Concerts

NXNE Review: Jaffa Road, Kobo Town, June 17, Bread & Circus

Posted on by Mark in Concerts, North By Northeast | 2 Comments

Toronto – Now in its 16th year, it’s clear that NXNE has become an increasingly important landmark on the musical calendar. Just trying to decide what shows to go to on any given night is a daunting task. This year it was important for me to make sure that I not only checked out bands I had never heard before, but preferably at venues I had never seen before. As great as the old stomping grounds are, it’s nice to check out what the other Toronto spots have to offer.

This made it a natural fit for me to check out a bit of the world music line-up at Bread & Circus. As someone who regularly frequents Kensington Market, I’m sadly unfamiliar with many of their night spots. The Bread & Circus is the kind of cozy place that immediately resonates with me. There’s a small but well put together bar in the front, and at the back there is a separate room with a stage. The seating at the back allows people to get their dance-in-the-chair groove on, and there’s enough standing room in front of the stage for others to get their dance-in-their-shoes groove on.

Jaffa Road is world music that fuses poetry in Hebrew, Spanish, and English. They’re sound is an eclectic one that draws upon Indian, Arabic, and Jewish themes. The band has been garnering a lot of attention lately with the release of their debut album Sunplace receiving a Juno nomination for world music album of the year. It certainly felt like lead singer Aviva Chernick was letting her hair down after these recent successes and just enjoying playing a low-key community venue. As eclectic as their musical influences are, it all just seemed to work. The blend of instruments like the stringed Middle-Eastern Ud combined with some Indian-inspired flute made for a fun and exploratory set of music.

Jaffa Road will be playing a free concert at Nathan Phillips Square at 5 pm on Sunday June 27 as part of the Toronto Jazz Festival.

The next band was Kobo Town, fronted by Trinidadian-Canadian Drew Gonsalves. This band draws its influences from traditional calypso, roots reggae, and dub poetry. As a Canadian with Trini roots myself, it was absolutely essential that I check this show out. I love calypso music, and am still figuring out how exactly I’m going to get plugged into the West Indian community in Toronto. Checking out this show seemed like a pretty good start.

The music that Kobo Town creates is both fun and dance-friendly. It’s got the syncopated beats of Caribbean music, combined with some tasteful brass that warms up the sound. The lead singer is an easily likeable musician with a good sense of ukulele rhythm. After dancing for the entire set, the crowd was more than a little disappointed with the strict 40 minute time limit imposed by these types of showcases. Like the rest of the crowd, I was hoping for some more of this Island music. I look forward to seeing Kobo Town play a proper set where they can stretch their legs.

Concert Review: Broken Social Scene, June 19, The Island

Posted on by sarahw in Concerts, Everything | 15 Comments

Toronto – Broken Social Scene was the best concert I have ever attended. The End.

Just kidding! But seriously, Broken Social Scene (BSS) is one of those bands that you just NEED to see live. I love all their albums, but they do not do BSS any justice.

I made my way to the island early to try and avoid the crazy ferry lines that a sold out island concert would cause and arrived as Beach House went on.

Beers

First let me bitch about a few things, the beer garden logistics were horrendous. We had to line up to get into either one of the two beer gardens. Then line-up to buy a maximum of four beer tickets and proceeded to line up again to buy a maximum of two beers with the tickets. We stood in line for an hour (whole Beach House set) to get freaking tickets. After this madness we were forced to stay in the beer garden and drink all 4 beers because leaving meant having to rinse and repeat this entire rigmarole.

