Pretend, however, still with no audience interaction, fine, you’re still pretty inexperienced. The kicker for me is at one point between songs, they actually had the audacity to ask the audience to buy their new album. Come on guys, many bands at Coachella just dropped new albums and not one of them shamelessly promoted themselves. Live tours are how you promote an album and it helps when you show audience appreciation and actually have some presence on stage. I may buy their future albums, yes, but will I ever attend another MGMT show? Definitely not.

Two: Vampire Weekend

Vampire Weekend tunes are always a regular in the summer, an indie band made up of rich white dudes playing catchy Californian pop songs that have a somewhat African edge. Both Vampire Weekend albums are great, start to finish. As you can probably tell I’m big on the stage presence and these guys just don’t have it. They played all their hits, but the crowd and myself were not moving, at all. I saw some head bops but they didn’t really get things going, their performance was basically boring.

Three: Pavement

Pavement, what can I say, didn’t like them before Coachella, tried to open my mind and see what all the reunion buzz was about so I caught some of their set. Still don’t get it. Not a fan.

Review: Coachella 2010, Part 1: Mind Blowing Acts

Posted on by sarahw in Concerts, Everything, Music | 5 Comments

Palm Springs – 130 bands, 3 days, 30+ degree desert weather, an abundance of mind-altering substances, pairs of wayfarers in every colour you can imagine, interesting headdresses, more sweaty skin-to-skin contact than you’d like to admit and 80,000 of your closest hipster friends baking and dancing under the desert sun…this is Coachella.

Admittedly I only managed to see 20% of the 130, but this still entailed 24 hours of pure concert bliss. To list the performances I saw with separate reviews would be boring and exhaustive, for brevity’s sake I will lump the performances into 3 categories: Mind Blowing, Surprisingly Sub-Par and Honourable Mentions.

Mind Blowing

I’ll start out with the best of the fest because well, I left California with a great deal of respect for the following 3 acts: Whitest Boy Alive, Thom Yorke and Gorillaz.

One: Whitest Boy Alive

Whitest Boy Alive is the brainchild of Erlend Oye, best known for his work with Kings of Convenience, one of my favourite bands. I have been a fan of WBA for a few years now and am embarrassed to admit I only learned of Erlend’s association with them about a week before Coachella.

When I received the set list for Coachella I was disappointed to see that their set coincided with Jay-Z during the first night. I caught most of Jay-Z’s show which was awesome as expected and then made my way from the Coachella main stage to the GOBI tent to see WBA. The tent was surprisingly packed and WBA was still setting up their equipment. After a few minutes the band casually walked on and opened with Keep a Secret, one of my favourites and then continued to play song after amazing song from both of their albums.

They have a very unique electronic and somewhat funky sound that, combined with Erlend’s silky smooth Norwegian voice is hard not to bop your head to. As far as stage presence, when Erlend walked on the first thing I thought was that he looked like Bill Gates, but where he lacks in style he makes up in tight melody. This was WBA’s second time playing in North America (they made a stop in San Francisco to play at a small venue called Slim’s which I’ve heard was equally as amazing) and I certainly hope they plan a more extensive tour that includes Toronto because I would love to see these guys at a more intimate venue.

Two: Thom Yorke

On the Coachella set list he was billed as Thom Yorke????, which most people thought was a typo, but apparently when he assembled his super group (who play with him on tour) of Flea (Red Hot Chili Peppers), Nigel Godrich, Joey Waronker and Mauro Refosco they never managed to name themselves so they stuck with the ever mysterious Thom Yorke????.

I’m big fan of Radiohead, but have never seen them live so could not understand the cult following they garnered and the immediacy at which their lives shows sold out. Boy do I realize why now! Thom Yorke has one of the strongest and most beautiful voices live, even heard from way at the back of an outdoor stage. He played his entire Eraser album, beginning with the slower songs and slowly building with the harder driving electro-heavy tunes.

Thom does it all, during the set he sang, played guitar, piano, keyboard and percussion. While his Eraser set was nothing short of jaw-dropping, I would say most people lingered around to catch some Radiohead tunes. Knowing this Thom closed with an acoustic version of Airbag (OK Computer) and a classic, Everything in its Right Place (Kid A, Radioheads closest album to The Eraser). I was blown away with Thom’s talent and cannot wait for what comes next, whether it be Radiohead or another solo album.

Three: Gorillaz

Gorillaz headlined the last day of Coachella and went on right after Thom Yorke at the main stage. Before the festival I hadn’t heard much of their new Plastic Beach album but I was a big fan of their debut Demon Days. Gorillaz is made up of Damon Albarn, formally of Blur and Jamie Hewlett, the mastermind behind the famous Gorillaz comic book cartoons. Now if you’ve ever listened to a Gorillaz album you’ll know that it’s heavy on collaborations and it crosses all musical genres so I was wondering how the hell they would pull off a live show.

They opened with a video of Snoop Dogg singing Welcome to the World of the Plastic Beach, now we were pretty far back in the crowd so our surrounding concert goers thought Snoop was actually on stage which stirred some hype! Unfortunately Snoop was not actually there, but from where I was standing I could see that with Damon on the keyboard and vocals, they had back-up singers, a string quartet and various other members.

They played most of their classics; Kids With Guns, Clint Eastwood, Last Living Souls as well as most from their new album including my favourites Stylo (which featured Bobby Womack) and Melancholy Hill (they did not play DARE). Gorillaz closed their set and the entire festival with Feel Good Inc alongside De La Soul. Between the cartoons playing on the big screen, their backup ensemble and the truly original sound of Gorrillaz I was definitely impressed that they rocked a live show so well.

Concert Review: Alcest, April 23, Hard Luck Bar

Posted on by Paul in Concerts, Everything | 1 Comment

Alcest

Toronto – Black metal and shoegaze – two great tastes that tastes great together?  In the case of French band Alcest, the answer to that question is probably yes.  But the real question would be whether they could pull it off live.  The answer again – yes.  But more on that later.

First, a few words on the opening band.  Unlike Alcest, Monarque do not mix their genres.  They played straight ahead black metal, complete with (fake) spiked gauntlet wristbands, kind of crappy looking runny makeup and a candelabra on stage.  Lit candles?  Did they learn nothing from the Great White tragedy?  Regardless of the quality of their makeup (and the fact that, as my friend Chad pointed out, they looked “like they take themselves too seriously”), they were a pretty solid band.

On to Alcest.  The French band is reminiscent of bands like Mogwai, Jesu, and of course My Bloody Valentine (you can’t not be at least a bit influenced by them if you’re playing shoegaze inspired music) with of course the requisite shrieky black metal vocals and blastbeat drumming.  In order to keep the mood mostly kind of dreamy though, they kept the vocals mostly clean until near the end of the set.  And the guitars were … well, shoegazey.  I guess that’s the best way to describe it.  But totally metal, too, if that makes sense.  I dunno, they were pretty good.  Here’s a video from the show (with admittedly really low sound quality):  http://www.youtube.com/watch?v=31S89O8wnRg