Concerts

Concert Review: Junip, November 5, Lee’s Palace

Posted on by Paul in Concerts, Everything | Leave a comment

Toronto – I will readily admit that I knew very little about Junip before going to this show, but I do like Jose Gonzalez.  His solo stuff has a nice, almost hypnotic vibe to it, so I was interested in seeing what he would do as part of a full band.  And after seeing and being totally charmed by Sharon Van Etten’s  opening set, I was in the right mood to hear what they had to offer.

Of course, any talk about Junip kind of refers to it as Gonzalez branching out and starting a new band, when in fact, the band actually existed before his solo career (and apparently met through going to hardcore shows in Gothenburg) so really this is kind of a return to his roots.  Tom Petty did a similar sort of thing with his recent Mudcrutch project, so maybe this is becoming a trend.

So how did they sound?  Well, pretty much like Jose Gonzalez with a full band.  They had a similar sort of hypnotic vibe, but a bit spacier maybe courtesy of Tobias Winterkorn’s synthesizer work.  There was a definite 70s influence on their sound, and the persistent drumming added a touch of Can-style krautrock.  And they had conga drums too!  Everybody loves congas.  Or were they bongos?  Maybe both.  Either way, there was lots of percussion involved.  And if that wasn’t enough, they threw in a really solid cover of Bruce Springsteen’s “The Ghost Of Tom Joad” near the end of their encore … although I have to wonder, does it really even count as an encore if you’re only gone from the stage for like 20 seconds?  Why not just stay onstage and forego the pretense, guys?   

Setlist: http://www.setlist.fm/setlist/junip/2010/lees-palace-toronto-on-canada-53d567c9.html

Junip – Rope and Summit by sanfordco

Concert Review: Sharon Van Etten, November 5, Lee’s Palace

Posted on by Ricky in Concerts | 1 Comment

Toronto – if I was writing a year end article about the most charming on stage performers, I’m pretty Sharon Van Etten would be at the top of the list. The singer from Jersey easily won over the semi packed crowd at Lee’s Palace with her laid back and humble personality. I could easily write a few paragraphs about her interactions with the crowd but I won’t. There was, however, a particularly hilarious dedication to a man in the front row who had recognized her “I can’t. believe you know who I am!” she says to the crowd.

Opening for Junip, Sharon Van Etten gave a good sample as to why media outlets like Pitchfork are going balls to the wall for her material. I had previously labeled Sharon as another singer songwriter type with that soulful yet singular sound that while good, sounded samey when compared with other similar artists. However, the live show definitely showed Sharon’s versatility as a musician, switching from folky quiet numbers to rock/shouting ones to beautifully arranged ones. It was very impressive. I haven’t listened to her new record epic yet but if the set is any indication, I’m sure the album is pretty good. A fan requested song – Consolation prize finished the splendid set.

All in all, very impressive opening act. I am thinking it’s just a matter of time before more people will know who Sharon Van Etten is.

Sharon Van Etten – Love More by Henry Coachella

Concert Review: Florence & The Machine, November 4th, Sound Academy

Posted on by Ricky in Concerts | Leave a comment

Toronto – It’s been a year since I last saw Florence & The Machine. In the 367 days since I last saw the Brit singer, she has managed to cross over to North America and has undergone a massive spike in popularity (including a very awesome MTV VMA performance), all thanks to her stellar debut album, Lungs. As a result, she was no longer playing small size venues such as the Mod Club and has moved on to larger and more cavernous venues, such as the much dreaded Sound Academy.

Since everyone complains thoroughly about the Sound Academy, I’ll skip that portion of the article. Florence & The Machine played a stellar set consisting of material off her album Lungs and a new song, which predictably, fell flat with the crowd. The rest of the songs were impressive in it’s own right, due to Florence’s powerful voice. The five piece band, which included a harpist, elected to play their music in a backgroundish kind of way, never really standing out and often sounding exactly like on album. This allowed Florence to unleash her voice onto the crowd and what can you say, the girl can sing.