They should have sold beer tickets at the entrance to the beer garden and lineups inside should only have been to get the beer. I could have avoided this by not drinking, but seriously, an island concert in 40-degree weather with no beer? It tasted so good when it hit my lips…

The Main Event

Okay back to BSS. Seeing as how Broken Social Scene has about 100 members, concert-goers outside of Toronto rarely have the opportunity to enjoy the band in full force. Luckily, most members live in Toronto or were in town for the MMVA’s (I think?). They opened with World Sick, the single off their Forgiveness Rock Record album. From there it got better and better and better. At the forth song, Kevin Drew brought Feist on stage (YES, Leslie Feist) and they sung 7/4 Shoreline. Amazing. About halfway through, Kevin brought Emily Haines on stage (YES, Emily Haines of Metric) to sing Sentimental X’s. Other notables that joined in were James Shaw (Metric) and Sebastian Grainger (Death From Above 1979). They sang most songs off their new album and threw in classics like Stars and Sons, Fire Eyed Boy, Cause = Time, Almost Crimes and Lover’s Spit.

At any given time during the show there were at least 10 band members on stage (I counted at each song, seriously) including two drummers and about 5 guitarists as the backbone. They changed it up for each song, bringing on special guests, including a violinist, having a backup brass ensemble, and a flute at some points. Kevin Drew apologized at many times during the show because “everything kept breaking” but I couldn’t tell (this is not because I was drunk, it’s because I don’t know any better and I was just so happy to see them live).

Highlights

The best part of this show, apart from THE WHOLE THING, was definitely seeing Feist and Emily Haines sing their parts. I felt all proud to be Canadian at this point and was thinking about how great our current music scene is, there are so many excellent and influential bands hailing from Canada and we have some amazing festivals and concerts that expose them to the masses.

For the finale (Ibi Dreams of Pavement was actually the finale, but I don’t like that song so we’ll ignore it) they played Meet me in the Basement, an EPIC tune and my favorite off their new album. BSS is truly an instrumental band, and the guitar riffs in this song are probably going to go down in musical history books! I don’t want to be too cliché but they killed it with this song. They sound like a tightly woven modern rock orchestra and while I still love the song, it’ll never be the same unless I hear it live.

Broken Social Scene – World Sick by AlwaysHustle

NXNE Review: WOMEN, Murder Ford Monument, June 18, The Silver Dollar Room

Posted on by Paul in Concerts, Everything, North By Northeast | Leave a comment

Toronto – Had I seen Ricky’s review of WOMEN’s June 17 show, I might have thought twice about checking them out.  Not that they were bad, but I have to say, I pretty much agree with everything Ricky said.  They do have a lot of interesting sounds and i was really digging a few of their songs … but the songs themselves weren’t really that memorable.  As Ricky already said, it does almost tend to become background music and the vocals were kind of just muttered into the mic.  The room was packed and a lot of people were really into it, but something about it left me a bit cold.  It  could have been the fact that it was 2:00 AM and i probably needed something a bit more jolting and less contemplative to keep me awake.  It could have been that they were just noodling around too much for my taste.  It could have been that I left the Zeus show at The El Mo to check these guys out.  (By the way, Zeus played an awesome cover of Genesis’ “That’s All.”)  “They sound like Fugazi on crack,” said a friend of mine who was at the show.  I don’t think he meant it as a compliment, but to me, the song they were playing at the moment was one of the best in their set maybe because it sounded like Fugazi on crack.

The room pretty much emptied out as 3:00 approached and Murder Ford Monument prepared to take the stage.  Which is a shame, because the Montreal band played a pretty great set of epic, moody indie rock.  A bit like The National, only heavier.  The whole set was a slow build of sorts and those who stayed seemed to enjoy it, especially the crazy dancing Filipino guy who seemed to be drunk or high or something.  There was a lot of swaying and jazz hands on this guy’s part.  “Thanks for the dancing,” said singer Jesse LeGallais at one point.  The dancing guy persisted for quite a few songs before disappearing into the night.