I found the choice of set list to be interesting as the first 45 minutes of the show was dedicated to the slower, more melodic parts of the album Lungs, or as I’d like to call it, the non-singles. Since the album has a similar theme to it, some of the tunes started to sound samey after awhile. The slow pacing seemed to have put the crowd in a placid kind of state and when the singles (Kiss with a Fist, Dog Days are Over) started being played, it seemed to be a little too late to get an all out party going, despites Florences best effort. Either that or the crowd was so packed in at the Sound Academy, they couldn’t afford to move. I am not sure but after witnessing a semi mosh pit at the Mod Club show last year, I was surprised to see not much movement in the crowd for their hits.

Let’s now talk about the music. For some reason, whenever I listen to the album Lungs and also when I was at the show, some aspect of her songs – whether it be the tribal drumming, the harp or just random lyrics about the sun and the moon, makes me want to grab a walking stick, fly to Arizona or Nevada or Utah, go on a long as hike, set up a campfire, smoke some peyote or lick a frog and then lie down on the ground and look up at the stars. That’s pretty inspiring, and what also is inspiring is seeing an artist that you saw a year ago step up her game and go from internet star to real life sensation.

Concert Review: Black Mountain, The Black Angels, October 31, Phoenix Concert Theatre

Posted on by Paul in Concerts, Everything | Leave a comment

Toronto – Halloween shows can be a pretty fun time.  You get to see people who’ve gone to the effort of wearing a costume to the show (note: this was not me) and if you’re lucky, the bands will be in costume as well.  This can often make for an even better performance and in some cases, the costumes instigate themed musical performances as well.  Famous examples of these include Ted Leo and friends dressing up as The Misfits in order to play their songs or Mr. Bungle dressing up as and mocking The Red Hot Chili Peppers because Mike Patton had some kind of beef with them.  There were no such themed performances this night, but both bands did wear costumes and each of them play music that certainly lends itself to being played on All Hallows Eve.   

The Black Angels are a band that seems to be getting a fair bit of hype these days.  I’ve been aware of them for a few years now, but I never paid that much attention so I figured this is my chance to see what they’re all about.  I liked what I heard  of them before the show and their psychedelic, drone-filled, bluesy tunes went over fairly well, but something about their show left me slightly unimpressed.  They were not bad by any means and I imagine that if I were more familiar with their repertoire I’d be more into it, but I got the feeling that their set was a bit too long and samey.  Maybe it was the fact that I was really tired, or maybe it was the creepy old hag mask that singer Alex Maas was wearing.  Still, their song, “Telephone” is a pretty rockin’ tune and they seem like the kind of band I usually do like so I might be inclined to give them another chance one day.  Here’s their setlist.

Black Mountain, on the other hand, totally impressed me.  I’ve seen them a couple of times before and this was one of the better sets I’ve seen from them.  The band took to the stage wearing military themed costumes.  I like that they all stuck to a theme – even their sound guy was taking part – and they were obviously having a lot of fun with it.  To be honest, I’m not entirely sure what their costumes were about exactly.  Were they supposed to be the cast of Platoon?  Or military zombies?  If zombies, did they get that way from eating contaminated “taco meat” from the army surplus store?

I don’t know if it was the costumes or what, but they certainly delivered onstage.  Keyboardist (and awesome cover art designer)  Jeremy Schmidt added all kinds of tasty synth flavour throughout the evening, satisfying my need for all things proggish, and vocalist Amber Webber was totally impressive.  In fact, I don’t remember Webber being this awesome before.  I don’t know if it was the fact that she was situated at centre stage or maybe it was just the nature of the newer songs off Wilderness Heart highlighting her strengths, but she seemed to be really high energy.  Hell, it could have even been the costume.  Whatever it was, her vocals really shone through.

Stephen McBean certainly gave his bandmates every opportunity to shine.  He’s always seemed like kind of a laid back guy, but I can’t recall him saying much of anything during the show.  He just hung back and sang his songs.  Then again, the band didn’t say much as a whole, preferring to let the music do the talking.   Well, that and the costumes.