Women: 

Murder Ford Monument: 

NXNE Preview: Paul’s Picks

Posted on by Paul in Concerts, Everything, North By Northeast | Leave a comment

Toronto – North By Northeast starts tomorrow.  The city will be full of music lovers checking out shows and drinking ’til 4 am.  And most of them probably want to go to the same shows as you.  I’m sorry, but it’s true.  That’s why it’s always good to have a backup.  Ricky already advised in his NXNE commandments of the value of knowing what else is going on at nearby venues if your plans get changed.  So I’m here to talk about some of the more interesting acts – a few of the big ticket bands, but also a lot of the somewhat lesser known.  Here goes:

Wednesday

I guess this is the first official night of the fest.  It’s pretty slim pickings, but there’s a few things going on if you’re looking.

Eagles of Death Metal are the big ticket show of the night.  They’re playing The Phoenix, first 200 passes get in and since there’s not a whole heck of a lot going on otherwise, it’s a pretty safe bet those 200 slots will be filled.  If you don’t get in, you can console yourself with the knowledge that Josh Homme won’t even be there, as he’s too busy hanging out with Dave Grohl and John Paul Jones anyways. 

Also of note are Cavaliers!, a fine alt-county outfit who’ll be playing The Bovine at 10:00.  Their sound is reminiscent of Ryan Adams and The Jayhawks, full of sweet harmonies and a bunch of guitar solos.

Thursday

Andy Kim:  Andy Kim!  Rock Me Gently! Sugar Sugar!  Need I say more?  OK, I will – once upon a time, Mr. Andy Kim briefly went by the stage name of Baron Longfellow!  For no apparent reason.  How cool is that?  He’s playing at 8:00 as part of the Outlaws And Gunslingers showcase at Lee’s Palace, along with a bunch of rootsy singer-songwriter types like Jim Cuddy, O Susanna, Justin Rutledge and The Beauties.

Teen Tits Wild Wives:  Wrongbar, 10:00.  Don’t know much about them, but with a name like that, they must be worth seeing.

Another Blue Door:  Comfort Zone, 11:00.  They’re from The Shwa and they list Pavement and Big Star as influences.  Good enough for me.

Walter Schreifels: Legendary in hardcore circles, the former frontman of Youth of Today, Gorilla Biscuits, Quicksand and Rival Schools will be doing the folksinger thing at The Bovine in the wee small hours (AKA 2:00 am).  I was a big fan of Quicksand back in the day and will definitely be checking this one out … unless I get too sleepy.

CBC2 Showcase, The RivoliZeus, Buck 65, Grand Analog, and a couple other performers I’m not familiar with.  Zeus is a pretty tight band and Buck is always entertaining.  This should be a good one.

Misfits @ The Opera House:  If you really want to see Jerry Only covering up his bald spot with a devilock combover, go right ahead.  First 50 passholders get in. 

Friday:

Best Coast and The Soft Pack are playing The Garrison at 11:00 and 12:00 respectively.  Both bands are playing at least one more show elsewhere during the festival, so if you don’t get in to this one, you can always try another night.

The lineup at The Silver Dollar Room is pretty solid tonight.  In fact, Silver Dollar showcases are always pretty good.  Say what you will about Dan Burke, but the man knows how to book a great lineup.  Austin’s Strange Boys are playing their brand of R&b-ish garage rock Thursday through Saturday at The Dollar, plus a show at The Garrison.  Also on the bill tonight are By Divine Right, WOMEN, and Murder Ford Monument, who are described in their NXNE bio as sounding like The National and Explosions In The Sky.  And they’re driving all the way from Montreal to play one show at 3:00 AM.  The least you could do is stop by for a few songs. 

Saturday:

Some guy named Iggy is playing Yonge Dundas Square.  Will it be as good as his brilliant performance as the Al Martino loving ice rink operator in Snow Day?  One can only hope. 

Library Voices:  The Horseshoe Tavern, 9:00.  Library Voices are awesome – fun, poppy tunes full of synths and saxes with multiple vocalists with songs about Kurt Vonnegut.  So good.

The High Dials: Rancho Relaxo, 12:00.  Fine Montreal psych rock.

Sunday:

De La Soul.  Yonge Dundas Square.  Be there

And that’s about it.  Enjoy.